Loved "In you hair" mate.
The vocoder was tough-to-hear in mono on the CrapMac™ speaker, but I loved the quirkiness of the piece.
Loved "In you hair" mate.
The vocoder was tough-to-hear in mono on the CrapMac™ speaker, but I loved the quirkiness of the piece.
Rockin' Niko.
Who needs the band mate? Bunch o' hacks.
Who is this cat?
He was an idol of mine in the late '70s and early '80s Larry - Louis Johnson.
My fave album of the Brothers Johnson was the Quincy-produced Light Up the Night. It was the first album I ever bought. I was 11. All my friends thought I was crazy of course; I was ahead of my time and above my pay grade taste-wise.
My fave track from it was this one. Bear in mind that this was before MIDI, so no cheating!
Thanks Monkey_Man unfortunately it's still my voice even if slightly more in tune.
Seriously man, it's starting to sound like "a thing" - IOW, sellable.
Power and projection have much-improved.
Geez Tobi, hang in there brother.
Sending thoughts of strength to you mate.
Your singing's coming along nicely Per.
Definitely improving brother.
Greg Koch is a freak.
Some pretty chord changes there bro'.
All of a sudden I find your mixes more open and balanced and I hear each part better.
If he'd listened to me 100 pages ago...
Well-done Brother Per. Sounds like progress to me bro'.
yep it's cool to see some dynamics , master bus comp & fx sure lower the dynamics on most presets. I like a raw mix from time to time
Doesn't have to be raw to not be an assault on one's ears of course brother.
If it's not smashed to smithereens that's a great start IMHO.
It's a pleasure hearing mixes that aren't squashed to ####.
Very-nice Per.
Well then he needs to cull the Profiles (and IR's of course) stored in his brain.
Is that Fusion Rock? I can't keep up. Cool tune.
I'd call it pop blues rock and yeah, cool tune.
Biggest necro-bump I've ever seen, so I'm guessing Rabea got this sorted during the last 7 years.
I've had the same issues with my Kemper toaster, I'm assuming it's running slow because I've put too many profiles and stuff in it. I'm gonna try cleaning it up and just adding some that I use the most to see if it runs faster. You can try this maybe?
Good policy; it's my M.O. for that very reason. Helps keep it snappy.
rhodes is such a great instrument with a jazz guitar tone
It's just a great instrument all-'round in my book.
Always loved 'em. Takes chorus, phaser and distortion really-well.
Tidbit:
Lowering unnecessary lower mids across-the-board actually helps the bass stand out more and seem more-punchy and defined.
As "Per" previous mutterings I'd de-ess more brother.
That's all I've got for now mate.
Good idea brother.
My broken record:
Dial the mix limiting / compression back a bit. Generally there's been too much pumping IMHO. It "should" only be used for effect IMHO. This, I'm guessing, has caused you to chase your tail a bit when it comes to getting drums, especially snare, to sit right in the mix. In my experience it tends to bury the snare. Cymbals have exhibited pumping too more often than I'm guessing you'd like.
Also, I'll repeat what I said the other day:
As a general rule, never boost low mids in vocals. This not only tends to sound "amateur", but it ultimately lessens the ability of notes to be perceived clearly in-the-mix 'cause the energy boost means that you're chewing up headroom unnecessarily. Great in solo mode, not-so-great in a mix.
If you stand close to the mic I'd try cutting them.
By the same token, the mid mids ought not be cut if you want notes to "sing through".