I enjoyed it too.
Liked the build-up and release.
I enjoyed it too.
Liked the build-up and release.
Too-obvious; I'd never have thought of that.
Interesting Per; thanks mate.
Possible it was being smashed on my end, being so-hot, by an app called "SoundSource". It's permanently set to boost my CrapMac™ volume output or I'd barely hear anything at all.
All the usual symptoms were there like the snare's being buried etc.
Thanks again brother.
Some great sweetening in that one Brother Per.
Are you smashing the mix again? Be honest.
Indeed Brother Bertie.
I've noticed that many "busy" musicians tend to stick with old hardware, especially when it comes to computers, not wanting to break their work / creative flow.
Lots of 2010 -> 2012 cheese graters still floating around.
I don't think the lack of response has anything to do with your profiles, but rather the Kemper update itself. My guess is a lot of people who gig regularly, but only have one Kemper, don't want to install the latest updates without those updates having been released to the public for a while. That is personally my case. The liquid profiling seems like a big update and I don't want anything broken or any surprises.
I need a block of time where we don't have gigs but do have practice time line up, before I can update it, have a few full practices, and feel comfortable that nothing weird is going to happen at my next gig.
There's also likely to be a bunch o' folks who're still on an old macOS, such as myself (macOS 10.13.6 High Sierra), who can't run the version of Rig Manager required for Kemper OS10.
I have to admit if I'm absolutely honest I like the sound of the 70's hippy jazz stuff more than I like the songs if you know what I mean. Like I love how people in the 90's revisited the it like Paul Weller, that breezy 70's sound on Wildwood, and all those acid jazz bands. I often start out really going "this is great" on the real deal then finding I can't take too much of it. Maybe because so much of it never wants to resolve, or goes too often to those diminished chord slides that sound flat to my ears.
Agreed.
Too much of that stuff is too-repetitive for me. Same applies to a lot of '70s funk.
A lot of the time it's just a lack of a distinctive B section and sweetening.
Flora Purim
I came to "know" her through her BV work for George Duke.
6-octave range. Respect.
Welcome and congrats on the new baby Larry!
Yeah, for some of us it was many decades before we were able to dial in sweet tones on-tap.
They say good things come to those who wait and nice guys finish last, so it's a win-win situation for us mate.
If I was Pablo Escobar I'd be making you an offer you can't refuse for the whole lot Brother Tobi.
100% I'd be a better geetarist if I had that collection at my disposal.
So-impressive!
There're too many for an album.
It'd have to be a catalogue.
Loved "In you hair" mate.
The vocoder was tough-to-hear in mono on the CrapMac™ speaker, but I loved the quirkiness of the piece.
Rockin' Niko.
Who needs the band mate? Bunch o' hacks.
Who is this cat?
He was an idol of mine in the late '70s and early '80s Larry - Louis Johnson.
My fave album of the Brothers Johnson was the Quincy-produced Light Up the Night. It was the first album I ever bought. I was 11. All my friends thought I was crazy of course; I was ahead of my time and above my pay grade taste-wise.
My fave track from it was this one. Bear in mind that this was before MIDI, so no cheating!
Thanks Monkey_Man unfortunately it's still my voice even if slightly more in tune.
Seriously man, it's starting to sound like "a thing" - IOW, sellable.
Power and projection have much-improved.
Geez Tobi, hang in there brother.
Sending thoughts of strength to you mate.
Your singing's coming along nicely Per.
Definitely improving brother.