I'm not sure I am understanding your exact situation, but if I am right... some things stay with the original rig, so make sure you save any changes to that rig before you bring it into a performance. For instance, Morph Rise and Fall times are something I constantly forget to do this on, so I have to go back and edit each rig inside a performance. If I edited the original rig, and saved a version of that and brought it into a performance, I wouldn't have to. Hope that helps but let us know if I am off target.
Posts by flyingheelhook
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Black Goop for the win!!!
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I've had my toaster for seven years - and I bought it used from a guy who had it for about a year or so, I think - I guess I should plan on changing the battery soon...
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Why not order something custom? Thats what I did.
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I had an opportunity, so I custom ordered matching G&L ASAT Classic S & S-500.
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Display MoreBring back the capacity to name a set of stomps on the stage the same way you can on the rack/toaster.... and grant us an extra layer of flexibility when we lock them
Example:
Let's say I have a blues outfit and a covers band
typically I would want a tremolo as the 'wobble' with the blues band and a chorus in the covers band - and there are plenty of other permutations as well
What I am looking for is the capacity to bring up named sets of stomps that remain locked over different performances... ie. I want to lock "blues" over my MBritt Vox performance but on say my TJ Tweed I want to lock "covers"
Secondly:
Have a dynamic number of "locked and named" sets but have those able to be edited globally.
Example:
If I edit the locked reverb on "blues" it doesn't affect the locked reverb on "covers" BUT it flows through to all performances where I have nominated "blues"
Bring back? This functionality never existed on the Kemper before. While you are using a different method of describing it, this is something that folks like myself have been requesting for at least six years - almost as soon as I got the Kemper I started submitting a request for it. I can't remember every conversation with Kemper that has taken place, but supposedly, they don't see the importance or value of a system that allows for this kind of file usage - and/or their base approach will no longer allow for it. I *think* Rig Manager is their proposed solution.
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oh snap, I didn't notice Wheresdug posted the link. sorry.
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1.6k likes? I never heard of the guy and I can hear why.
LOL!!! Never discount studio musicians you've never heard of. I recently saw him touring with Anne Wilson from Heart.
From: Wikipedia:
Bukovac began playing guitar at age eight, and performed his first shows at age thirteen at his widowed mother's bar, The Surfside Lounge, in Eastlake, Ohio. He moved to Nashville in 1992 to pursue a career as a guitarist.1
Bukovac has played on over 500 albums,[1] including projects by Steven Tyler, Stevie Nicks, Bob Seger, John Oates, Joan Osborne, Vince Gill, Dave Stewart, Joss Stone, Hank Williams Jr., Sheryl Crow, Don Henley, Carrie Underwood, Rascal Flatts, Keith Urban, Willie Nelson, Martina McBride, Faith Hill, Kenny Loggins, Reba McEntire, Blake Shelton, LeAnn Rimes, Florida Georgia Line, Dallas Smith, Lionel Richie, among many others.[3]
Bukovac has toured with Joe Walsh (2017 – Tom Petty and the Heartbreakers 40th Anniversary Tour[4]); Vince Gill (2016); John Fogerty; Faith Hill; Trigger Hippy; Wynonna Judd; Tanya Tucker, and others.[5]
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1) Advil
2) Patience
3) Caffiene
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Check out the description. Tom's a trip.
"Sure its a little hungover and sloppy, but this is a pretty good illustration of why Uncle Larry doesn’t use Kempers and Fractals and all that modeling horseshit. He likes it loud and raunchy, that land where the speakers and the pickups are united in total solidarity."
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My power kabinet came with a simple one-pager. I followed the instructions and so far, it works pretty much as expected - and desired. I played an outdoor gig last week and the other guitarist had a fender twin. (I'm currently using a Michael Britt Grammatico Steel String Singer profile as my main base rig). Granted, we didn't really crank it as loud as we could - we were told to turn down twice - but I was able to hear myself the whole time and got compliments on how well we sounded as a whole. YMMV.
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You could do this by having two separate instances of the same stomp or effect assigned to two different slots (i.e. A & B or X & Mod), with each having separate parameter values as you described. Then assign them to the remote switch separately so they toggle. The downside to this approach is that one is always on, so morphing might be a better way to go depending on your workflow, set up or preferences.
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Enhanced file management including Save To, Save As, and individually editable presets that can persist across multiple rigs/performances.
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I use a Wah with Bypass at Stop. It works well for me.
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That's a tall order when you give very little detail. It might help if you describe how you have it set up, what profile(s), guitar/pickups, signal chain, etc. as well as what you have done that you consider 'wrong'.
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Display MoreWhat about an « option » for those like me who likes simple and more common things?
Performance mode : press rig -> press export to browse library -> save as
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That’s exactly how files are saved on a computer since … a long time.
Exactly the same as but easier no?
I gave up on trying to convince them of this concept... a long time ago. Kemper is great about a lot of things, but you might as well argue with a rock when it comes to a simple concept like this.
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How long did it take from when you placed your order to when you received it? I have not received a confirmation email from Kemper even though Paypal says it went through. Chalk it up to holiday weekend in the US I guess...
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Just pulled the plug and ordered one. I'll be interested how it stacks up against everything else I've tried and will try to post a review.
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Worth adding to the feature requests?
Good luck! Variations on this theme have failed to garner Kemper support over the years.
