Posts by SWASS

Quote from Mats_Nermark

Great 1st try.

In addition to what Per suggested I would enjoy a more powerful drum sound and lots more reverb on the drums. The snare especially would benefit from some more punch.

Looking forward to take 2!

Cheers,

Mats N

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Thanks Mats, some good suggestions thx a lot...cheers Jason

Quote from BayouTexan

You are on the right track.

I would do a volume swell up to the intro so it just doesn't start abruptly (like add a volume envelop with a Bezier curve). I would also try increasing the volume a little on the synth intro. The vocals could be lower. And as Per the expert suggests - raise the drums a bit. I might want to try adding more ambient reverb on the solo to give it more moodiness to compliment the moodiness of the song.

Also volume down with an envelop on the ending while the solo is still playing at about 5:10. This gives a cool walk away effect from the song.

I like the vibe of the song.

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thanks a lot for the feedback. some good advise and will surely make some changes to the guitar sound with the kemper

Quote from Per

Very Pink Floyd, cool and moody sounding track. Nice playing!

I’d raise the drums a tad and if you want the 70s feel then maybe add a tinge more verb to the drums and a subtle echo to the vox.

yes thanks mate. Will take that into consideration on my take 2

This is my first song that i actually finished. Guess i got a little lost with the amounts of Tracks and over produced it at the end. Want to record the whole song again with some better equipment an the Kemper of course in the comming months...and maybe some ideas from this great community.

Im glad for any feedback

If I want to morph from clean to gain I would take a reverse approach

1. Look for a good gain sound

2. Reduce the gain and set the morph to heel

3. Increase the gain and set it to toe

4. Now you can morph from clean to the disired gain sound you like

If find it easier to get a clean sound out of a top gain sound then to get a top gain sound out of a clean sound

+10

Quote from Finally

With an integrated pedal you can set it before or after the amp section, which lets you change the volume without affecting the gain. That's a cool feature in a few situations where you don't want it to clean up as you heel down.

ok, cheers that makes a lot of sence. On a valve amp i would place the pedal exacly there anyway but with using a monitor and stereo outs this wont work.

Will the volume pedal also contol all outputs simultaneously

I use a normal volume pedal in front of the kemper. Am i missing out on functionality if i dont integrate it into the kemper ?

but it would be a bloody expensive volume pedal

yep Blauzahn hat das Ding net...

bin gerade am gleichen Thema dran und habe jetzt folgendes bestellt um zwischen IPAD und Kemper auf der Bühne zu kommunizieren

https://www.thomann.de/at/quic…wireless_midi_adapter.htm

Viele Grüße

Jason

The EP1 is an expression and wah pedal with a spring load function and not a volume pedal. Even if you could use it as a volume pedal it would be by far too many functions on a pedal. So if you need and want the functionality of the EP1-KP-GN SPL you would need an additional volume pedal

I have a volume Pedal in fromt of the Kemper stat seems to do the job up to medium stages

Quote from DaleOz

Yes

Forscore can send a bluetooth midi message to the Kemper via a Yamaha MDBT01... Bottom line: as you progress through a set from one PDF to the next (say with an Airturn) it will automatically send a program change selecting a new performance on the Kemper.

I store different gigs and different repertoires in separate folders in RM, and ditto, within Forscore I arrange songs into separate libraries.

This takes some setting up but it is "set and forget" on a gig and you can vary the sequence of the sets on the fly with Forscore.

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Well this sounds bloddy amazin to me so i could have my Kemper fully loaded with 128 Performances as Songs and trigger them via my Ipad software over MIDI Bluetooth. I use SetList Maker and it has an extra MIDI functionality as an addon that should do exactly that. All I need is a MDBT01 or comparable.

To go one step further i could also connect a MIDI Voice processing Tool to my Kemper and set the respective MIDI Programm in each Performance which in my case is a song and wouldn't have to take care of any effect / vocal adjustments anymore as a guitarist/singer...

I know the second part is slightly of topic but i dont care because its amazin sorry

best described in a workflow... want to create a bunch of U2 , Floyd ect... Effect Blocks for quick access. So would be great to punch in the millsec on the delay, make some changes to the eq and boom save, rename and so on.

For me the effect block plays a much more signifisant role than the single effect as i see this more as a song, as 1 piece.

Same for the Stomps of course. This level currently seems to be left out. Hopefully they will adress this at some stage.

But great to have the Editor & thanks to Kemper

Quote from Scott Rosenberger

You can drag effects into your Local Library and give them custom names

thx, but not possible with Stomp or effect blocks

is there an option to save effects and/or the entire effect block ? also typing in the delay time would be great

cheers, great info....thanks

maybe im doing something wrong but if i jump between rigs in a performance i always loose all changes. Why is it necessary to save every single rig seperately.

Wouldnt it be more convinient if you cant edit and switch whatever/wherever you want in a performance and the just press save once at the end.

If i for example need to adjust the volume or setting in a performance i need to press save 5 times which is a hassle. It would just ease the workflow. Sure this is also

not possible in RM3