couple of random thoughts about the topic:
- I sometimes wonder myself, if all those resources invested in the "mixing-side" of things were all that well spent. Sure, if you know something about mixing, production will get more focused. However, most of the amateur stuff I come by often lack on the "composing-side"... My personal music today would probably have been better, if I would have sourced out more of the "mixing-work". If I would in retrospect make a spreadsheet of just that money that went into all that studio-gear, it would have most probably also been cheaper ... and resources not just being money... time is a huge factor, and I find at least for me, that keeping the creative, inspiring side separate from the technical side helps my music a LOT. I think that the learning curve also benefits from seeing what pros do with YOUR music... quite hard to be good at everything yourself... I don’t know how good a mix engineer SRV was And besides: most mix engineers I have met, also work with a client on site and that way you also learn a lot...
- less is more… in every aspect. Knowing a few tools well is better than a lot of them superficially... I only use 3 rigs on my Kemper, trying to follow my own paradigm Also I find really impressive the sheer number of track count, "modern producers" are able to fit in the final stereo mix, with actually still hearing something meaningful, but I have to say... more and more as I get older: I personally don't enjoy that stuff all that much, albeit it being quite impressive. I feel that I can open up to the music a lot better, when the act of listenig is not made so hard by too much stuff going on. A lot of the stuff I take home from band rehearsal (Behringer XR18, onboard EQ, COMP, VERB on the vocals-> straight into DAW) actually sounds a lot better, and most importantly carries a lot more emotion, than the stuff that was done in countless hours by layering different tracks recorded a different times with different feelings...