... to avoid the loud pops we used to get with the earliest channel switching amps.
Yep ... I've had MkII Boogies!
Posts by Andy_T-V
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From the reviews here:
https://www.amazon.com/Nobsoun…?reviewerType=all_reviews
- there seems to be a built in cut out which would be something to consider.
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My Setup -Using a Power Head:
Main out - Master Stereo (R channel) via external power amp into Celestion FX12-200 (had that before I got the Kone - good full range speaker) All delays/verbs show up here.
Monitor out - Mod Left- Internal power amp - Kone. Dry punchy 'amp in your face' stuff with chorus etc when applicable.
NO ... It's not true stereo (except for the chorus ) BUT ... It sounds great and doesn't seem to upset the Soundies.
I use the same setup (without the power amps) to record
The naysayers and the yeabuts can go and whistle! TRY it!
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You could assign morph to the quick button (have the Kemper handy) and trigger your fade by hand.
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It works well in a Wet/Dry setup - R output (Master Stereo) and Monitor out (Mod Left) ... Skål, Kemper HQ!
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it's a bit like turning ON "Monitor Cab Off". Gets me every time. My logic just says turn OFF monitor cab 😆
This!
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Have a look at the Source Audio Soleman. It can be programmed in several ways including Banks (of 4) and Setlists.
Edit: Sorry, I was overlooking the stand mounted requirement!
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I am running out the right monitor send into the mono/bridged input of the freyette’s channel A. Maybe that has something to do with it? Channel B of the Freyette does not have the bridged option?
When bridged, any power amp will then be in mono and use only one input channel (typically A). There's usually a switch to activate the bridged mode. Channel B isn't used.
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I think you'll be lucky to find all of that in one place!
You could try https://equipboard.com/role/guitarists ... but it is sketchy at best.
If you search 'Rig Rundown' (Premier Guitar) on YouTube, you can see what individual players are using.
Bottom line is that your time would be well spent browsing through the the profiles that came with your Kemper and find something that makes you sound good!
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Many here use MBritt profiles live and seem to be happy with them
Yes, his 69 Marsh(all) pack is a goto for me and reasonably priced, too. (FWIW, I 'm a pro player and have had a string of Marshalls amongst other valve amps).
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My home WiFi router is at the other end of the house so I hooked up my rack via Ethernet to an old apple airport express and joined it’s WiFi network to my iPad and … it’s works very well.
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Slightly off topic, I guess (ie not Stage). My home WiFi router is at the other end of the house so I hooked up my rack via Ethernet to an old apple airport express and joined it’s WiFi network to my iPad and … it’s works very well. RM on my mac (via usb) also follows the control movements so, something is getting through! The iPad UI looks good - looking forward to some more testing.
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I use the Hx as a front end /controller ... not keen on the remote
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the real issue with my Mac High Sierra is that i need to update to run the new RM beta
and i dont really want to update because some of my apps will not work with the Catalina or Big Sur OSXThe requirement for RM 3.2.30 (latest, as per downloads page) is OS 10.13.6, which is ... High Sierra! Working fine here.
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RM lives on my Hi Sierra Mac - no trouble with the download
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In Rig Manager preferences, check the 'Include Beta Test Releases' option. I normally have this checked but I'm guessing one of the recent RM updates had reset it to off.
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Looks to me like he's using a thumb pick (easier to see in the second video) and he has his RH palm damping the 'walking' bassline.
Get that sorted before you start worrying about profiles! - A.N. Other clean Fender wlll get you started. I wouldn't be surprised if the reverb was added post production.
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Agree with paults ... Very soft picking - relax your grip on the pick (almost to the point of losing it!) and you'll hear the attack and fret noise soften (just before you hear the pick hit the floor!)
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I went looking for Blue Chips when I found out that Chris Thile used them on his mandolin. I got to try one when I was depping for a colleague and (thankfully) didn’t like it! I then found these M100 mandolin picks by Michel Wegen and they’re great on everything (I don’t do picks for this and picks for that) at a fraction of the price of BC.
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Set your main output to master mono and use either.
