Thanks Jed for the great information!
I used the Kemper last week for a gig. Didn't have a foot controller or anything, so I just ran a few pedals in the front of the Kemper, and switched profiles by hand. I probably only used 4 different profiles. I created 1 performance.
I got an FCB with UnoChip now, so I will take advantage of that tomorrow night.
And I agree, the hardest thing for me to find is a clean sound that sounds even close to my tube amps. The Kemper really shines once you add a hair of grit and then all the way up to heavy distortion. I'll take some of your suggestions into considering tonight when I set the performances up.
I really like the low gain Guytron profiles for a clean bite. I can pick lighter to get a cleaner sound and then dig in if I want to play a clean lead with grit. The /13 37 and Matchless work great for that as well.
I guess the hardest part for me is finding a clean that does the 90s country really well and also the big bold clean of a Dumble. I have a Ceriatone OTS amp, and while the profiles do well, they just don't get the fullness and punchyness to pop through.
For tomorrow night, I will be going from the Kemper into a 1x12 cab with EVM12L speaker, and then FOH with XLR (only 1, not stereo).
Any suggestions on delay settings for mono? Some of the delays in these profiles sound killer in stereo, but not so much mono.
Also with the FCB, I have the option for switching between the 5 profiles in each performance on the spot, and also turning on/off 4 stomp boxes + tap tempo.
I really want to keep the tap tempo on there, so that leaves me with 4 stomps.
I will probably run a compressor on some of the profiles, but not sure if I care to make it one of the stomps.
I was thinking... Distortion, Boost, Mod, and Delay On/Off, then the tap tempo. Would you suggest boost at the end of your pre pedal setup, or in the fx loop area?
Also. .you say smaller venues is another story.. What's your take there? Because I play mostly local bars and clubs, and they don't get that big.