You got a hold of that one Jack. Well Played Sir.
Posts by MuddySludge
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Frank, You are getting meaner by the minute. Stay with it Cowboy!
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Pat used a Roland JC 120 the times I saw him. His guitar is a neck pickup only Ibanez. I suggest the Les Paul neck Pickup.
P.S. Don't forget the reverb.
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You normally catch this tune with a juggling uni-cyclist or a circus. I gotta work on my stage presence.
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I think we All caught a Buzz.
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Very Nice
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Very Cool, Thanks Killer. You just made some new friends.
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Get those rascals some percussion happening and play a little through some monitors.
You can wear them out quicker and use the phones while they sleep.
Kids love to improvise.
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I would skin a live bear in a phone booth to play that thing. Goddamn Man!!!
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Osmosis Amigo
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Welcome Sir, Lots of different time zones on this forum.
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Well Played Sir. It's got the Mojo!
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You always bring it Dave, Well Played
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Sounds authentic, almost a kalimba quality. Tiny Tim would approve.
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Welcome Sir
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Output Sources
Within the Output Settings you can modify the routing to the physical outputs, or in other words, select the signal sources for the outputs. If you feel that every output delivers the signal that you need, then feel free to skip this chapter. The factory settings for the signal sources cover most of the regular applications.
Each output can tap a number of different points in the signal flow. Here is a description of signal sources, which can be tapped. Note, that only a subset of sources is available for each individual output.
Off The output is muted.
Git Analog (Only available and default setting for the DIRECT OUTPUT) The pure and clean instrument signal is sent to the DIRECT OUTPUT by an analog splitter, no AD/DA conversion is taking place. The analog signal level is the same as on the instrument input. Useful for reamping or running a second amp in parallel.
Git+Processing (Not available for S/PDIF OUTPUT). Similar to “Git Analog” but AD conversion is taking place. Note: the volume control of the respective outputs will have no impact on the "Git …" source settings, because they are made to reproduce the original instrument volume.
Git Studio Similar to “Git+Processing”, but here the instrument signal is sent out at studio level, which is much louder as the original level. Thus no separate DI box is needed to record the pure instrument for reamping purposes. Since the instrument volume is high, the recommended leveling of “Clean Sens” in the Input Section is important.
Stack This signal is tapped directly behind the Stack Section and does not include any post amp effects.
Mod Stereo (Not available for DIRECT OUTPUT and MONITOR OUTPUT, as these are mono outputs) This stereo signal is tapped directly behind the MOD Module and contains the whole signal, but without delay and reverb.
Output/Master Section 41
Mod Mono Delivers a mono mix of the “Mod Stereo” signal.
Mod Left (or Right for DIRECT OUPTPUT) Delivers only one side of the stereo signal of “Mod Stereo”. This will sound similar to “Mod Mono” but often less dense, depending what stereo effects are used.
Master Stereo (Default setting for MAIN OUTPUT and S/PDIF OUTPUT, not available for DIRECT OUTPUT and MONITOR OUTPUT, as these are mono outputs) Represents the full signal with all effects in stereo.
Master Mono (Default setting for MONITOR OUTPUT) Delivers a mono mix of the “Master Stereo” signal.
Master Left (or Right for DIRECT OUTPUT). Delivers only one side of the stereo signal of “Master Stereo”. This will sound similar to “Master Mono” but often less dense, depending what stereo effects are used.
Delay/Reverb wet (only available for MAIN OUTPUT and S/PDIF OUTPUT) Only the wet stereo effect signal of the delay and reverb are sent to the output. If no delay or reverb is active, the output will remain silent.
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I like this idea.
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Great Work Frank!