Boss have had this for years on Multi Fx as old as the GT6... it is a good feature
Posts by DaleOz
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To go one step further i could also connect a MIDI Voice processing Tool to my Kemper and set the respective MIDI Programm in each Performance which in my case is a song and wouldn't have to take care of any effect / vocal adjustments anymore as a guitarist/singer..Yes,
Yes, I've done that... Takes some configuration but saves a lot of tap-dancing.
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Yes
Forscore can send a bluetooth midi message to the Kemper via a Yamaha MDBT01... Bottom line: as you progress through a set from one PDF to the next (say with an Airturn) it will automatically send a program change selecting a new performance on the Kemper.
I store different gigs and different repertoires in separate folders in RM, and ditto, within Forscore I arrange songs into separate libraries.
This takes some setting up but it is "set and forget" on a gig and you can vary the sequence of the sets on the fly with Forscore.
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Don't rule out the possibility that gigging with vintage amps will eventually be a thing of the past..... The Kemper is THAT good... Welcome
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Yep - you nailed it... That's exactly what I hear
3) Sound blends into a band really well
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Innovation... true innovation
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Put a graphic EQ in slot X and morph the midrange freqs up as you push up the vol… it’s amazing
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With the Freqout you get about 5 seconds of "feedback tone", then it just cuts off suddenly in a non-musical way. They'd really want to do better than that.
Yes, agreed... This is what I hear as well. The "non-musical" decay....
I played with the FreqOut in a pre-stack loop with dirt pedals in front and behind it. Overall it didn't make much difference so basically I have resolved to park it in front of the Kemper input.
We need some Kemper engineering magic here - If there is one thing I despise it's going back to ext power supplies, pedals and patch leads
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Mono for live… definitely
Stereo is “pretty” but not worth the drama: phasing etc etc -
These things are really cheap and a lot of fun.....
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But wait there's more... much much more.. A whole YouTube channel including this classic
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The secret is:
Put an EQ in front of a dirty amp (via a stomp) and the push the two mid faders of the graphic equalizer really hard. Roll down the lows and the presence...
Ignore what it sounds like on its own (which is kinda weird) and just focus on how it sits in the mix
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Ideas:
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A second Morph "Pedal" - that way one could be set to Vol/Gain and another to delay volume.. Yes the volume pedal can do a lot of this but I also want to push the midrange higher as I increase the amount of stick.
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A Feedback processor like a Freqout
3
A function for the Rotary to "go random" - ie. every x bars it transitions from slow to fast and back (in a loop) - this frees up the player to concentrate on the playing instead of the tap dance to alter the speed
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Top Right Hand Corner would be great
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The only pedal I currently use is a Digitech FreqOut at the input.
Same here and I would love to get away from it and have the Kemper perform that function...
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I've never seen Fender update a Princeton for free after they deliver it...
Kemper, the gift that keeps giving....
Thank-you thank-you thank-you...
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well played sir... bravo...
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a separate Delay mix triggered off a tread-pedal leaving the morph function available would be great
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Charlie Parker
