I see it more of an Amp than an Effects pedal. You always leave your amps on, or at least on standby. Effects are the ones that go on and off.
Sorry. What?
I see it more of an Amp than an Effects pedal. You always leave your amps on, or at least on standby. Effects are the ones that go on and off.
Sorry. What?
They're better for sure.....but 10 times better?
Not a chance.
Well that's not exactly how pricing works anyway :). Sometimes it's hard to make a small difference, yet people might be willing to pay for the improvement.
Wonderful post Per. Thank you.
Are you using any plugins in Cubase? Check your channel strip settings. Are you recording onto a stereo track? Do you have any technology like Sonarworks/SoundID enabled? And most importantly: Are you listening at the same level between live playing and playback? You might also hear the resonance of the strings while tracking. Try with headphones. Is the difference still there?
Sorry everyone, I should have clarified - we use S16 snake boxes to our X32. So, XLR is the only option for inputs right now.
I plan on using a 25 foot XLR to TRS 1/4" cable this weekend at a gig to connect direct from the player to our snake box.
I'll post on my experience!
Right on. Just for absolute clarification. Since you mention snake boxes it's not actually an sd16 you are using? (since those have jack sockets in the middle)
However our board only takes XLR.
Note that you can use the AUX sockets for channel inputs as well on the x32. So you have both 1/4" and coaxial available.
It does inflict a few limitations from a composition perspective
Found this;
Just scroll down and ignore the ads if you can.
Picture of the whole thing please?
Hm maybe. In practice it might be different. For instance: https://www.lewitt-audio.com/b…%20for%20your%20interface.
Select DI as the output source for the output that you want to use to send the signal to your computer.
You will always have to expect a certain amount of latency when you try to use plug-ins in realtime because you have to activate the software monitoring option to monitor the processed signal.
No Asio Driver will change that.
It won't eliminate it, but would you agree that in general ASIO drivers allow for smaller latency?
Not familiar with the KPP specifically but if you can set the output of the Kemper to DI. You might not be able to avoid the delay until we get ASIO drivers, but try lowering the buffer.
Display MoreI'm unsure why you think that, and I don't believe it is true. It may be true for you, but certainly not for 99% of users.
This is important when you deal with audio:
- buy decent hardware
- understand how to meet bandwidth requirements on a USB bus
- don't tweak the OS just because some random YouTuber thinks he found another holy grail
Where can I read more about this bandwidth thingy? My Apollo Twin USB has been 99% fantastic. I just can't get low latency without crackles. (apart from dsp effects of course)
Please take the time Kemper to make good drivers. So few companies do that.
Just wondering. Does the Player have the concept of selecting amp blocks (not tone/gain stacks) from other rigs like the bigger units have? Or can it use amp block presets?
What he is saying is that you absolutely can add any rig from RM to your player.
With a USB to MIDI DIN cable (but the same thing happens join the 2 with a USB A to B cable…)
Keep this in mind also when troubleshooting. If the same thing indeed happens in an even simpler setup.
Could sound like a faulty/too low quality midi adaptor? How is it powered?