Posts by musicmad

Quote from BayouTexan

First, they would have to add a interface into the hardware. Second, they would have to decide if they are going to put in a cheap interface or a pro-type interface which would drastically up the price. Since the Kemper is pro-type then the latter could add another $500+ to the cost of the stage. I believe the Stage was designed for mostly stage use and not necessarily a studio piece. The toaster and rackmount would fit better with a built-in interface (they probably have the room for it). But there is so many options for an interface that Kemper would only satisfy a limited few - so, in the end, not worth it.

But when I first bought my rackmount, I wish it had one.

Hm I don't think we can completely rule out that the needed hardware is already present in the current incarnation.

Maybe just replay the full part? Shouldn't take more than 10 minutes

Would love the option to reamp over USB.

Haha if someone is able to do that I'd like to shake his hand. Fingers crossed!

If you are not using the RigKeeper VST plugin perhaps look into that.

Quote from uncleozzy

Hi all,

I realized this morning that I never uploaded my DSL40 profiles to Rig Exchange. I don't know if you guys will like them, but I really love them, and I've used them on just about everything I've recorded for the last 2 years or so.

It's a stock DSL40CR, miced with an SM57 right on the grill cloth, on-axis. I don't recall exactly where on the cone it was (2 years ago!) but it was likely just off the dustcap.

The profiles are super thick, tons of mid and bass. I use them for recording, and generally wind up cranking the air (the CLA SSL high shelf "trick") and pulling out a little bit of low-mid, but otherwise they fit great as-is.

OD1 is my go-to for just about everything right now. Not too much gain, plenty thick, responds well to dynamics. OD2 is pretty fuzzy and gnarly. Clean is spanky with just a little dirt if you dig in with hot pickups. The crunch profile I don't use much, but I uploaded it anyhow.

They're on Rig Exchange as:

AR - DSL40 Clean

AR - DSL40 Crunch

AR - DSL40 OD1

AR - DSL40 OD2

Hope you enjoy!

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Thanks!

I don't have experience with it but it gets highly recommended by people I respect a lot (Dan Worrall, Miami etc.)

I do love that folder tracks become groups as well. Would love to see that in Cubase.

Been using Cubase for 30+ years. Would choose Reaper for sure if I had to start now.

Quote from RosboneMako

No, I think it literally alters the IR/CAB and locks in the tone (Freq Resp of the pickups). You will also see the AMP DEF being different. Same guitar same profile will sound different if different pickups are used.

What you play during the REFINE also tweaks the CAB. I am still trying to figure out what works best for me.

So if I were to make a clean Fender profile I would use the neck pickup. Doing high gain stuff, the bridge and a humbucker. Super high gain I would use a metal pickup like an EMG 85.

But I agree with your statement, that the profiler may adjust the sound to the guitar afterwards. M.Britt always has some small tweaks like a compressor or echo.

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Totally agree with that too btw. regarding refining (despite popular belief and direct quotes from Kemper people). Intuitively I suspect that how you dial it in affects the tone more. But I agree.

Quote from RosboneMako

I have found when making profiles that the guitar used is key to the result. The bridge pickup has more mids, the neck more hi/lows. This imprints into the profile.

Or maybe slightly more precise: This affects how the person profiling dials in the tone.

Quote from AdamMusic123321

Oh dear, I need to sort it for a gig this weekend! Do you have wired IEM you can recommend? I don't think I'll be too far away from the desk so I should be ok with a wired connection.

You don't have any wired headphones laying around?

Interesting products. Do they allow for stereo IEM?

Maybe again related to the parallel path or that reverb/delay parallel setting that I keep forgetting exactly what is?

Good! Let's hope it stays fixed!

If it comes out of the headphones too and without a guitar connected it seems a support request is in order.

I can imagine having the runs could be a game changer, but for most other things a healthy dose of ibuprofen or similar taken at the right time should get you through the gig. Only had to do that twice.

Hmm my information might be outdated but I don't think Bluetooth inears have low enough latency to be usable in the first place?

Quote from Kellerblues

...Why? Here translates very well...

Just pulling your leg. You've got the filters swapped around in your description

Quote from Kellerblues

Same setup here and I get good results setting the Hi-pass at 6400Hz and the Low-pass at 120 Hz. I also raise the CLR about 30cm from the floor

I seriously doubt that

Thanks! Can't wait to try these - including your effects!

I do wonder why they would be messing around in that area of the code actually. Time will tell I guess.