Yeah - still love these. Not sure I have update 2 though. How do one get it?
Posts by musicmad
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Bought them. Now go make some bass profiles too please . It's such a big part of getting a good guitar sound too.
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Try this:
Loop some strumming with the looper in the pre position (system settings) .
Adjust clean sense so that you get the same perceived loudness between 0 and max gain (rotate it).
This should be the ideal clean sense setting.
I'm curious where you end up though in your situation?
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Yes. Expanded tremolo please.
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Did you check out this vid?
External Content youtu.beContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.It's not CLA of course
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For me it's in the riffing vs. playing chords. To each his own
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Hm if we talk about recording why don't you just connect the bass to another input on your interface? Sounds easier but maybe that is not an option.
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Oh I thought we were talking about heavy metal. Not metal in general
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I know it's not exactly what you are asking but have you taken a look at the rigkeeper vst plugin? It's a life saver for me. It stores the exact rig and tweaks on the individual tracks in the DAW, so I can go back and overdub easily. Might be worth checking out as well.
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Gibsons can't sound like Fender and that's unfortunate.
Problems are probably just on particular guitars not the entire model lineup. No one can build a perfect guitar unless it was maybe made out of carbon fiber -which they do have now for $$$$$$$. LOL. A good setup, good maintenance, and stable temperatures should remedy tuning issues.
The problem is that the neck angle on any Gibson Les Paul is (too) steep. Which causes issues on many many Les Pauls. Not all, but many.
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Yeah. It's up in 18 seconds including the foot switches. The power rack is over a minute before the remote is online last time I checked.
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Not yet. Only used the headphone out to check if the unit worked at all, two weeks after I bought it used (couldn't try out sooner). Scary experience :). Not planning on using headphones very much.
It's a great unit though. I love that it boots 4 times faster than my powerrack.
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Just got a stage and I noticed the plug doesn't work with most of my inears if I plug it all the way in? It's mono and awful.
Really weird but there is another thread on it so I'm not alone.
Try pulling the plug out slightly?
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This is for live and rehearsal, although I don't do it live anymore as it's not worth it.
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Typically you do it to allow the dry center sound to hit hard and heavy, while retaining a broad stereo field.
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IME the sound will always influence the performance of the player, and the audience will pick up on that.
Gear? No. A guitarist in the zone? Yes.
Bingo. This is hugely important. Also invalidates all the "you can't tell the difference in the mix" arguments.
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the classic harmonizer sound (Steve Vai with a H3000) is the harmonization taking place post amp
Yes. Otherwise a fifth would turn into a power chord'ish sound.
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Certainly a good read. Thanks for sharing that. It's mostly an academic discussion at this point but in case of the phase vocoder it doesn't analyze the exact pitch of the input signal (which is why it can also work on drums, polyphonic music etc.). However it's true that the process involves latency - just not from detecting pitch :).
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Don't know how the Kemper works but you don't need to detect the pitch in order to shift it down a fixed interval. Basically the transformation is the same no matter the input frequency.