Also 600W is only about twice as loud as 60W, so you're not getting into The Who territory with it. 😎
Posts by Finally
-
-
Maybe change the thread title to add "ha ha" or something? 😜
-
This thread was helpful. For a week... 😐
-
Does anyone know if there's high rez artwork of the logo anywhere?
That would be unusual to leave out in the public domain.
I think they're missing out on at least €1M in missed margin in swag and branded accessories. They should just outsource that whole piece to prevent distraction to their core business.
-
I operated a t-shirt screen printing company for years in my younger years. I'm open to official offers from Kemper to create a line of swag. 🤓
-
I'll add another Tom Anderson vote. Perfection and you can get whatever you want.
-
Welcome to the club finally!
Sincerely...Finally
-
Auditioning them against a backing track or band practice is a good idea for tweaking.
I also have my X effects slot locked with a high-cut and low-cut EQ so I sit better in the mix and can turn up a bit without booming or piercing.
-
Very cool! Would be great if Kemper offered some shirts/ guitar straps/gig towels/etc
-
I think if you want to try it, using it in front of the KPA will really let you sculpt the whole sound more, because you're affecting how the amp front end gets driven.
I doubt you'll need it though. The amp has more than enough tone shaping options.
-
In addition to your tube amp I'd record the KPA dry on a track and the effects to another stereo track. You can blend the effects as needed and might just find that the KPA sits better in the mix for some parts.
-
I vote for stick it in front and enjoy the amazing tone! I've had the same epiphany - a great distortion box before the input sounds awesome.
-
Are you plugging the headphones straight into the front of the Kemper? If not it might be that your speakers and your headphones are getting different signals from your audio interface.
When I first started recording I had the guitar signal assigned to my headphones twice in my audio interface and recording software, causing a phasing sound. Once I figured that out it sounded really good.
Also likely is the headphones. My best ones sound better than my speakers, but my inexpensive ones sound thin and terrible.
-
That's a different spelling of the word "sorry" than I'm used to.
Glad you're all sorted!
-
Always bring new material to the band.
This is it for me. I learn or write new material to keep the passion.
-
A bit of panning and EQ is how I normally avoid the tonal sandwich effect.
This is why I dislike mono PA setups. Not because I want wide, sweeping soundscapes, but to give a bit of space for each part.
-
I’m pretty sure if you did the same video but just out A and B without showing which was which most of us wouldn’t be able to tell the profile from the real amp.
I'd take up the challenge. I don't think one is better than the other, but I think I can pick the right one unless it's in the metal domain which I don't know.
-
I use it all the time. You need an expression pedal assigned to pitch. It dive bombs the pitch to zero.
The way I use it is the reverse. I put it toe- down, hit a note, and quickly bring it up to pitch by rocking the pedal back. I want album credits if I hear it.
-
I make all of my performance tweaks on the actual appliance rather than RM now and no issues. Pain to edit titles, but everything stays where I put it.
-
