Nope.
Kone/Kab/Imprints cannot/do not come out the main outputs.
You can send Main out to FOH and it will have the original Rig/profile sound.
The Monitor out can have the Imprints for a Kone/Kabinet if you want at the same time.
Nope.
Kone/Kab/Imprints cannot/do not come out the main outputs.
You can send Main out to FOH and it will have the original Rig/profile sound.
The Monitor out can have the Imprints for a Kone/Kabinet if you want at the same time.
That's interesting...
Had one for a while. The Vox part of it is great, the Marshall part isn’t IMO. I sold it and replaced it with an Amp1 because there's inspiring Marshall tone in there.
Good to know, thanks!
I won't own anything I won't gig, but not all gigs are equal.
And another thought for those who think such things are too precious, "What are you saving it for?"
Yup... all mine rotate through practice and gigs.
Display MoreAnd now for something a little different. I got a Relish Mary (mine is not Walnut like in the linked video, but the rest is applicable)
Click the picture to see an album with some close ups of the pickup selector, back, and pickup swapping system.This is a real departure for me:
25.6 inch scale length (650 mm) (usually I play 24.5-25 inch)8.2 pounds (a little heavier than most of my guitars)
Ghost Piezo pickup in the bridge (I haven't had one of these since I lost my Parker Fly in the mid-90s)C profile neck (apparently somewhat like a Strat - I haven't had a Strat in maybe 10 years)
Intriguing 17-position pickup selector (including switching to single coils). This is controlled by touch (not a physical blade switch).
And finally an opportunity to explore how much difference the pickups make. (Quick take - not as much as I expected).There were a few growing pains: The Line 6 G10 transmitter I use with my THRII 30 wireless is not compatible with the TRS output jack on the guitar, so this required an adapter cable, but my Sennheiser wireless systems work fine.
It's taking a little time to get used to it and the touch activated pickup selector may be a challenge on stage. It's not like you can feel where you are with a toggle or blade switch. But now that I've set up the relief and intonation, I'm having a lot of fun.
I've wanted to try one of these... what fun!!!
I got a second (used) non powered toaster head. I leave one at the practice studio, and keep one at home for trying new rigs/performances.
I had a girlfriend who would call and tell me to hurry home or she would start without me.
The lawnmower?
Mine took about 1:08 to boot.
Never really noticed before.
Brutal loss...
Nope, don't do Beta software of any type.
Then I'd uninstall/re-install.
Or open a ticket.
Can't go wrong with Yamaha DXR-10 Mk 1
Cheers !
This is an excellent choice. Very well made, bomb proof quality, sounds fabulous. Works well on stage as well.
If you want pure reproduction of the intended profile sound it's hard to beat. Gets stupid loud too.
Headrush would be good too although 112 might be a tad bass heavy. Guess you could dial some of that out.
Kemper Kabinet will give you a better "amp in the room" feel, and you'd get the lovely speaker imprints as well.
…and you wonder why we left all those years ago, Judgy Judgerson.
🤣👀
Us Canuckleheads spell it colour as well.
You're wrong here! I never have done this. See my post #29 about my outputs at the back of my profiler. Moreover this is the way to get stereo when I use both of my 1000 W powered K8 cabs.
OK, let me try it this way...
Yes, the Monitor and Direct outputs work as you suggest. I use them as well. I put them into my Seymour Duncan SD700 power amp and have two unpowered/passive Kabinets on the SD700 output. I then run either stereo or mono depending on the use case.
That said, and as Wheresthedug says, without my SD700, if I tried to plug those unpowered/passive Kabinets into the Monitor and Direct outputs I would get nothing. No damage, and no sound.
The Monitor output is a "clone" of the Speaker output (red ring) except that the Speaker output is powered and the Monitor output is not powered. You can put the Monitor output to your mixer of course, but NOT the Speaker output (red ring). If you put the Speaker output (powered) into the mixer, either one or both will get damaged.
Hope that helps mate.
But in case of using Kemper's unpowered Kabinet I don't understand that this would not be possible.
You cannot use the Kemper 600w powered output (red ring on the back) through a mixer. There will be smoke.
You cannot use the regular monitor or direct output to run an unpowered Kabinet without going through a power amp first.
Says who? Lots of folks use powered cabinets similar to your QSC K8. I use two Yamaha DXR10 monitors. Love them. Have no interest in the Kemper Kabinet or the Kone. You cannot ask this question in the Kemper forum. All you're going to get is "Kemper Kab, Kemper Kab, Kemper Kab". Pose your question in a more neutral guitar forum and you might get a wider array of input.
Fair enough.
My comment comes after using (in chronological order):
PRS Custom 50 combo effects return in
Fender PA with 2 10" cabs
DXR10
XiTone MBritt powered cab
Bose L1 MII
Two Kabinets.
As usual it's subjective, and these are only my observations. The DXR10 is killer. I find that the Kabinet gives me more of that "pant flapping" on stage. YMMV, and I'm all good with that!