Thanks for the responses guys, appreciated. I'll have a play this evening
Posts by WalkerBass
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Does anyone know of a commercial profile, or have any idea how to get close to this wonderful, honky, 'at the back of the room' tone in BB King and Clapton's 'Rock me baby'?
Or do I just need a long echoey room?!
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OK, I had a go yesterday and after a couple of tries, I managed to get a DI profile using the '64 circuit path that to my ears, was resonably similar to Andy's (Amp Factory) B-15 Heritage profile (I did use his cab profile).
It was surprisingly easy to get a decent profile. I'm going to experiment more to try and improve it. Andy's is the benchmark
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Kemper DI box arrived. I'm on the case!
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OK, thanks again for the info, I’ve ordered a DI box and will try profiling my B-15 once it arrives.
So the resulting profile is as useful as possible, to me and you guys, should I make two profiles with the Baxandall bass and treble set flat using both the 1964 and 1966 circuit paths? Any advice would be welcome.
This is the amp: http://www.ampeg.com/products/heritage/b-15/
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Thank you all very much for your advice.
I've never recorded this amp before, I've always used my VTBass DI into my DAW.
I'll give it a try one rainy Saturday and let you know how I got on.
Thanks again, much appreciated.
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I have one of the LTD edition hand-wired Ampeg Heritage B-15's (my pride and joy!) and like to try to profile it.
I only have three cheap mic's at my disposal and one of those is a measurement mic!
- Behringer ECM8000
- Pyle-Pro PDMIC78
- Shure SM58
Would the SM58 be the best of a bad bunch to give it a go?
Thanks
Chris
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Um, why not profile your Ampeg? That’s what the Kemper is designed to do.
Hmmm, OK. That's got me thinking. I'll start a new thread for this one!
Thank you.
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I'm going to use my RTA app to see if I can pin point the problem frequencies for this room and just try a cut there. That'll be a starting point. then I can experiment further with the eq.
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This is great information, thank you very much everyone.
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Funnily enough, I d/loaded your Valvedrive profiles and played them last week and they sound great! Thank you.
I'll try some experimenting with other pre's. I have a VT Bass DI that I can use with the QSC.
I also have some PJB headphones, so I'll run the offending profiles through those too.
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Hi all,
Hope you can give me a bit of guidance as I'm really struggling to get usable bass tones from my setup.
I've read through the manuals (twice!), but I'm sure another bass player must have been through a similar thing.My Kemper goes into a QSC K12.2 FRFR powered speaker via the monitor output. The QSC has many factory preset EQ's and I've tried all the settings as well as it's flat 'natural' setting. I keep it in my practice room / study. I play passive Fenders, with flats and rounds. I've owned lots of amps and pre's and I've played them in this room for a number of years.
On 'most' of the stock bass profiles I try, there is so much undefined, muddy, boomy low end, it's literally rattling my windows and furniture. If I turn volume down, it's stull undefined and overly bassy, just quiter.
I have an Ampeg Heritage B-15 in the same room and nomatter what I do, I can't reproduce this behaviour unless I have a ridiculous EQ setting and and the volume cranked up.
I've only every experienced this once before and put it down to the room and had to radically EQ my way out of trouble to get through the gig.
Are the bass profiles generally playable 'out of the box' or do you have to heavily EQ them to make them usable? Perhaps I've got something fundamental wrong.
The guitar profiles I use sound awesome!
Thank you,
Walker
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Thank you, really enjoying these, very usable.