Posts by sstauffer

Quote from Dynochrome

That's exactly what am trying to get away from-tap dancing from a switch to the wah and back. When you sing lead and play lead, you can't be looking down at your feet that much aiming at switches like you can if you just play guitar , I want to step on the pedal and go.

Yeah that is why I like the bypass at stop and I don't even sing lead!, but I think for you the Mission Pedal would be a good option, it acts just like a real Wah pedal with the toe switch on it. - That being said you should try the bypass at stop option first, it might save you 150!

Quote from Hoki Toki

I think that´s annoying as hell ... Sometimes you want that flat out sharp "screwdriver in the ear" toe sound

for a longer time than one second , and then it just turns off .....

Same with the "off at toe or heel position" ......

I turn wah on/off with switch on my Voodoo Lab Pro

But that´s me

Cheers !

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Yeah - I know what you mean, Santana seems like he uses the wah on for everything, another option is to assign the wah to one of the onboard switches or make another rig in the performance with the Wah on and switch back and forth between the rigs. Or you could leave the wah on and set the mix to 0% and 100% at morph.

Yeah - that could be a problem, I use very slight movement when holding a sound and it seems to work OK but I usually have some movement while using it. They are pricey (149.00 US) but I have a Mission Engineering pedal EP1-KP, I don't use it this way but you can use the toe switch to turn on and off the wah function.

Have you tried the bypass at stop? I use that setting and it just shuts off as soon as you stop moving your foot.

@dmatthews - All gorgeous! D you have a favorite? I really like that McCarty!

That sounds right, that would be 4 semitones. which should be the same as a capo on the 4th fret.

I don't have my stage with me but there should be a separate low cut for the monitor output.

Great info that @ST provided above, also here is a video on  YouTube that does a good job explaining it.

No worries, that is correct the Powercab has a built in power amp, do you already own the line 6? It looks like a nice power amp/speaker. I'm not sure what the difference between the 212 and the plus are, I think some additional hookup options but either one would work for you. It also has stereo so you can run stereo modulation and delay effects with the correct hookup.

As far as the cables you need a TRS cable for the expression function and either a TRS or a TS for the switch function. You can use any port that you want and assign the function using the pedal button on the stage.

Yeah, that looks like what it is made for, I have a stage that I run through a similar Mission Engineering FRFR cabinet and it works great.

. Connect the 1/4" or XLR output(s) from the stage to the combo input(s) on the Powercab and you are good to go.

Quote from ST

Whoa - that's interesting.

It looks like you can change the pickup configuration on the fly. And the one you chose is gorgeous.

That is correct, my buddy sent me the link awhile ago and I have lost sleep about it! If you get a chance check out the demo Gyrock

This is fun, kind of like a guitar players lottery winner's wish list or porn for guitar players. I know you put a limit of $4900 - I'll get to that later but if money was no object I would get a Gyrock Guitar $16,000) 10 Switchable pickups built.

Th

Quote from Kemper Support #1

what I meant is you need to set the output level to -2dB to achieve an attenuation of 14 dB when you add the -12 dB option.

This came up on another post but your explanation here really helps and makes sense to me now! I'm planning on running line out for the first time at our next gig and this helps clear that up.

Quote from christianbad

i have a toaster, where you can move the position of stomps by pressing the STOMPS button and then use the move function.

Thanks, christianbad, I noticed that on a video but it doesn't seem to have the same function on the Stage unless I am missing something.

I am sure this has been asked before but i can't find it for the stage. Is there away to move an effect from one slot position to another without copy and pasting or using Rig Manager?

That probable isn't long enough for what you need what about this one 1/4 from the Kemper split to each pedal? 10' male to dual male

TRS Female to TRS Male dual - Is this what you are looking for? _

Quote from The Tupelo Flash

Glad u still with us

Quote from Deej09

sounds like all your effort was worth it..

Thanks man, I'm going to go all in and get a Kemper Kab too.

Quote from Kemper Support #1

both functions will attenuate the signal but at different points in the signal flow.

Does the -12 dB option lower the signal from whatever you have your master volume set at or is it just a flat -12db that does not fluctuate as you roll the master volume up and down?