Display MoreThey already answered (as already stated before) here:
What about this frantic TAP tempo LED?
...but guitarists have a memory like a goldfish. What's next? S.t.f.u. maybe?
(Friendly and non philosophical reminders from time to time should be ok, though)
😂😂😂😂😂
Thanks. For the link, I missed this thread.
It would be easy to stop this discussion by Kemper .....
I think everybody would except the answer that it's technically not makable.
At least it would be better than no statement.
Just my two cents.
well, I don't care about Haas-effect and/or compensation.
left site is still plenty louder than right side when playing with engaged widener.
Why don't you just add a soft button to edit the volume of the delayed side? everyone could get happy with very little effort
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The way I do it: In the rehearsal room I increase/decrease the Volume on the Mixer Channel until my ears are saying "Now it's OK" 
To experiment with panning maybe also be an option, but I did not try it.
BTW: When you have mono monitor wedges, the double tracker sounds not really good. I use a stereo monitor box. This sounds OK, even it's not real stereo because the speakers are in one box and too close together.
When You are playing live, it's up to the FOH engineer. to balance the stereo channels.
I had a rehearsal yesterday and the man at the mixer confirmed again, that if I use the Double Tracker, one side is always "louder"
or has more gain.
Have a look at this
Double Tracker right Channel quieter?
and especially the post from CK
Ich hab das auch beim Stage, aber mittlerweile wirklich sehr, sehr, sehr selten !
When i use a sound with double tracker (eg TD - Mic Sch from Tribute collection 3) it sounds nice with my studio monitors.
But when i engage my Kabinet (monitor out = master mono) it sounds horrible.
It would be nice if there was an option to bypass the double tracke on mono signals.
oh yessss +1000
The initial request was:
Performance Mode: Please give me the option to save the on/off state of Pedals I-IV when switching slots within a performance!
Kemper Support #1 Any chance to get this option in near future?
Stefan
Just had a look at the Manual Addendum ...
When setting the Stereo button to "-100", would this turn the delayed channel to the left side?
In the addendum I find only this
Controls the stereo width of the double tracking. Plus or minus 100% is regular stereo. Higher values introduce the
super stereo effect.
Thanks
Stefan
Just another question to someone from Kemper team ...
I guess the the "Looseness" knob influences the delay time of the delayed (right) channel.
What does 0 to 10 means in ms?
Thanks
Stefan
Thanks Christoph for that explanation and the "confirmation" that the right channel is the delayed side.
Now I read some articles about the Haas Effect and the Precedent Effect and learned some new things.
In the rehearsal room the left speaker is closer to me and I guess this is an additional reason for my impressions.
I will trying turning left/right channel .
Suggestion & Feature Request:
What about having the possibility to influence this left/right balance in a certain range?
Maybe in the Rig Manager on the Double Tracker Settings Page having a knob beside the volume knob like:
"Boost delayed Double Tracker Channel" or
a knob "Double Tracker Balance" or something similar.
Again Many Thanks to for the responses and explanations!
Stefan
This is a known "problem", but it seems that Kemper does not care about.
Any statement from Kemper Support to this?
I just checked the YT Demo from Thomas Dill and I have the impression that there is also one channel a bit quiter.
Can anybody confirm this?
Many thanks
Stefan
Hi Guys,
I have set the Double Tracker to:
Looseness: 5.0
Stereo: 100%
Detune: 0.0
Volume 0.0
Profiler Stage Firmware: 8.7.10.38833
In the rehearsal room using the PA, I have the impression that the right channel ist a little bit quieter then the left one.
Any ideas from anyone?
Thanks
Stefan
+1
Possibility to decide for each effect slot if it is pre or post and a kind o numbering for the position.
Hi,
ja kann ich. Ich hatte ja vorher die Headrush FRFR 108.
Die Headrush hat etwas hohl und pappig geklungen, das macht die Junior EX nicht.
Die Junior EX ist ist auf jeden Fall um Klassen besser. Für mein Zwecke ideal, funktioniert laut und leise gut.
Für mich wichtig war die Größe, weil ich die Box zuhause und auch im Proberaum benutze.
Die Box funktioniert für beide Anwendungen seht gut (vielleicht kommt ja irgendwann noch eine passive dazu ;-))
Laut Instagram benutzt Marco selber live 4 Stück der Junior EX.
Obwohl "nur" 6,5" Speaker, ist der Bass absolut kein Problem und die Box hat ordentlich "Wumms".
Ich hab die Version mit EQ und Volume Regler genommen, dann kann man schnell und unkompliziert den Sound etwas anpassen.
Ich hab die etwas kleiner Version, 38 x 38 cm (die Standard ist 40 x 40cm)
Dadurch dass die Box stereo ist, funktioniert auch der DoubleTracker von Kemper und klingt gut.
Ich hab mir zusätzlich noch die "Fender Tilt Back" gleich montieren lassen, auch ne gute Sache!
Handwerklich ist die Box hervorragend gebaut, da gibt es nix zu meckern. Bilder davon gibt es auf der BlueAmps Instagram Seite.
Ich kann die Box uneingeschränkt weiter empfehlen, aber das ist natürlich Geschmacksache.
Ich empfehle Marco einfach mal anzurufen und deine Anwendung zu schildern.
Mittlerweile gibt es eine ähnliche Box "CUBO" mit 2 x 8" Coaxi Speakern (die Junior hat 4 x 6,5")
Grüße
Stefan
I also have have a small room and happy with this ones https://www.ikmultimedia.com/products/iloudmtm/
Really good sound for all volume levels and calibratable .
I had a similar issue, Main Out Stereo with DT to studio monitors/recording interface and monitor out to powered mono Monitor Box which did not sound really good with DT enabled.
Not sure if this is also a solution for you: I decided to use a small powered stereo monitor box „Junior Ex“ from BlueAmps.
With this solution I am now really happy.
