Posts by lento1234567

Quote from AdamMassacre1981

https://www.amazon.co.uk/Amazo…3012&s=electronics&sr=1-1 that is the one i purchased...im still new to S/PDIF so im tredding un-familiar ground when it comes to "correct" cables.

I had a look at this and pretty sure it's just a normal cable used for Hifi connections. Amazon do a Digital Co-ax cable here:

https://www.amazon.co.uk/Amazo…tronics%2C171&sr=1-3&th=1

I could also suggest these that I bought on Ebay :

https://www.ebay.co.uk/itm/1-5…87176?hash=item3b21fb4a68

No guarantee that these will cure your problem but at least you'll know you have exactly the right kind of cable ....

If this doesn't fix things, you could also give the guys at Focusrite a call.

I had a weird problem with a soundcard of theirs and after emailng them for support, had a very helpful telephone conversation from them

Quote from AdamMassacre1981

Im using S/PDIF Thats why i got the Clarett 4pre

This is also a longshot but are you using a proper 75 ohm spdif cable ?

A good quality RCA cable can work but it's no substitute for a proper one ...

Have a read through here:

Cheapest Audio Interface with s/pdif

Quote from Jwalker9090

an excellent video (see below) on how he used a Universal Audio Apollo box to sum 3 different Mic's with UA eq and then rerouted that into the Kemper for profiling. Fascinating. He said thats how Michael Britt and others pros are doing it.

No wonder these profiles sound good when you use UAD with Neve mic pre's etc

A very heart-warming video. Thanks for sharing, Monkey .

Wonder if they'll also feature Marcus Miller as another of their original bassists

I use Keyscape and have to say it has the definitive collection of Rhodes, ably demonstrated here by Keifer.

Sounds like a Chick Corea tune but can't place it .....

That sounds like you didn't (or couldn't ?) insure it for what it was worth ...... Nevertheless, that is bad news and if you don't get a satisfactory solution with them, take it to your Ombudsman service.

Warp factor 11 .... .....

These are great ! Possibly the best (certainly one of the best) combo out there .... like you said 'sounds killer' .....

Have a bump

I have (but don't currently use) a Palmer Macht 402.

It's an I.E.C.1u SS stereo specialised guitar amp.

2 x 200w @ 4 ohms,

2 x 100w @ 8ohms

2 x 50w @ 16 ohms.

1 x 400 w Bridged mode @ 8 ohms

Just been testing my connection again and it seems the latching mechanism of the KPA socket is the culprit and not the plastic connector.

Will have to find a new socket.

Still, it would have been better if the Kemper socket was designed to accept a Neutrik - like the remote already has.

Finally found one in the UK.

Neutriks on both ends and is cheaper than anything else I've seen.

£12 for 5m and free Postage ...

https://www.ebay.co.uk/itm/Rea…m:mGxMM5zvPLb1_VGEjLnfnGA

Edit: Hmmm ... won't fit the KPA end - looks like only the plastic type will work

I'm now on my second stock one that powers the remote. The Neutrik connection is great but the plastic one that connects to the Kemper doesn't make good contact anymore .....

Are ones available with Neutrik connectors on both ends ? A more flexible cable would be a bonus, too ....

The first"light guage" I remember trying was after reading Clapton or Green using a banjo string for the top E, dropping the E to the B and then B to the G .....

I then tried all the 7,8,9, guages but have happily lived with 11's since the 70's. Like tone, It's all in the fingers

+1 ...... especially to get in the Dytronics tri-stereo chorus ballpark (or even the Dimension D rack)

From page 179 of the Kemper main manual v7 is a diagram showing an example of steps and harmonised voices.

The steps are the chromatic intervals of the chosen scale, whereby Step 0 is the tonic (in this case Ab) Step 1 would be A , Step 2 would be Bb, all the way up to step 11 which is G.

Hope that makes it clearer .....

Quote from DonPetersen

seems to me like straightforward F minor harmonized with an octave + third above

Which gives you the same end result, but I find the pitch tracking is not perfectly stable and finger vibrato, glissando or string bending can easily confuse the fretted notes harmony ...

That's why, for me, a user scale whereby you neutralise the unused notes, works better for me ...

Hello, after a quick listen it is a fairly straightforward major and minor third sequence for the opening riff.

I assume you will play the fundamental.

In this instance, choose User scale 1 + 1 Oct and set the key to Ab/Fm.

Going in to Edit Scale 1, you'll see the associated steps and the intervals which you need to input

Step 1 = 4

Step 6 = 4

Step 8 = 4

Step 10 = 3

Edit all the unused Steps to 0 (to avaoid any false harmony triggering)

Hope this helps .....

I have the Red Sound RS LG-12 but didn't know they did a neo either .... However the 'normal' one sounds great and coaxed me away from my favourite EVM 12L

Hank Marvin had the first Fender Strat in the UK. Cliff Richard bought it for him after the US embargo was lifted for 'luxury goods'.

One of Mark Knopfler's and countless others inspiration to pick up a guitar ....

Just tested my Moog EP-3, and with the side pot on maximum, there is approx 1/8" (3mm) 'slack' at the heel but then smooth from 0 -127 toe down.

The side pot's range can, of course, be adjusted from cc values 0 - 127.