Posts by VoodooJef

    Honestly, sound, tone, and timbre have little to do with tapping. Watch Erich Mongrain or Andy McKee or Trace Bundy do it on acoustic guitars with more proficiency than most electric players!!

    The technique of tapping itself is what perpetuates the sound. One of the drills I give my students is to tap various note combinations to a metronome.....UNPLUGGED. It forces them to learn how to articulate each note with absolute consistency, and leads to them being (much to their excitement) able to basically tap for infinite lengths of time. Follows the adage "learn to to it, then learn to do it well".

    I got a pretty good test drive of it today. Summer is indeed the goal. It´s pretty badass, very simple, smooth, and user friendly. The whole chain of items (amp/cab/effects/etc) is drag and drop in linear fashion, drag and drop effect presets, and so on, and so on. It`s awesome. And for you neat gadget nerds (I am a part of that club), when you make adjustments via the editor the device responds with corresponding changes to whatever shows the parameter in real time (ie, the gain led`s move etc). Not gonna be overnight, but it`ll be awesome.

    Kemper people - if you're going to NAMM let's get together. I'll be there tomorrow thru Sunday. There are several acceptable beer sites in and around the convention center.

    Text me: 985-956-0601

    I'm John!

    I'll be out there friday through sunday. I'll give you a shout after I've made the rounds :)

    I used MusicPro and they really came through like a champ a few years ago when my house was burglarized. Around here the homeowner's deductible is 1% of the home value putting mine at the time at $1800. My musicpro deductible was $100. I have a different policy now but I wouldn't hesitate to go through them again.

    - 34 songs is a big one. At my output rate that’d be 5 years work at least :)

    Thanks, it's a good 8 years worth of material I've been writing on the side as solo material between writing for the various bands I've been in. I'll make a separate thread for it once it's far enough along to start releasing some of it but I think you guys will dig it. A big focus for my trip to namm this year is to sit down and talk to the guy who has offered to help produce it all (believe me, I need the help!) and see how we can make that happen in a timely manner. I won't divulge who it is until we have an official agreement, but here's a hint: He was in Frank Zappa's band :)

    I need to pioneer a new internet shorthand marker. I`m going to start putting [tic] after sentences that are intended with Tongue In Cheek. Just having a little bit of fun up there, didn`t mean for anyone to take it quite so seriously.

    And I would have to politely decline an invitation to beta test for them. As I have only one device and I`m at right about the half way point in a 34 song, six EP marathon project I could not afford to have any unforeseen bugs . I need it to be as reliable as the sunrise and I`m happy to wait for the fully tested versions :)

    Good grief some of the things you guys will argue about. LOL.

    NAMM is two weeks away. I've seen the Kemper booth many time and it's always packed, always a good buzz regarding them. I'll have mine there doing a few demos for Wathen Audiophile and if no one beats me to it I'll post whatever news the folks at Kemper might have the minute I get it :-)

    (and yeah, I'll have my handy dandy thumb drive on me just in case there is a tasty show-only update)

    I'll be there. Anyone else going definitely feel free to give a shout. Let's at least give each other the finger as we walk past each other :-D

    I won't swear it's the KPA, but I can agree on anecdotal evidence. I've been using 1.14mm jazz III picks forever and I nabbed a few 3mm dawman jazz IIIs recently and I can definitely hear a difference. The old ones are definitely darker, "chunkier", if you will. I have literally scoffed at custom pick companies claiming their picks sound different in the past because I honestly never noticed a whisp of difference. Not anymore.

    I've seen him plug straight into a Marshall with absolutely no effects at all and sound like the gates of heaven opened up just for him. LOL. I just can't seem to mimic that particular edge and bite in his tone. Then again I don't play a strat through a marshall, either. On goes the quest :-D

    Yeah, yeah, I know. It´s the whole combo of parts connected, from amp to the player. I´m quite aware LOL. Just looking around for a tone that´s close to his on the Guitar Shop recordings. I don´t play a strat, and I use a pick so I know it´s going to be close at best but anyone able to point me towards that sound?

    Obviously not a gear related thread, but I'm not the newest guy on the block, either. LOL. Just seeing if any of you are heading to NAMM next month. I'll be out there floating between the Hipshot and DR booths friday and saturday. It'd be cool to put a face with a name if anyone from here will also be there

    Thanks for the link. That's what I always do in 7, and then temporarily turn it on when I feel like doing updates and dealing with any resulting chaos. We tried that trick at work (I'm a software dev) when 10 first came out and it didn't succeed, but I can't remember why. That was a while back, and I've slept since then. Maybe they've relaxed things a bit (hopefully!).

    Have a Surface Pro running 10 as part of my testing rig for work, think I'll try that and see if anything bizarre comes of it. I mean, you know, not that anything bizarre could happen with a Microsoft product...

    Doesn't work at all on the tablet I use for tuning my car (the tune software is only available for Windows or I'd be using my Mac). I've had the update notification interrupt tuning sessions on the dyno. Not something one wants to have happen pushing 36psi of turbocharger boost pressure. I want to like windows still but I just can't.