I have two DXR-10’s for stereo, and I love them.... That said, I never tried Xitone’s or other similar setups.
Curious about Kempers’s upcoming Kemper Kabs.
I have two DXR-10’s for stereo, and I love them.... That said, I never tried Xitone’s or other similar setups.
Curious about Kempers’s upcoming Kemper Kabs.
Sin ce u pdat in g my sp ace ke y st art ed mes s i ng up......
(No, I just posted that because I want to follow this thread... I’m running it, and noticed no ‘bug/defects’.)
I realize this might be taken the wrong way, and it’s not my intent, but...
An awful lot of this is the result of technique, and how the hands/fingers/pick are used.
Proof of this is when George Lynch played through my rig, and sounded exactly the same as he always does.
Unfortunately, when I played through his, I still sounded like me... only louder.
My friend has just bought a toaster and bought a flight case for it to protect it...
No idea why he bought that and not the rack version BUT it adds very little size to the toaster and gives it full protection, meaning you could then put it anywhere with a bit more confidence..
Let me know if of interest and I can get the details...
I’m interested....
(Thanks)
I thought about standing the Yamaha on its end and putting the Kemper on top, but the cab is too small to be stable in that configuration.
Which is why you need TWO DXR10’s!
No, the two are best spread a few feet apart, so it doesn’t really help... and I’ve yet to see a great option as far as stands go.
I went unpowered,as he powered option is a mono amp, as you correctly state above.
I like stereo... (2 DXR-10’s works for me)
And Camplifiers are hard to get in the US...
I’m using a non-powered Kemper through two DXR-10’s in stereo...
I’m really curious to find out if this new Kabinet (and imprints) is going to make me want to change that. (Other than the little green cabinets look neat!)
Guitarists have so many great options these days...
What he said ^^^. (Assuming dxr10s are the same...)
From the Berkeley College of Music website, in the Bio’s section: (if you want to see some great players, search for Berkeley audition tapes on YouTube.... )
“Maddie Rice has proven to be a young musician to watch. As a 2014 Berklee College of Music graduate with a burgeoning pop-rock career in electric guitar, she was chosen in 2015 to be part of the house band for The Late Show with Stephen Colbert. As a member of Stay Human, Jon Batiste’s band, Rice adds to the group’s unique blend of jazz, funk, and pop.”
have you try to make a full reset?
Original poster said he did a full reset, and even tried a newer (latest) OS.
This is a little concerning as someone considering using the Kemper as a live unit. Reading about quite a few ‘issues’ that would prevent successful use in a live performance environment lately...
I hope the OP follows up with what the issue/resolution was/is.
I have a very good technique at pinch harmonics, but I noticed over the years when I play different guitars and amplifiers they sound different. My question to you is out of these four what is your opinion?
I have very good technique at pinch harmonics, but I noticed over the years when I played different guitars and amplifiers they sound different. My question to you is out of these for what is your opinion? Is it the pick ups? Is it the guitar? Is it the amplifier? Is it the gain?
Any Kemper setting that will help?
It’s a combination of all of them... Unless playing through headphones, you should be able to squeal all day and grab those pinch harmonics... volume and placement of player to speaker make a big difference.
Display MoreI hear all this talk about how stereo is over rated, depends on what music you play.
The punch that you get from the stereo and mimiq tho is just amazing no matter what style.
On that note - Come come over over to to the the Dark Dark Side side My My Friends friends...
Ash
Oh - stereo is NOT over-rated... for recording , it’s still my preferred mode.... same for monitoring if it makes you play better having a bigger soundstage... But you have to be careful how it’s used live in a FOH situation...
Stereo Guitar is great in every location be it FOH , Ears or monitors....but it takes a little getting used to
Tell that to the ticket holders on stage right, stage left (who lose 1/2 the audio information), and even the folks in the rear, who hear it as mono anyway. Except for the folks at the sound desk or immediate vicinity, who it might sound great for, depending on a host of factors... others though, pay the price. And the speakers don’t need to be >=300 feet apart, as previously suggested.
If you like it in your monitors, cool, I agree... in your bedroom or jamming with the guys/gals, sounds great... I like that as well; but stereo FOH for anything bigger then a garage is lost....
Um, not sure about the post above, but....
Here’s one reason stereo mixes are not used in major venues.
Paying ticket holders on the stage right, stage center and stage left all hear different mixes/content.
Technically, only ears in the center of the stereo stage will hear the stereo image as intended by the sound engineer. Others will miss content that is panned to the adjacent side.
This argument has been going on for decades... the basics don’t change.
Until you offer headphones to every audience member, stereo will not work for all...