Posts by keem85

    I come from the 'If it sounds good, who cares how you came about arriving at that sound?' camp. So the real question is whether your priority is how it sounds aesthetically vs. accurately. If you only care about aesthetics, tweak away to your hearts content. If you care about accuracy, then you probably need a range of different profiles taken from the amp in question.

    Ultimately I care about how it sound, yes :) But I still wanted to know if the KPA gain knob is a KPA modified one and if it colored the real amp tone. Thanks for your reply guys

    I have a somewhat strange question. Let's say I take a profile, for example "Matchless SC30 R 2-" which has some gain to it by default. The amp has been captured as is, with it's set of microphones, certain amount of gain etc etc, to become what it is... But if I dial down the gain, will it still be the same amp that I hear clean? Or should I rather capture it with clean profile seperate instead to acheive a clean "Matchless SC30"?

    So in other words, does the "Matchless SC30 R 2-" has it's own gain when run default, or is it a Kemper imposed gain? :)

    How do you guys fix this then? I have a pretty new Focusrite Clarett, and the input is set to 0db on all channel. I don't have this pro thing you guys are talking about

    Monkey_Man I am actually getting pretty hot signals when I am recording directly from the amp.. But when I am reamping, that's when the signals are very weak. Which I find very very strange

    Ah I see. Hmmm.. How are people really recording in studio with the Kemper if it's not possible to acheive this? A reamped track at -16db is way way too low.. My DI output level is already pretty high as it is. I am very interested in hearing how people are recording with the Kemper, and why it does not have a way of getting good signals out. I figure for that price tag, that would at least be a minimum?

    Thanks guys. paults I don't have an API 525, but judging by his first comment, he only mics the guitar? So no DI at all here? I have a rusty old AKG Perception 200, I don't know if it can compete with the U87 or the more expensive ones.

    I'd never DI an acoustic when recording but if you're set on it, record it and a few mics too. You don't need to use them all in the final mix and you can pick whichever combination works best.

    The problem I have when mixing is that my initial assumption when recording is that the sound is good. And then I spend several hours mixing and making it sound OK. And in the process I spend so much time listening to the track that it becomes familiar to only me. And because I can hear myself "deaf" on my own mix, I then later finds out that I could have done it better.. That's why I ask here before going down that road, so I know the best basis for success before starting.. If miccing is that much better in the end, I'd rather do it right from the start. :)

    I'm in the process of recording our last alt-rock song before sending it to master. This particular song has a very familiar vibe as the Coldplay - Yellow song has. The intro acoustic guitar on the Coldplay song is very heavily compressed and lows gone, and that type of sound would fit perfectly in our track!! All the guides and online tips suggest that I should record one track with DI and one track with a condenser microphone on fret 12.. But my own logic says I can just settle with a DI recording through my Kemper for this particular usage.. That I don't need an extra micced track to mud up my mix.. If you listenin to Coldplay - Yellow, would you say the Kemper alone can achieve this, or would you have a micced track aswell? If only Kemper, should I go DI cab bypass, or should I run it through a simulated amp?

    We all got "shit ears". Take Steven Wilson for example, he records and masters everything himself, but for his guitar part, he sends it away for others to mix it, because they sound shit to him no matter what he does :)

    That worked! Thanks. Now for the S/PDIF setup. This helped me narrow it down to maybe a routing problem on the Focusrite Software. I'll not bug you guys more about this, since now I know it works the analogue way.

    I somehow managed to be able to have the AMP channel listen to the DI channel. It now inputs signal from DI, but it's clean signal. Not amped or distorted, like it should be

    EDIT: It seems that the manual is wrong when it comes to output. It says to put it in Git Studio, but that's wrong, no amped sound comes through there. If I set it to Git/stacked, I get amped sound. I'll experiment a little bit more

    The Kemper front input is working at all times, not matter if I chose another input source. This issue got introduced today and makes it a little more difficult to troubleshoot.. Cubase is not letting me chose DI output as the other spdif cable, and my Kemper is not letting me chose spdif as input source. I tried restarting the KPA and reinstalling OS also

    EDIT: Setting KPA output to Stack instead of Git Studio had another effect. Now I can hear the amped sound, and the front input and spdif section works.. Still problems with reamping though. No way to get the DI signal to play back to the KPA.