captev3 you might want to try Bert's Filmosound profiles. There is a free one in the respective rigpacks (B&H Filmo Crunch). Lovely crunch of a film projector, well profiled by Bert
Posts by deadman42
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Welcome, have fun here in the forum and with your Kemper. Sounds like the fun is already going on, very good! Enjoy this incredible machine as much as most of us here do
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- don't tweak the OS just because some random YouTuber thinks he found another holy grail
This. Cannot emphasize it enough. So many out there telling you how to do things without reflecting the particular situation. Youtube teaches brilliant things but the "10 tips to do this and that" are sometimes clickbait of the year...
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Thanks for sharing Sollazzon, highly appreciated! Rock'n'roll
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Lovely community here, as always! Thanks Bakersounds
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Welcome, have fun here in the forum and with your Kemper. Sounds like the fun is already going on, very good! Enjoy this incredible machine as much as most of us here do
Take your time to explore the machine... in case of questions this forum here is certainly one of the best places to start if you can't figure out with manual and tutorials. Incredible nice folks around here!
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I have developed the habit to add name of the profile and any specific settings in the notes part of my track inspector. As well as the guitar and pickup used on that particular track. Takes a moment but helps me often to remember which sound I was after and how I achieved it. Part of my learning journey "in the studio". And coming back to older projects I oftten listen and then look at those notes with "huh, wow, oh, yes that worked..." feeling
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Looping in DamianGreda . It is a VST tool, RigKeeper. Good one!
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I patched in the Kemper as an outboard effect in Cubase, and Cubase measured the latency and compensated (as it does).
Which I do exactly the same way, see my post above. Nevertheless I do not have the phenomenon you describe. If I record DI/Stack on two tracks and then reamp the DI track with the exact profile I get exactly the same "wet" track. And if the latency compensation did the job well they are so well aligned that they eliminate each other if I flip the phase of one "wet" track. Silence then. Perfect for me.
So what goes wrong where?
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Constant latency can indeed be important. The magic is to introduce the Kemper into your DAW as an outboard gear, e.g. for me as an external effect in Cubase. When setting this up you can let the DAW measure the overall latency of the whole chain: Going out from DAW to Kemper, processing in Kemper, sending back to DAW. Now once this latency is figured out the DAW will automatically align the tracks exactly when this is used for reamping
If "Constant Latency" would be disabled then the measured value would only be true for the particular rig and settings. Again you'd have phasing then.
Yes, I know, not all DAWs do offer that latency adjustment for external gear. But the better ones do!
And yes, you can reamp without that but then, exactly as musicmad wrote it, you'll need to manually align the tracks to make sure you do not run in phasing issues.
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Nicely played and great sound! And a well conducted tune as well
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Awesome sound and groove MuddySludge - just the right level of jam energy plus some production on top. Well done
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You're on a very good way DuhNatural , I'm confident you'll get it sorted soon
When I route 1/4" from kemper -> Mackie -> Monitors using 1/4" it all sounds incredible.
That ruled out the Kemper soundwise. Good.
Now it is indeed about checking all the details in your signal chain.
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Lovely stuff as always Joe! Well conducted tunes with great sound... and so versatile in the rock genre. Very cool Joe
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Welcome, have fun here in the forum and with your Kemper. Sounds like the fun is already going on, very good! Enjoy this incredible machine as much as most of us here do
Not whiny at all. Relevant point when you start to explore the machine. As Kellerblues said, ASIO4ALL is the go to solution at the moment until the official ASIO drivers from Kemper arrive.
Is going XLR-> the focusrite going to give me everything the kemper has to offer?
Yes. Absolutely no difference in the features you can listen to. Many people here will tell you as well that there is no way to distinguish if the sound was transferred digitally or analogue via the XLRs. On the Kemper side those have an incredible quality, it's rather about your Scarlett preamps then which depend a bit on the generation of the interface. For convenience reasons I am in the digital camp as well, using SPDIF, but all recorded tones I heard via XLR were pretty, pretty good. Others might chime in here...
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Welcome, have fun here in the forum and with your Kemper. Sounds like the fun is already going on, very good! Enjoy this incredible machine as much as most of us here do
You're in the right camp now! Less time and hassle with lugging around heavy stuff but more time for creativity and joy while playing! Enjoy!
I'm sure the MAC folks here in that super friendly forum will take care of your question
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Great pack Tim, thanks a lot for sharing!
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Well said. And interestingly a good song - which is attractive and well conducted - can benefit from stereo or whatever else. But it remains a good song. Even in mono. And more sophisticated approaches like quadro or the 5.1 sound on some concert DVDs... did that really materialize as the next step and goto level? Not really. Good songs matter
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Brilliant stuff, great sound and great songs! Well played and recorded mate