Hi Tupelo Flash,
sounds great. What profile did you use for that intro?
hi, will send profile info over the weekend
Hi Tupelo Flash,
sounds great. What profile did you use for that intro?
hi, will send profile info over the weekend
My try on this classic , let me know if you would like the name of the profile
Thanks ....Slow Dancing in a Burning Room....next
Cool! What profile did you use? I could go for a little more gain, maybe.
it s a little more noisy but you'll notice a difference only with Hi-Gain profiles.
I Guess it's Also written sonewhere in the manual.
thanks
Hi all,
Is there any difference in quality when using the alternate input ?
At this time i’m mainly using my Kemper in the studio, so do not want to any sound degradation
Thanks
I think to properly complete your studio color coordination you should switch to the White Penguin.
haha...nice one, or Falcon
Wow, 7 weeks is long.
Yea mate, ordered early Feb.....looking forward to Kab
After selling my Unpowered Rack Unit & ordering a powered Rack....it finally arrived ( After 7 weeks )
Been using Amplitube in the interim, it was ok
Migrated to Universal Audio's Luna.....the future is bright
You will not be disappointed - Welcome
Hank Marvin
Glad u still with us
No I wasn't.
However, this problem is no longer an issue for me. For several reasons I was quite disappointed by the unit - so this morning I took it back and traded it in for a NI Audio 6 with S/PDIF and lots of inputs and outputs. Reviews on audio quality and usability have been good so we'll see shortly if this works better for my needs.
please write a short review of the NI with regard to the Kemper after you have used it for a while
iOS Please, iPad control for rig manager would complete for me
Display MoreAs obvious as it sounds, I think the key to a good Kemper experience is finding the right profiles. More specifically, the right profiles for the genre that you play. I know that sounds kinda "Duh," but it's easy to get caught up in twisting knobs and overlook the basics.
When I first got mine and started downloading Marshalls from Rig Exchange, there were a few days when I was considering returning it and going back to my tube amps (which I hadn't yet sold). What I finally realized was the genre thing. Metal and its siblings are very popular these days, so there's a large amount of high gain stuff on RE dialed in for that kind of tone. However, I play classic rock, so what's a killer high gain tone for a metal guy was absolutely awful for me. The quality of the profiles themselves weren't to blame - they were good, and loved by many. However, I wouldn't plug in a Big Muff and expect it to sound good when playing a soft, jazzy standard. And I wouldn't reach for that jazzy sound if I was doing a Hendrix gig. It's all about context and the right tool for the job.
I eventually found some commercial profiles that were aimed at the style of music that I play, and suddenly it all came together for me. I do almost no tweaking at all. Instead of trying to beat profile A into submission, I just move on to profile B. I might adjust the reverb a bit, but that's about it. Whether recording or playing with a band, my guitar has never, ever sounded this good, song after song, no matter how many different tones I need. And I've been at it since the early 70s.
If you try high quality, well loved profiles that aren't used for the same thing you want to use them for, the only logical conclusion would be that your Kemper is terrible because the sound is terrible. And yet, load the appropriate profiles into that same Kemper and it becomes a magical experience. At least that's how it went for me.
Display MoreAs obvious as it sounds, I think the key to a good Kemper experience is finding the right profiles. More specifically, the right profiles for the genre that you play. I know that sounds kinda "Duh," but it's easy to get caught up in twisting knobs and overlook the basics.
When I first got mine and started downloading Marshalls from Rig Exchange, there were a few days when I was considering returning it and going back to my tube amps (which I hadn't yet sold). What I finally realized was the genre thing. Metal and its siblings are very popular these days, so there's a large amount of high gain stuff on RE dialed in for that kind of tone. However, I play classic rock, so what's a killer high gain tone for a metal guy was absolutely awful for me. The quality of the profiles themselves weren't to blame - they were good, and loved by many. However, I wouldn't plug in a Big Muff and expect it to sound good when playing a soft, jazzy standard. And I wouldn't reach for that jazzy sound if I was doing a Hendrix gig. It's all about context and the right tool for the job.
I eventually found some commercial profiles that were aimed at the style of music that I play, and suddenly it all came together for me. I do almost no tweaking at all. Instead of trying to beat profile A into submission, I just move on to profile B. I might adjust the reverb a bit, but that's about it. Whether recording or playing with a band, my guitar has never, ever sounded this good, song after song, no matter how many different tones I need. And I've been at it since the early 70s.
If you try high quality, well loved profiles that aren't used for the same thing you want to use them for, the only logical conclusion would be that your Kemper is terrible because the sound is terrible. And yet, load the appropriate profiles into that same Kemper and it becomes a magical experience. At least that's how it went for me.