Posts by vitaliistep

    Hey guys!


    Have some weird idea. I want to use these cool fancy preamps profiles for recording my acoustic guitar using Aston Stealth mic plugged into back XLR input:

    https://www.multitracks.com/so…r-Acoustic-Bundle-Kemper/


    Questions:

    1. As there is no phantom power in Kemper XLR input I'm going to use Aston Stealth as regular dynamic mic. Is it a good solution or I should better use some dedicated phantom power adapter before Kemper to get stronger signal level utilizing built-in Stealth mic preamp?

    2. Can I set Kemper the way that I could use XLR return input for plugging the mic and TS return input for mono FX loop?

    3. If plugging to front input is the best way to do it, then what device could you recommend for getting proper signal level/impedance from the mic and convert XLR to TS for plugging it to the front input or maybe even some guitar pedals before the Kemper?


    Thanks,

    Vitalii

    Awesome profiles pack! Was inspired by the sound and recorded a draft for a new song :)
    Still discovering Kemper, so I'm sure sound can be much better.
    Signal chain: FGN singlecut inspired by Les Paul Custom => Mad Proffesor FGC => Bogner Ecstasy Blue pedal => Kemper

    No post-processing.

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    Hi guys!

    I've noticed during adjusting parameters with the soft knobs that I can hear changes in sound before seeing the actual parameter change on the main screen. As a proof I can see it in the cab settings for Low/High Shift parameter. After turning corresponding knob a bit to the right, for example, the default value <0> changes to +0.0 and after turning it a bit more to 0.1. Also Undo button becomes active after even tiny turns confirming that there was some parameter change.


    So the question is can I somehow add more digits after dot to make all changes I do with the knobs clearly visible on the screen?

    Cheers,
    Vitalii

    Hi guys!


    I'm quite new Kemper user, so possibly I don't understand something yet. So here's the story. I wanted to find some good quality profiles of good vintage amps to use it with my overdrive pedals. The intention was to get as close as possible to real things in terms of sound and feel. There are a lot of extremely positive reviews on the internet about Michael's profiles and every other says that they are just like real deal if not better. So I pulled the trigger and when I was reading additional product details after my purchase I had found this:


    "Speakers and mics – I like to profile amps using the same speaker cab and mic setup.

    While some amps might benefit from using their built-in speakers/cabs, I find that I get the

    best and most-usable results from this setup. My Classic Lead 80 is an even, smooth

    speaker with tight bottom that doesn’t impart too much speaker character onto the

    profile."


    As far as I know cab and mic have great impact on the final sound (actually much bigger than the actual amp), they have even influence on the feel to some extent. So the decision to use the same speaker/cab for all profiles is quite strange to me to say the least.


    Any thoughts about this are much appreciated.


    Do you know any other good profiles of Fender vintage amps with more authentic approach of making them, preferably Silverface, it seems almost nobody likes them, simply impossible to find profiles of that series? :)


    Cheers,

    Vitalii