Surely the pauses between musical performances in theatre a greater than 250ms?
Have you ever played a Broadway-style show? Many of them will have periods of 20-25 minutes with no break, cycling through a half-dozen or more musical styles and often several instruments - particularly the newer ones. Then the bow/curtain call music is almost always a composite of every theme in the show playing 16 bars of each, then jumping to another. That one "song" can be a three instrument, 15-patch monster.
There is a reason I have asked the question, and "planning ahead" doesn't address it.
Beyond that is the fact that I generally do not have the time to build a full set of custom patches for each show. For example, last weekend I played a 20-song concert with a group of local actor/singers. One read-through before the show, then perform. Basically sight-reading onstage, with no chance to "plan ahead" for anything. I have to be able to jump to damn near any combination in real-time. This weekend I'm doing a full production, but it was a late call and I didn't get the book until tech week (it was literally on the stand when I walked into the first run-through). Again, no time for building custom patches for the whole show (and this one doesn't even have an intermission - it's straight through).
I'll say it again - not every guitarist lives in the three-minute pop song world where you work in a single musical style, rehearse things to death before you hit the stage and always have time to make adjustments.
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the digital modeling/profiling realm all pro products are going to have a small gap before selecting the next bank, it's how they're designed.
Helix has snapshots, and Fractal has scenes and channels within preset blocks. Both allow immediate switching to a much larger number of patches than 5. Fractal's approach is not terribly user-friendly, and would require a very expensive MIDI controller; Helix is easier to work with.
I prefer the sound of the the Kemper and would not replace my Bogner with a Helix. Fractal, though, allows me to build a grid of 8 scenes and 4 amp channels in a single preset (total 32 patches), and with MIDI you can set it up to switch combinations of blocks and channels within a preset with a single switch. Kemper only gives me 5 total.
Hence, my question. If I could do something to reduce that latency, I can make the Kemper work for me. Without that, I'm pushed to my second choice, the Axe-FX.
Here's an honest question, though. In the 90s I went through a variety of rack FX units. I never ran into switching delay like this, and in fact I still have a Quadraverb in my rack. 128 patches, all effectively instant. 30 years later and the new stuff can't do what we had back then? Really?