I am said producer. And the profiles we used were: (never more than 2 profiles per guitar part at any given time in addition to the live amp track.)
For Gab's tone ( left speaker) A heavily modified Marshall DSL 40C (and I do mean heavily. I ripped about half of the components out and replaced them with different stuff based off what I learned building the ST, put it in a head enclosure and blasted it through an Avatar 412)
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Blonde Bassman Candy by Rainer B. - to sweeten up all her clean parts
- Except on "Hands" and "FFOM"; for more grit, but same Bassman body, we used a profile Bryan and I pulled from a '69 Bassman head that belongs to Wren and Cuff wizard, Ray Rosas. We ran that full blast through Gab's Avatar 412 and pulled a killer gritty profile.
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EVH 5153 A2 by M. Britt
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MW ENGL Safe Age 120 (Only on "Lost on You" and "Groomed")
- One of the following profiles by ReampZone
- '92 Mesa Dual Rectifier S15
- Marshall JVM 410H_133
For Bryan (Right speaker) Stormhenge Superthump 50 SS model
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EVH 5153 A2 by M. Britt
- One of the following profiles by ReampZone
- '92 Mesa Dual Rectifier S15
- Marshall JVM 410H_133
On "Idiot", "Cycelcide", and "Advice", I re-amped both Gab's parts and Bryan's parts through profiles we created of the other's amp to pan the other way to keep that big stereo guitar feel while panning the leads up the middle, or in the case of "Idiot", panning Bryan's rhythm part dead center with the bass on the verses. I did that so we wouldn't have to record a doubled track to put over there, which usually creates an unwanted phasing.
Occasionally when needed, I would sweeten the leads by mixing in a little of Michael Wagener's MW Voo Doo Plexi into the solos, and if that didn't give it the right vibe, I'd instead try a profile we pulled of Bryan's Superthump using different power tubes that gave the amp a real Eric Johnson vibe.
And actually, Bryan, the design of the SuperThump is a cross between a Marshall 50watt Plexi and a Marshall Super Bass; not a Fender Bassman