An electric shock generator when I play bad or take more time to tweak than playing.
Posts by charlphi
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Perso, je ne joue presqu'exclusivement avec des profilés de Bert. Ils sont tops et variés. Mais dans l'absolu, j'ai 3 rigs: clean, rythm, lead.
Et peut importe d'où vient le profil j'utilise toujours le même cab. A mon sens la plus grosse coloration du son vient de là et mes oreilles y sont habituées. Ex, j'ai un pack de chez tone junkie, il passe très bien avec.
Et selon moi il faut aussi absolument baisser le high pass filter dans la section output pour éviter de se faire saigner les oreilles.
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Great, it's beautiful.
Why a stereo jack?
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... and once your ears are accustomed to a cab or an IR, it's difficult to switch to another...
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And share it...
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Same for me. I have only two profiles: dirty and lead. Clean with the volume down.
I use Bert's profile. One day I prefer soldano and tkl the next. But with same cab and effects, they sound the same.
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Without access to their profiles, I can tell me the only reason I don't play like a guitar hero is the gear.
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It's not a live situation but I found this video very interesting about having a big sound.
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My advice would be keep things simple. I would avoid stereo for live. Concentrate on your playing and arrangements.
The hole can be filled with help of bass and drum too.
Personally I play a song differently if we a are two guitarists, only me or in an acoustic version with only guitar and vocal.
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Excellent,
It looks you are playing acoustic. Do you use the kemper or only the fishman?
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I agree, it's off topic.
In my mind I applied the same reflection of using a real cab. I thought using merged profiles gives a more accurate result than studio if I always use the same cab or ir.
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Personally, I like merged profile because I like to use the same cab for all my rigs (I don't use more than 5) and keep a sound consistency during a show.
My ears need adaptation time to switch from a cab to another.
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But you start with this pedal and finish with a huge pedalboard because you add a compressor, od, disto, chorus, delay, reverb, it loader... Then, you need a switcher, you have buzz and hum, you change the power supply, all the cables. At and the end you concluded that kemper is the simplest solution.
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I found this one on second hand. Thon case
I'm very happy.
It looks heavy and huge on the pictures but it's not. The stage is maintained is the case without being screwed. There is some space under the stage to allow airflow and access to the vent.
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I would prefer if performances would do link of rig from browser mode instead of copy. But it's a design choice.
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Yes, I have that pack. It is good but sounds too thin. Everything from BM sound good to me for recording, but for live, too thin.
Did you tried other cab?
Sometimes we change rig and amp instead whereas the cab make a drastic difference in the sound.
That's why I like merged ou Di profile and the use of the same cab for all of my rigs.