Haha, yes you are both right, it needs some professional attention, thanks.
Posts by spottydog10
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Thanks BT, I'll have a look at that.
I should have mentioned, I try and play most basslines on the same string (A) for consistency and there is still quite a frequency poke on different notes. Obviously, frequencies change with notes but these seem to be too different, i.e. resonances.
Also should say that I have a rattle on the open A string that I fixed with a bit of paper at the nut.
Does that suggest the truss needs tightening? -
Thanks chaps.
Is there any way I can check for these issues myself?I normally get my guitars set up locally but I do tweak them occasionally so I can do a certain amount if the checks are simple,
I'm just not that knowledgeable about basses though. -
Not to take this post off track (apologies' if I do)
I have a Fender Jaguar bass, quite nice but I really struggle to get a consistent tone from it,
By consistent I mean resonant frequencies just pop up all over the place, so much so that I will record a phrase then
changer Kemper patch (same profile but different eq, dipping out the offending frequencies)
The bass has had a set up and my room is treated pretty well.
I've used all kinds off profiles and quite often DI, different picks, thumb, finger etc.
I usually get what I want in the end but it's a right pain and kills creativity.
Any advice or workarounds please? -
Haven't been on for a while but your output makes me feel tired!
All sounds great, keep on doing it mate.
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My team never win 😢
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Per, your stuff is really good and always interesting.
The creativity, originality and work rate far outweigh any mixing and technical shortcomings you think you may have although I think those shortcomings are in the low percentages.The depth issue is one that's a bugger to overcome, I struggle with it all the time despite doing what I think are the "correct" moves in a mix.
I hear your frustration - producing a track to a pro standard is the biggest bugbear in my life.Apart from my football team.
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Thanks Don, actually tone matching works OK depending on the material but fair enough re the profiling, it was just a thought.
Cheers! -
Could I profile my own guitar from an isolated audio track somehow?
I know I can just listen to the sound and near enough dial the sound in but specifically, could I do this and how?
I get about 2 steps in and then my brain refuses to move any further 😃
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Don't know how I missed these but they are excellent!
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Ah ok, yes it was a bit difficult getting the balance on those, I'll have another crack mate.
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Thanks chaps.
Maybe I mean Depth not Space, it sounds a bit 2 dimensional?
Deadman, yes the vocal needs some thickening I agree.
Which samples are loud? There is some e-bow stuff quite high pitched and a bit spicatto which I should probably bung reverb on
to make less up front.
Per, I like your reverbs.
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I need a bit more space and less clonkiness.
I'm not great at reverb so there isn't much on it.
Any advice? -
I did those drums on Superior Drummer and it took days and it still isn't right
A decent drummer would have done that with great feel in an hour or two and with a much better result. -
Per, I'm from the same city as the Bunnymen.
I'd prefer the drums to be less punchy to be honest - I like the way you use your drums, they're quite organic sounding. -
BT, the synth effect is a an echo tail of a guitar line looped which is in perfect rhythm for the track, in fact it gave me the idea for the song. I know what you mean about the tone- I tried warming it but there is no low end to it at all, I might try an RBass on it.
Deadman: I've thickened the mainvocal with a short reverb, and stuck a longer one on the middle vocal thanks.OK, did all that here's the new mix and with a touch of compression.
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The mix isn't quite there yet - sounds a bit 2 dimensional so any suggestions are welcomed, cheers!
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Excellent, thanks mate.
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Hi Paul, yes but doesn't a full back up overwrite the current Kemper or have I misunderstood?