Lets face it, most high gain amps with gain on 8, 9, or 10 are in
distortion saturation mode, a lot of the nuances are lost anyway.
As a test I like lowering the gain on the high gain Profiles from lets say 8 to 4 or 5...that's where the Kemper distortion really makes you smile...I'm a believer in lowering the gain improves the tone.
The most impressive thing for me about the Kemper is the organic neutral EQ of the distortion...never heard a modeller that comes close (haven't tried an Axe-FX)...nevermind a modeller, the distortion sounds better than many tube amps or boutique distortion pedals I've tried.
I can't stand the "honk" (think TS9) I hear on most modellers, like the amp was miked in a tunnel (think Pod 1 and 2)...not so with the KPA, no honk, open and airy is how I'd describe it with a transparent EQ.
The sweep on the EQ knobs and Gain knob is special.
They don't go from 1 to 10, they go from 1 to 100...every movement no matter how small makes a difference.
Sometimes I crank the Mids on a Fender Profile to 10, you would think disaster, not so, it becomes a new amp, some kind of hybrid Fender.
Sometimes a Profile is accurate but lifeless (think of a real Fender Blackface amp with volume on 2 ), turn up the Treble and Presence knobs and it jumps to life, add the Compressor pedal up front and kaboom, magic, maybe 15 seconds of tweaking.
I forgot what we were talking about....remind me?