Wow, these are awesome! Especially the TB department is very well done. Can't believe how it cleans up like a good AC 30. And the Tweed section is right up to par, too.
I will definitely use these!
Thanks! The TB ones are my favorites - lots of character. 
The Hi Gain settings are pretty crap though - I just included them for the sake of completeness. 
Just uploaded to Rig Exchange...
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My favorite tiny practice amp.
Enjoy! 
Just uploaded to Rig Exchange...
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Mesa Transatlantic TA-30 Combo
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Channel 1 has Classic British AC-30 tones. I profiled it in 'Normal' mode and 'Top Boost' mode:-
Normal
Top Boost
Channel 2 has American Tweed and Mesa High Gain options:-
Tweed
Enjoy!
I tried to profile my Aura Concert pedal a few weeks ago but couldn't get it to sound even close. I would love to nail this so I can get rid of the pedal but the results I got were crap. I was running from the KPA directly into the pedal and straight back to the KPA (ie no mic or amp involved) - maybe you can't do it this way? 
Mac Cubase 6.5 (mainly) and Logic (occasionally) with an RME UFX. Kemper S/PDIF into the UFX AES input - no problems so far.
I have one - I'm planning a major profiling session this week with a Two Rock Studio Pro 35 and the following overdrives:-
Rockbox Boiling Point
Rockbox Baby Blues
Fetto Nord
Wampler Paisley Drive
Wampler Plexi-Drive
Ibanez TS808 HW
BJF Honey Bee
Suhr Riot
Lovepedal OD 11
Here are a couple of suggestions:-
1. When using the KPA in Perform mode, maybe the Bank controls could instead step through the songs in the set list and there could be an LCD/LED display showing the section of the song assigned to each switch? (I don't know if Perform mode will work this way, but it might be handy).
2. More granularity on the Tuner and an indication of which note is being tuned (useful for those using alternate or drop tunings).
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Have you set your sound card to use the Kemper as the word clock? With S/PDIF you can only have a single clock source or you will get that static issue.
AKG C414 XLS on axis about 2' from the cab.
I'm going to try blending mics next to see if I can get some more bottom end.
Just uploaded to Rig Exchange:-
Crunch1 has a small amount of break up, Crunch2 more break up and Dirty is cranked. The amp is in Pentode mode.
Enjoy! 
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Just uploaded to Rig Exchange:-
The 65 Amps Tupelo has a Smooth switch (+ & -) which adds presence and a touch of gain. It also has a Bump switch which adds more gain. The Lead profiles have the Bump switch on.
Enjoy!
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Yes, they are aware of it - I sent them a video of the problem. Profiles that I created under 1.0.7 are all randomly loading with incorrect gain and output levels. I have no idea why, but it affected every profile that I created and they load with the wrong settings around 50% of the time.
Ok - substitute the word 'switch' for 'comparison'. Forget I ever said 'comparison'. I would just like to be able to switch between the reference and the profile and have the other mute to make life easier. I'm not expecting the results to null.
I've unplugged and replugged my amps and muted my mixer channels about 100 times today. It's becoming a chore. 
I get that you're proud of the KPA's ability to totally replicate a miked amp - it's really very, very good - but don't let that perfectionism get in the way of the user experience. Make the device fun and easy to use as well as sounding great.
Yes, and I have read three time the core message: "it would make the workflow easier", which is not enough information for me.
I have spelled out repeatedly why it's an issue, who it applies to, detailed a rather clumsy workaround, suggested how to improve it and where in the system to put the improvement. I really don't know what more information I can give you.
But this would cause the A/B comparison to fail, as you change the environmental sound, everytime you switch back and forth. Then the reason for the failure would not be obvious for less skilled users. Please take this into consideration.
Maybe make users respond to a dialog box when they switch the option on, warning them that they will be comparing the sound of a miked amp with the natural sound of an unmiked amp-in-a-room and to expect differences? (Accept/Cancel)
I have plans for an option to mute the direct out, when you leave the profiling mode and go back to the browser mode, then the profile can be heard without the reference amp playing along. Would you like that?
Sure, but that would only fix half the problem.
This is a great feature of the Eventide ModFactor and the AxeFX. Some examples of its potential uses:-
There are tons of things you can do with this feature and it can turn ordinary patches into really expressive ones. How about it? 
Quote from ckemperSo you want to adapt the close mic sound to the " in the room" of the amp?
No. This is now the third time I have posted the quoted text below in this thread. It was in my original first post. I feel like I'm banging my head against a wall asking for this very simple workflow feature. I will now give up. 
I understand that it would not give a perfect A/B comparison as the Kemper is profiling what the mic hears, not necessarily what we hear from the amp in the room, but it would make the workflow easier for those of us profiling at home rather than in a studio.
If the Profiler was only made for isolated studios, the mute function would not be a problem, right? But even professional studios do not have perfect acoustics. This is why this feature is necessary for a valuable A/B comparison even in a pro studio.
I'm really not following you. Are you saying that it actually has a mute function? My understanding is that it doesn't, hence the feature request.
The question is, what you want to achieve.
Just simply to be able to flip between the reference amp and the Kemper profile and be able to hear each in isolation without having to stop playing, get up, mess around with cables and mixer buttons etc. I'm just asking for a System Preference option so that when you press the soft buttons to flip between the amps, it mutes the output for the one that you're not listening to.
