Which one of the 5150 III profiles from the Heavy Bundle 2 pack was used for the Gojira style tone?
Posts by SanctumSolaris
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Try these settings:
Pre Stack
Graphic Equalizer (A)
80Hz/160Hz 320Hz 640Hz/2.5KHz 1250Hz 0.00/-0.40 -1.20 0.00 -6.30 Low Cut High Cut 5KHz/10KHz 0.00 52.0Hz 12004.8Hz Volume 0.00 Mix 100% Ducking 0.00 Definition 5.80 Clarity 0.00 Power Sag 2.10 Tube Shape 7.00 Pick -0.50 Tube Bias 0.00 Compressor 0.00 Direct Mix 0.00 Post Stack
Studio Equalizer (B)
Low Shelf High Shelf Low Mid High Mid 0.0 at 200.8Hz 1.8 at 4007.9Hz 1.8 at 90.0Hz -1.8 at 430.3Hz Low Cut High Cut Q at 5.000 Q at 5.000 60.0Hz 13015.9Hz Volume 0.00 Mix 100% Ducking 0.00 -
Special thanks to Guidorist.com for the Mesa Triaxis profiles. They fit perfectly in the mix.
MDFX - Mudd Flux Full EP Release!
Today, on a once in a lifetime lunar event, "Super Blood Moon Eclipse," we are please to announce the release of our first Ep of 2018.https://www.reverbnation.com/contro…/…/5938920/albums/189906
Full Ep is available to purchase and stream via the above link at ReverbNation. and hard copy versions will be available at our debut show on February 16th at Ed's Hurricane Lounge in Tulsa, Oklahoma.
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Upcoming 2018 Shows:
February 16 - Ed's Hurricane Lounge - Tulsa, OK
March 10 - The Railhead Saloon - Lawton, OK
March 17 - Diamond Jim's Saloon - Arlington, TX
April 20 - Blackbird on Pearl - Tulsa, OK
May 12 - B.A.R. - Tulsa, OK
June 8 - 89th St Collective - Oklahoma City, OK -
Hands down the two by Lasse Lammert are the best. One is free and the other is available on eBay. Been using them exclusively for the last six months and have yet to change profiles.
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Welcome. I am in Tulsa, as well. Fell free to send me a pm and you can check out a Kemper first hand.
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Thanks guys for the update. Looks like it is going to be a DIY Saturday.
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Any news on this thread? Broken network jack is becoming a real pain.
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I usually run a reamp from a DI within Reaper then you can use Kazrog ReCabinet to audition. Works very well.
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Keep us posted on what support suggests. I am having the exact same issue with my network jack.
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Try these links.
https://youtu.be/VkxU6E_124E - Basics
https://youtu.be/Z6CHyeuTIpQ - Updated Basics
https://youtu.be/n916mQeS4kI - Dual Function
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I just recorded the KPA through the main outs 1/4 into a MOTU Audio Express. I used the profile with the cab section off. The used Kazrog Recabinet in my DAW. Just so I could easily switch cabs and find the one I liked most. I really like the Celestion V30 in 2X12.
Normally I never have the cab on in a live situation. I use a Mesa Boogie 4X12 and 2X12 powered by a Matix power amp. Most of the venues I play would rather mic my cabs. Some do like it direct to the FOH, in that case I turn the cab section on and use the monitor out of the KPA with Monitor cab off.
Hope this helps.
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These are the settings I used. Ran it DI with no cab on.You will need to lower the volume if you use the cab.
MARSHALL JCM800 HG-R Volume 5.70
Style Jupiter Type DI Profile (Blend) Channel Lead Studio Equalizer B Bass Middle Treble Presence 0.00 0.00 0.00 0.00 Gain 7.60 Volume 0.00 Definition 10.00 Clarity 2.70 Power Sag 5.00 Tube Shape 3.30 Pick 0.00 Tube Bias 0.00 Compressor 3.90 Direct Mix 0.00 Studio Equalizer (B)
Low Shelf High Shelf Low Mid High Mid 1.3 at 200.8Hz 2.7 at 10006.9Hz 1.4 at 501.9Hz 4.0 at 3012.2Hz Low Cut High Cut Q at 0.707 Q at 0.707 20.6Hz 33488.1Hz Volume 0.00 Mix 100% Ducking 0.00 Rhythm Reverb
Time/Damping Balance Pre-Delay Bandwidth 1.2/2.5 85% 45ms 5.20 Frequency Ducking Volume Mix 0.70 0.00 0.00 13% I do have a loop in the X slot going to my ISP Decimator Pro Rack G. You can simply use the KPA noise gate in whichever slot you like.
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Try Steveness profile of the 1983 Marshall JCM800 (2203)
Clip 5
https://soundcloud.com/jason-g…1x12-celestion-single-amp
https://soundcloud.com/jason-g…2x12-celestion-single-amp
https://soundcloud.com/jason-g…4x12-celestion-single-amp
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Very cool choices. Identical to mine, I am starting to fall in love with the 2nd amp. Here is the list of amps you heard.
Single Amps:
1. Diezel VH4
2. Diezel Hagen
3. Diezel Herbert
4. Bogner Uberschall
5. 1983 Marshall JCM800 (2203)See what you think of the blends. Sorry just dual tracked. The blend list is after the links.
https://soundcloud.com/jason-gautney/1x12-celestion-dual-amp
https://soundcloud.com/jason-gautney/2x12-celestion-dual-amp
https://soundcloud.com/jason-gautney/4x12-celestion-dual-amp
https://soundcloud.com/jason-gautney/4x12-ownhammer-dual-amp
Dual Amps:
1. VH4 and Hagen
2. Herbert and Hagen
3. VH4 and Uberschall
4. Herbert and Uberschall
5. VH4 and Marshall
6. Herbert and Marshall
7. Herbert and VH4
8. Hagen and Uberschall
9. Hagen and MarshallThanks for your help. \m/
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Been working on my Heavy Rhythm sounds this weekend. Listen to these links first and choose which amp you like (1-5) and which cab (1X12, 2X12, 4X12). Then I will send you the links for the dual amp sounds. Lastly, I will actually tell you which amp is the profile you choose. You can probably guess what they are.
https://soundcloud.com/jason-gautney/1x12-celestion-single-amp
https://soundcloud.com/jason-gautney/2x12-celestion-single-amp
https://soundcloud.com/jason-gautney/4x12-celestion-single-amp
https://soundcloud.com/jason-gautney/4x12-ownhammer-single-ampGear: PC, MOTU Audio Express, Reaper DAW, Kazrog ReCabinet, Monster Cables, 1/4 Main Output of KPA (Stereo)
ESP EII Eclipse with EMG 81-7, Dunlop Heavy Core Strings (10-60)
Studio EQ Rhythm Default in X, ISP Decimator Pro Rack G in Mod Slot as Loop, Reverb.Absolutely no post EQ or modification other than leveling the outputs. All profiles are DI profiles (some commercial, some RE).
Studio Equalizer
Low Shelf High Shelf Low Mid High Mid 1.3 at 200.8Hz 2.7 at 10006.9Hz 1.4 at 501.9Hz 4.0 at 3012.2Hz Low Cut High Cut Q at 0.707 Q at 0.707 20.6Hz 33488.1Hz Volume 0.00 Mix 100% Ducking 0.00
ReverbTime/Damping Balance Pre-Delay Bandwidth 1.2/2.5 85% 45ms 5.20 Frequency Ducking Volume Mix 0.70 0.00 0.00 13% -
Really so you crank the Kemper all the way up and use the Matrix power amp knobs to control the volume? Why do you not always use the monitor and direct outs with the Matrix? Is there any benifit to using the main outs to the monitor and direct outs?
Yes crank the Kemper. In the Matrix manual it talks about how it handles the signal and its output. The sounds is greatly improved with the Kemper pushing the Matrix very hard.
Some venues I perform at do not embrace the idea of a direct signal and prefer to mic the cabs. We only have 15 minutes to setup and break down. So no time to argue with the sound man. I do let them know prior to the show and try my best to convince them.
My direct out is being used for my loop effect (ISP decimator). So if I want to run stereo I need to go through the main outputs. When I run from the monitor out only I prefer the master left setting. I llke the feel of a mono sound better, but it does not sound as good as the master left. No reasoning, just my ears.
Hope this helps.
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I run the main out 1/4 in stereo the the Matrix and hit it with volume at 0.0 on the KPA. The Matrix prefers to be hit hard with signal. That setup was for when they miced my cabs. But if I run straight to the FOH I come out of the monitor cab out and still keep the signal at 0.0. Dont be afraid to push that Matrix it can handle it.
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Right on. That is what I was thinking, but wanted to make sure. Once again, great work.
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These profiles are extremely tight in feel and sound. Great work. Do you happen to have a list of the channels you used for each profile? For example Uber 5-e609 would be which channel on the Uberschall?
