Posts by Kemper Support #1

You have to select the appropriate inputs in the channelstrip of the track that you want to record on in Logic. The default setting of 1-2 probably refers to the first 2 analog inputs of your interface. You need to figure out which numbers are associated with the spdif inputs of your interface.

check the aux in volume settings in the output menu. As soon as one of them is raised you cannot use the return/alternative inputs for the fx loop anymore and the warning is shown.

he could send cc73 to the MIDI input of the Profiler to set the desired level.

The only volume that is stored together with the Rig is the Rig volume. Monitor volume is a global parameter. The only way to control it independently from the rest is by using a dedicated expression pedal.

Quote from Dieselfeet

Hi folks firmware updated and it certainly sounds a LOT better.

That is really surprising since the only change that was applied in code is the option to position the transpose effect in the input menu. There have been no changes whatsoever in regards to its sound quality compared to the previous version.

The Profiler only offers a single FX loop but you can position it differently in any rig. So in one rig it could be in Stomp C and in the next one in MOD or X.

you need to set the spdif output source to master stereo in order to record the complete signal chain in stereo.

A subtle difference in the perceived sound quality can also be caused by the fact that your interface has to convert the analog signal coming from the Profiler to digital and back again for the monitoring. You can avoid this partially by using the SPDIF connection but even then you will still use the D/A converters of the interface to send the signal to your monitors.
There is no difference in the quality of the direct and monitor outputs compared to the main outputs in the Profiler.

The main outs deliver a hotter signal than the rest of the outputs. If you find that your interface cannot handle the incoming level please use the -12dB function in the output menu. It will attenuate the signal accordingly. Some interfaces will automatically switch to microphone sensitivity as soon as you plug something into their XLR outputs. If your interface has no function to change that to line level you should use the TS main outputs.

ANALOG OUTPUTS
Master L and R Outputs:
XLR balanced, ¼ inch TS unbalanced with ground lift max. output level: XLR +22dBu, TS +16dBu
Monitor Output:
¼ inch TS unbalanced with ground lift max. output level: +16dBu
Direct Output/Send:
¼ inch TS unbalanced with ground lift max. output level: +16dBu
Output Dynamic Range:
>108 dB
Dedicated Headphone Output:
¼ inch TRS stereo, 33Ohm

a great way to achieve natural feedback with the Profiler is to connect some sort of mini amp with a built in speaker to the monitor out and control the volume of the monitor out with a dedicated expression pedal.

you would need an external mixer

You could select Stack as the output source for the direct out and use the Aux in function to return the signal from your Super Ego into the Profiler without sending it through the post stack effects.

Any changes to a performance that have not been stored will be lost when you use the Remote to switch between slots. That explains why you see the default crunch rig when you use the Remote to switch in an editing situation.
Please use the Rig buttons on the right side of the Profiler to navigate between slots while you are setting up performances.

Quote from paults

It is a limit of two global User Scales, or can each Rig have up to two User Scales?

Each rig can have different User scales

all you need is an expression pedal that you connect to the Profiler to generate the CC-how else would you expect the Profiler to generate the CC?
Its not the MIDI thru but the MIDI out that sends the CC from the Profiler.

Not sure how you came to this conclusion. You only need to connect the MIDI Out of the Profiler to the MIDI input of the device that you want to control.
The Profiler will send any CC data that is generated by pedals that are connected to the Profiler or the Remote to the external device.

Quote from Alienator

The Kemper will send PC messages to the HX FX. There is a list of the PC numbers HX FX manual. So changing presets within the HX FX from the Kemper is no problem. But there seems to be no way to send CC messages from the Kemper, which for me is unbelievable. This means that you can only change presets in your HX FX but no other parameters like snapshots or effect values etc.

you can send the CC messages generated by pedals connected to the Profiler to control external gear since version 5.3.
The new MIDI option “Pedals to MIDI” in System Settings enables pedal controllers CC#1, 4, 7, and 11 to be sent to two external MIDI devices, even if triggered by pedals connected to Profiler or Remote

Please check your mailbox. One of our staff has replied 4 hours ago.

There is no benefit in using an external DI box. The Direct Output of the Profiler was designed to do that job.
If you want the unaltered sound level of your guitar to be recorded use the Git/Analog output source setting for the direct out.
Use Master Mono for the main out if you are only sending a mono signal to your interface.
Make sure that the signal coming from the Profiler is a s hot as possible without clipping the input of your audio interface.
The correct settings for clean and distorted sense are explained in this video:

Only a backup that was generated using the backup function in the external storage menu of the Profiler contains all the relevant data (rigs, performances, presets and global settings)