Thanks for the reply.
Posts by LGMTTUBEMASTER
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I did sprayed WD40 too, just on the "neck" of the switch.
Worked good.
Always did this. Just dont get it drowned in WD40. -
Some other FX already assigned to It.
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What does stand for: Led beside "Pedal 3", far left one?
Never saw it turns on.
Thanks.
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Are you converting the IR and loading into kemper?
I did it with redwirez and ownhammer IRs.
Selected various cabinets, mic combinations and placements to my taste and imported them via cabmaker.
Worked awesome and gave me new choices of tailoring tone.You can even combine IRs with redwirez software.
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Engl Steve Morse?
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Marshall Silver Jubilee
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Spdif 44/24
Works great as always.
Zillions of sessions, jingles, sound designs etc -
I always try o use less gain, works great and helps the guitar overall definition
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Satriani recorded almost every Record with a different amp. Boogies MK II, dozens of Marshalls and some handbuilts.
Early stomps from TS 808, Tube screamers, DS1 and rack delays and modulations. Eventides too.
Soon there are Vox added and some more. -
I'm using 3rd party cabs IR in a scenario that the profiled model didn't achieved the desired sound.
Just to refine sound harsh or tightness. -
From, the producer, Eric Valentine:
The main guitar sound on "No One Knows" was a combination of 3 amps. It was one of the Peavy solid state amps, an Ampeg VT40 and this crazy Tube Works amp that he pulled out of storage. The guitar sounds were challenging. Sometimes the sound coming out of the amps was not particularly musical and at the very least intensely unconventional. I would put a lot of mics in front of the amps and in the room so there would be a lot to choose from in the control room. I would just start playing with combinations of mics and amps until something would fall into place. One thing that was pretty consistent with micing is that we tended to use off axis positions for the mics. The amps were so scratchy and gritty sounding that it just didn't work to put a mic anywhere near the cone of the speaker. His main guitar at the time was an Ovation electric guitar. It had a somewhat dull sound that worked well for the tuned down fuzzy sound. The only fuzz pedal used was a Foxx octave fuzz of some sort. It belonged to Alain Johannes. I have to say the guitar sounds were difficult. It took a lot of patience and experimentation to get the sounds that ended up on the record. Here is a pic from one of the guitar tracking setups. you can see one of my over zealous efforts to find a mic that would compliment the sound coming out of the Ampeg V4B.
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At this article from Sound On Sound, Neil Dorfsman (Brithers In Arms Engineer) says that's a Laney combo, but I don't think so.
http://www.soundonsound.com/pe…ire-straits-money-nothingHere, Guy Fletcher show that's a JTM 45 into an 4x12.
Maybe with Electro Voice 12L speakers.
Due to sound character, this is my guess but with Greenbacks instead EV.
http://www.mk-guitar.com/2008/…ing-and-brothers-in-arms/ -
2016
Kemper + Remote
Mission Expression
Moog Expression
Fender Eric Clapton Artist Séries
Fender Telecaster Custom Deluxe Reissue 62
Texas Special Custom Shop for Tele2017
Orange 1X12 cab and that's It.
Hard economic times here -
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He was using rented backline. Marshalls with 1960...
But will be back with Mr Big Reunion soon.
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you can import an IR. Use a third party software and create your own cab impulse