He used a 50s strat with a tweed fender champ. The tone control on the guitar was likely turned down - the rest is fingers.
If no tweed champ on RE with that tone for your guitar, try all of the tweed fenders.
Alright 
That is a start ...thank you !!
(Although , the guitar sounds pretty "treble" to me - so it's odd to me to know that he turn down the tone control )
Do you have, by any chance, some tweed-fender profiles that you can recommend for me to start with?
The treble isn't rolled all the way off - the amount will vary from guitar to guitar. The tweed Champ from The Amp Factory can do it - pretty much any tweed-style amp that was profiled turned up enough to sing a bit will sound very close.
I'm not hearing anything very special but that tone is doubled with panning left and right for each recording. You can hear it in the beginning of the solo and then it becomes mostly, actually all one side and then the other comes back in. I'm not hearing treble rolled back at all. It sounds like there is some amp breakup or a slight hint of a treble booster or fuzz rolled back to slight break up. If a treble booster or fuzz pedal is involved , which it may not be, the guitar tone certainly isn't masked at all but there is a little edge. The solo is a bunch of single note little arpegiations on the high strings so if he were playing power chords I think that little bit of fuzzy breakup would be more apparent once the lower strings are involved. Just my 2 cents.
Here are some possibilities from the Rig Exchange (may need to adjust the Gain up or down):
Champ 4.0
Champ 4.3
MATTHIAS CHAMP CRUNC
Matthias Layla ( turn off the tremolo)
Here are some possibilities from the Rig Exchange (may need to adjust the Gain up or down):
Champ 4.0
Champ 4.3
MATTHIAS CHAMP CRUNC
Matthias Layla ( turn off the tremolo)
thank you very much!!!
I'll try them
