Looks great!
BTW - If your rig is stereo, you would get a little more separation by flipping the left cabinet, so the horn is on the left.
Looks great!
BTW - If your rig is stereo, you would get a little more separation by flipping the left cabinet, so the horn is on the left.
Thanks for the tip!
If your strings aren't brand new, change them - you may not need anything else.
Add that big reverb on the YouTube video, and you'll be in the range. Maybe a little less gain, a little more "air" in the EQ.
You're welcome!
You could put all the parts in something with a switch on top, like this.
Detune is the same as incremental pitch shift. It is designed with one voice that is shifted up, and one that is shifted down when the detune parameter is increased. It does not have a separate "delay" parameter for the shifted pitches. That feature was requested for all the pitch effects when the public beta was initially released.
If you use a doubling delay, it will sound pretty much the same as if just the shifted notes were delayed ( it will sound a bit bigger, actually)
If it didn't work in simple combination with the pedal:
Look at this EV-5 Schematic. You want to be able to use a monentary switch to function like the VR2 "minimum volume" potentiometer - if the min vol pot was set to "maximum volume"
[Blocked Image: http://www.midiguitar.net/group/EV-5%20Info/ev-5-schematics.png]
Adding a 50K resistor to the circuit with the switch?
The Roland EV-5 is worth a look (it is perhaps best for home use, because it has a connected cable, instead of a jack for a cable)
If you set the volume to this setting in every rig, you can use your pedal to control volume.
(Adjust the Kemper Master Volume to set the maximum output)
Post-effects - Right after the reverb. At this position you control the overall volume of the sound, including reverb and delay tails, that can instantly be attenuated.
if you don'r want to edit rigs, I think a volume pedal between the Kemper and the amp is the most practical solution.
You can set maximum volume with the Kemper Master Volume control, and use the pedal to vary the level.
You could wire a SPST momentary switch in parallel with the tip and ring of a control pedal - it would be faster than the pedal, but you could still use the regular pedal when you want pedal-style control.
I haven't done it, so I don't know if you need "normally open" or "normally closed" when parallel wired to an expression pedal.
I think it would be "normally open" - you can test that before you buy a switch.
I was joking about the lazy news of one-string guitar playing
You can control many things with pedals - the Kemper Manuals explain what can be controlled.
Please put it back on - a low number of stars doesn't mean the profile is not a good one.
It probably means it did not appeal to one or more of the the most consistent rig voters.
If you don;t put it back on , PM it to me, too
I agree about parallel effects - that feature would be great
You already have more than two voice harmony.
Enable more than one two voice pitch effect. The pedal can control all the Pedal Pitch slots at once ( you can make them move in multiple directions with the pedal).
For examples, try the Two way Pedal Steel rig, or the "Shimmer" Rigs I posted on the Rig Exchange.
Up to 729 voices.
For now, You can get syncopated repeats by using the reverb predelay as an additional delay amount.
Look at "Reverse Jimi" on the Rig Exchange for something similar to reverse delay.
If you use intelligent pitch shifting set to +3 and + 5, you can play any song ( in the right major and relative minor key, anyway)
Yeah... Too much programming. LOL!
Welcome! What kind of a Marshall did you have? There is likely one like it here:)
I'm glad to hear it! Playing dynamics, guitar volume knob , and pickup position make big changes in the sounds of those profiles.
[size=12] I agree - the processed guitar sound is a different fundamental sound thant thise Rigd. The sounds does have delay and reverb effects that are similar to the ones in some of the synth rigs.
In that song, the tone of the guitar and amp are providing the tone and distortion.
Using a bow is a good idea.
If you don't want to do that, Play without a pick - use your fingers
Pitch = Chromatic
Chord Smoothing= ON or OFF (try both ways)
Pitch = 0,0
Pitch mix = 100%
Ducking = .1 or more ( this will change your attack, and make the notes fade in, more like a bow than a pick)
For the effect, Try something like this:
Delay = 200 to 300ms
Ducking = start with -1 ( this will give you the 'reverse' swell effect.
Feedback = 65% to 90% (you want that kind of sustain, without it holding too many notes)
Delay mix = 50% to almost 100% ( as you get closer to 100%, you feel something like 200 to 300ms "latency")
Reverb = Hall
Size = 1.5 to 3.5 (if it starts to sound like a concert hall, too much)
Reverb mix = 100/30 to 100%
Reverb/Delay mix = -1 to as much as you like
Ducking = 0 (probably - you can try greater than zero)
Keep the reverb Tone relatively neutral. Too bright won't sound like the song - too dark would sound less like a guitar.