Posts by Finally
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Thanks for the correction Gary! I'll stick to the stringed things that I know.
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Cool project - also wish all cabs/amps had those handles.
Did you use any science to choose the speakers for the enclosure or just things that would probably work together?
Have you done a sweep to see how much FR you achieved?
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Harmonizers need to be told what key the other parts are in, otherwise you're just playing the same exact interval on each note, which isn't very musical sounding.
The answer is yes, the KPA has an excellent harmonizer, but it requires some musical theory to be used right, as they all do.
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The Kemper profiling amp is what I would use. Very realistic and configurable stereo Leslie effect.
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Hi there! I don't think you can determine outputs per rig, but somebody will probably have a good workaround.
In your situation I'd just run the acoustic into a DI box and it's own channel. In addition to simplicity, it means it can be used at the same time as the electric, which means I can throw it on the lead singer from time to time.
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I use a Presonus firewire interface and their Studio One software. It's the quickest and easiest to use of the DAWs I've tried.
I'm a hobbyist recorder, not a pro btw.
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Hmmm.. I'm on Chrome browser (mobile and laptop) and they both remember my credentials.
I think doing a password reset is a potential way to force the issue to resolve.
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I really love the way that gain pedals work in front of the KPA. Just like a tube amp.
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Happy Days! Can't wait!
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In my experience there's no way to get a band to sound great in a small rehearsal room. The sound levels just make everything horrible.
The only hope is for your drummer (and all of you) to turn down.
I think it pays to be clear about whether you're practicing or rehearsing. Practice should be quieter so you can talk things through and make decisions.
Once you're rehearsing for a show I highly prefer finding a stage to rehearse on, so you can tweak your stage mix and main outs.
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I'm a "hit the tuner button and swap the cable to the other guitar" guy too.
Why do you think the amp will be damaged by that again?
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Just practice your butt off for a month. Lack of confidence is just a lack of knowing the material.
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Direct into the PA from the main outs of the Kemper with Cab on would be my preferred option in your situation knowing that you have that option.
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I think your comment about the stomps not being any good is what caused that reaction. It's an incorrect generalization of a whole suite of effects and mean to a bunch of people that I like and respect. I don't know how you'd be surprised by the reaction.
I've tried thousands of effects over 40 years and my opinion is that when used properly they're just as good as any other multi effects unit ever and in many cases are better than the physical units they're based on.
The wah, octave, chorus, delays, EQ, Green Scream are good examples.
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Sounds like real tube amp on the left.
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Not sure if I understand ( and english is my second langage) The no buzz limit ? (you mean to adjust the truss road??? Or maybe input button where we can adjust the clean sen. and the distortion sens. ?Thanks anyway .
Is there any rigs that sustain for ever on the market? Its hard to find.I just mean raise the action. Often people have their guitars set up so that they jjjjust don't buzz when played gently. When you go to hit a hard, sustaining note the string hits the frets, which steal a bunch of the sustain.