To me, it sounds like a Telecaster, played through a Fender amp that is turned up almost to the point of breakup, with a phase shifter Stomp effect.
Hi and welcome
Hi Jason,
welcome to the forum!
Welcome to the forum!
Welcome!
Welcome.
I “believe” chris plays a fender brownface Princeton almost exclusively, I could be wrong though, I believe so though, been awhile since I’ve seen chris. Not many brownface Princeton profiles running around, but there is a few killer Tyler amps profiles on the exchange that would work. Any of Michael britts fender edge of breakup profiles will get you that with Ease as well.
Welcome - check for Fender profiles 
I “believe” chris plays a fender brownface Princeton almost exclusively, I could be wrong though, I believe so though, been awhile since I’ve seen chris. Not many brownface Princeton profiles running around, but there is a few killer Tyler amps profiles on the exchange that would work. Any of Michael britts fender edge of breakup profiles will get you that with Ease as well.
I think they just released this one at the NAMM https://shop.fender.com/en-FI/…ition/product-815180.html
That Tyler was an excellent tip! Just tried this with one of my newer fav profiles from Tyler JT14 (commercial -perhaps better not to mention any names here) that is princeton based, but with an eminence speaker (texas heat vs some custom in Stapleton Ed.).
So.....a telecaster->Phaser->Green Screamer(as a mild boost)->JT14 (on the edge of break)-> Reverb(new ones) = 
I'm a huge fan of Chris' stuff. Folks here are correct regarding his use of a brownface Princeton, almost exclusively. However...a big part of his tone is that he tends to always reach for a '60s Jazzmaster as a main guitar, of all things. Though you can definitely get there with a tele, the Jazzmaster thing is important if you really wanna split hairs.
Welcome to the Family
