+ 1 to what has been said already.
I also recommend recording the direct guitar output from the Kemper in tandem with the main processed signal.
Then, if you decide later that the original sound doesnt suit, you can re-amp the direct signal through various rigs in the Kemper.
Just some quick tips:
1 - Record a direct track from the guitar. Can save you in a pinch if the initial processed recording doesnt fit with the mix.
2 - Try double the guitar tracks and hard pan them opposite to one another. It'll give you a "huge" sound....of course, only do this if you WANT that sound...
(Note - duplicating the original track and panning it opposite to the original is not the same thing.... )
3 - If doubling, the more you layer, the more you reduce the gain per layered. Especially true for high gain sounds. Otherwise you end up with a wall of "fizz" and not enough tone. There is supposed to be a note in there after all!
4 - Watch the brightness. Most beginners have the brightness WAY too high on their recordings.
5 - Keep an eye on your treble and presence settings.....see #3.....
6 - Some people will say "if you need to EQ it afterwards, you need to re-record it!" .IMHO, not necessarily. Dont be afraid to apply some EQ during the mix to help balance the tone with the rest of the instruments.
However, if you find yourself applying a LOT of boosting and cutting, AND doing so over a long time ....AND you are STILL not 100% happy with the result, then you are probably better off re-recording the part.....or using your direct guitar recording (essentially the performance) and re-amping it until you get a tone that you are happy with.
7 - When mixing, USE. A. REFERENCE TRACK!!!!!
I cant count the amount of times a reference track has pulled me back from the brink! your ears and brain will get tired and distracted when mixing. Use a reference to help to guide you. This is not the same as trying to completely duplicate the sound of the reference track. But mixing without one is very hard to do, at least, in the beginning.
8 - When making comparisons, volume match the parts/effects first. Your ear will 99.999% of the time prefer the louder version, even though it could be detrimental to your mix! Balance the volume first between the before and after scenarios and then you can REALLY hear that the change is doing to your tone...
9 - Check the tuning between takes. Nothing worse than nailing that difficult part, then hearing that it sounds flat/sharp in the mix!
Some of these are fairly obvious, but sure never hurts to get a refresher now and again!