Posts by Allex

Te lo fa anche in cuffia? Te lo chiedo perché a volte certi ambienti hanno un effetto 'stanza' tanto marcato da confondersi con il suono originale ...

Thenk you very much,

I hadn't thought about the possibility of using a midi switch. I'll look for a cheap MIDI Switcher so I can use another expression pedal for volume and so not damage the sound.

You were very kind!

Thank you so much for your help

Thanks Wheresthedug,

you're really helpfull.

My problem is that i already use the two switch inputs ...

1) for expressione pedal (that i use for wah and morph) e

2) for a dual switch (like boss fs-6) to change the rigs.

I cannot put another expression pedal is it right?

Thank you Wheresthedug for your help!

The problem of using the Wah to volume function is that

1) in the majority of the rigs I have a Wah slot and

2) in some rigs I use the pedal for morphing and therefore I keep the Wah to Morphing function set.

I didn't quite understand when you say:

Quote from Wheresthedug

but remember in your signal chain this will be after the Delay and Reverb effects so the volume pedal will kill the tails.

But, if I put the volume pedal directly on the output (between the Kemper and the PA), shouldn't it automatically lower everything?

Hi,

This is my profile for Cliff of Dover.

I use the Bridge Humbucker on my strat. You should tweek it a little to get the best from your guitar.

Hi,

I already use the two inputs for switch pedals, 1 for wah and 1 for rig change.

I would like to put a passive volume pedal on the output between the kemper and the amp (PA).

What impedance should I use in order the signal does not degrade?

Or maybe do I have to put an active pedal?

Ciao,

Io uso già i due ingressi per i pedali switch, 1 per wah e 1 per cambio canale.

Vorrei mettere un pedale di volume passivo sull'output tra il kemper e l'ampli (PA).

Che impedenza devo usare perchè il segnale non si degradi?

Oppure devo mettere per forza un pedale attivo?

DLY 1-2barba Z35 Demo - 2019-06-27 09-10-24.zip

Thank for you reply!

This is my attempt to reach a similar sound, and I think that for what I have to do, I go more or less well.

I upload the profile so you can see how I did it.

If you have any ideas to improve it, I am very pleased to hear it!

Quote from fourstrk

There is a Money for Nothing rig available on Rig Manager which is spot on for me.

I uploaded mine (Allex), made with a tone match cabinet,

use the bridge pickup (HB), play it hard with fingers.

I hope you can find it useful

hi, i'm not a delay guy…

I'need to replicate the delay effect of the guitar intro in this song:

Cuore a metà - Marina Rei

Someone can help me with the setting?

Salve a tutti,

Prima che qualcuno me lo dica: ho già letto il manuale e ho fatto ricerche sia sul forum che su google…

Domanda: Ho una performance in cui mi servono solo 2 rig, vorrei che andando avanti con lo switch ricominci da capo e invece passa alla prossima performance. E' possibile impostare le cose in modo che io debba andare avanti sempre con lo stesso pedale e i rig ruotano con un ciclo?

L'esigenza nasce dalla difficoltà di staccare gli occhi dalla chitarra in una parte difficile da eseguire.

In pratica mi serve una performance con 2 suoni in cui devo solo andare avanti per alternarli.

Se qualcuno può aiutarmi lo apprezzo molto.

Hi,

I also like very much GM. I have on my Les Paul the Alnico II™ Pro HB - neck APH-1n

It allow me to nail the tone of Gary Moore and it's great for Blues and Rock in general.

Rolling down the volume it is great for Jazz too. I think it is better than the 57 because it has a similar tone but it's a little hotter, so more versatile IMHO.

+1

+1

Quote from nakedzen

Izotope Ozone probably the most popular

_{i vote for Izotope too, for me is ok.}

Hi, I'm interested too to your opinion about the best 410H profile pack!

Hi,

Here my rig with a stratocaster, bridge pickup

11-5 Cliff of Dover - 2019-01-19 22-31-41.zip.

I use it for Cliff of Dover.

I hope you can find useful.

Hi,

I have on my Les Paul the Seymour Duncan Pearly Gates on bridge: is similar to APH2, but slightly hotter and clearer so I think it could be good for your problem. In the past I had the Slash signature on bridge but i didn't like it in my guitar.

On the neck i still have the Alnico II Pro APH-1: is the old Slash's signature version with 4 conductor, i don't know if it is still in production but you can easily find it in stores or on online stores.

With this combination I can nail GnR's tones.

If i can share some suggestion:

• these pickups does not give their best if they are too close to the string, try to increase the distance from the strings, specially on the neck PU.

• Slash use boosted amps in the GnR period, try to put in front the amp a good overdrive or boost like ProCo Rat or OCD.

• Slash use the volume and tone knob to shape the sound, in this way the sound can become softer and clearer.
• Slash play loud with the right hand, and close to the bridge when the sound is aggressive, this change the equalization of the sound and give more trebles

Quote from Andrea L

Hi Allex,

my kpa (November 2017) have the same scale lines. It also has two other aesthetic differences compared to older version:

PROFILER instead of PROFILING AMPLIFIER and RIG VOLUME instead VOLUME.

See you under the Neptune

thank you very much Andrea! i didn't see it again...

Hi,

did you see the knobs?

They have a different scale lines… does it means that this is a new model or it is just a graphic change?