The guy I've had for the last several years doesn't reply to emails and I prefer to do as much business as possible through email. He seems like a good dude, but I just don't think we are a good fit for one another, if he doesn't respond to email. That or maybe he just doesn't work there any more. I haven't ordered anything big since before the lockdowns, and have no idea if they will even still work with you on the price. I did have a few questions and wanted to see what I could get a few pieces of gear for, though.
Posts by patrick2099
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Hi, Patrick.
See: Sennheiser - International Frequency Advisor
Also - if you hit up Sennheiser via Direct Message on Facebook, Twitter, LinkedIn, or Instagram. They will help.
Thanks a lot ST. I think that's what I was needing. Based upon that, I think the best choice is:
EW-D CI1 Wireless Guitar System - R4-R9
https://www.sweetwater.com/sto…eless-guitar-system-r4-r9
System: Frequency Range:552-608 MHz
The Sennheiser EW-D CI1 Wireless Guitar System - R1-R6 has a smaller band, within that band. Sennheiser EW-D CI1 Wireless Guitar System - Q1-Q6 looks like it may have issues in some states and have licensing issues.
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If I search for "Sennheiser EW-D" on Sweetwater, I see three units which appear to operate on different bands:
https://www.sweetwater.com/sto…php?s=Sennheiser+EW-D+CI1
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EW-D CI1 Wireless Guitar System - R4-R9
https://www.sweetwater.com/sto…eless-guitar-system-r4-r9
System: Frequency Range:552-608 MHz
------------------------------------Sennheiser EW-D CI1 Wireless Guitar System - R1-R6
https://www.sweetwater.com/sto…eless-guitar-system-r1-r6
System: Frequency Range: 520-526 MHz
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Sennheiser EW-D CI1 Wireless Guitar System - Q1-Q6
https://www.sweetwater.com/sto…eless-guitar-system-q1-q6
System: Frequency Range: 470-526 MHz
Sennheiser has a wireless frequency tool on their website, which appears to be broken. I don't see anything on https://www.fcc.gov/wireless/b…sion/wireless-microphones saying I could not use any of those, but I also haven't had enough coffee yet. Operating in the United States, how would I know which of those three models to choose?
Also, if anyone has a good Sweetwater rep who responds to emails, please let me know. Thanks for the help.
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The profiler was definitely involved. When I created those screenshots, I had the the following configuration:
Tech 21 MIDI Mongoose ( https://www.tech21nyc.com/products/effects/midi-mongoose/ ) into the MIDI input of M-Audio Midisport Uno ( https://m-audio.com/products/view/uno )
MIDI output of M-Audio Midisport Uno into Kemper Profiler MIDI input
USB output of the M-Audio Midispot Uno into my desktop PC, to monitor the signals.
I tested many times, prior to creating the screenshots and the results were consistent. What is in my screenshots are the MIDI commands being sent every time. This is what I expected, as there is no way to reprogram the MIDI Mongoose to send other commands. Those are the only commands it can send.
I'm not 100% sure of how the MIDI programming works for the Kemper, but based on what I can do with a DAW, in Performance mode, you can:
1) Change performances
2) Changes current slot in your current performance
3) Turn stomps on or off
4) Turn post amp effects on or off
5) Adjust values for effects
I'm not aware of any PC or CC that could be sent that says "Add a new effect to performance 3, slot 1 into stomp 4, which wasn't saved as part of that performance." I could definitely be wrong on that, though.
Even if that was the case, however, and there was a MIDI command I could send to invoke that behavior, then when you select stomp 4, it should say "Chorus" and not "Delay". Or when it happens in stomp two, it should say "Chorus" and not "Compressor". What the text says when you long-press the button not matching what is actually happening would also be a problem.
I don't have another gig until next Friday. I may just try loading the most recent release-level OS onto the Kemper. Hopefully we will get a chance to practice before then, so I can test it out.
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I have been running a Shure GLDX16 for around 5 years gigging with it all around my area. I have had no issues with it at all. I also have a Sennheizer EW (analog) that I have had for a little longer than the Shure. I have had no issues with it either. This is actually my second of these units. I ran the first one until it died. It lasted me about 10 years. I purposely bought one of them in analog and the other in digital because for a while I ran them both at the same time. I ran one for my acoustic sound and the other for my electric sound with a PRS P22. They worked very well together. In the last band I was in the other guitar player also ran the GLDX16 so we had two of them on the same stage as well as my Sennheizer unit and we didn't have any Issues. I have owned a few wireless units over my life and I can tell you that I won't spend my money on anything that doesn't have either a Shure or Sennheizer name on it. I feel they are worth the extra money. I had good luck with the Shure PG series as well. I put a lot of use on them and they held up.
Thanks for the info! Leaning heavily towards the Sennheiser EW-D CI1 ( https://www.sweetwater.com/sto…rwUx0Mo37GUkBwL31FWUui2U0) now. I just wish there were some more reviews on it. I know Sennheiser isn't going to release junk, though, so I don't know what I'm so worried for.
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Mine is as bad as ever possibly worse.
Same. I swear, I thought it was fixed at one point, and that's what the release notes said as well.
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I can definitely throw my experience in here, I ran a Line G90 for 10+ years with no problems, but since the advent of 2.4ghz networked stage systems (Mixing desks, IEM systems etc) I had to get rid of it because I was getting regular long cut-outs. I did some research and have heard from friends with first-hand experience of the same issues with Shure GLX systems. It stands to reason, you're effectively using signals in the wi-fi band that do not announce and differentiate themselves from other systems.
Speaking to a tour manager friend of mine, it's not unusual for support bands with digital wireless to be told to not use them by Tour Managers, as it often screws with the venue wifi and stops them being able to work.
I've moved over to Sennheiser EW and haven't had any problems since.
Thanks. I'll have to do some more research into the differences between the EW and EW-D. It looks like the EW-D is so new that there aren't a lot of reviews/forum talk about it yet. There are a couple YouTube videos on it I'll have to watch.
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Hi Patrick.
I think you're already experiencing the problem that has me looking at alternatives to my G10S. Well, that and I've had some weird experiences where my guitar signal came out of someone else's sound system. Very strange, but I resolved it by changing the channel on the G10S.
I found the Sennheiser battery pack online. I like that you can run with ordinary AA batteries if necessary.
Since you've got the Toaster, it's a wash with respect to the Shure GLXD receiver having a tuner and being pedalboard friendly.
The Sennheiser was just released (June 1, 2021).
Thanks. I didn't see that. I was looking at a single battery that didn't have a charger with it. I guess that means you can't charge it with a wall wart. Sucks to have to drop another $150, but at least it comes with two batteries.
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Hi, Patrick.
I've been thinking (a lot) about moving up from my Line 6 G10S. As you know, the G10S operates in the 2.4 GHz range (along with WiFi, Bluetooth, and other wireless devices). So does the Shure GLXD16, and that's why it's not on my shortlist (although they are doing some interesting things to overcome the challenges of operating in this range).
I know of lots of players who picked up inexpensive wireless units in the 2.4 GHz range while things were quiet. I expect there's going to be a lot more congestion when we all get out on stages together. That's why I'm in research mode.
The Sennheiser EW-D Cl1 operates in the UHF band. That means you'll have to be aware of which band you choose (has to match your country). Not a big deal.
Here are some of the comparisons I found relevant. Links are to the operating manuals for the respective units.
Specification Sennheiser EW-D Shure GLXD16 Dynamic Range 132 dB 120 dB Operating Range 300 feet (up to) Indoor 100 to 200 feet
Outdoor 65-165 feetFrequency Range 470-607 MHz
You have to pick the band for your region when you buy2.4 GHz
You have to choose a band and that impacts the latencyTuner No Yes Batteries for transmitter AA or Rechargeable Battery packs available Rechargeable Battery Pack included Control App Yes (Bluetooth LE for control and sync for multiple devices)
Does not require an internet connection to operate.
https://en-us.sennheiser.com/evolution-wireless-digital-appNo - Infrared for sync Maximum units on one stage 24 (90 channels available) 4 (8 max under controlled WiFi circumstances) Latency 1.9 ms 4.0-7.3 ms (depends on the band) Receiver Format Rackmount Pedalboard Patrick, which Profiler do you have - Stage, Rack, or Toaster?
Notes from the Shure manual.
Thanks for all the info. The 2.4 Ghz thing is what has me a little worried about the Shure. At practice and a lot of places I play the G10S has been fine on 2.4 Ghz. The last two nights I had some issues though -- once in a super-crowded bar and once in a bar in the middle of a small-type downtown area. The first night was so bad I had to switch to a cable, after trying all of the channels. The second night I was able to make it through the night, and I doubt anyone but me even noticed, but I did have a few dropouts.
For the Sennheiser, do you have any idea how you charge the battery pack? I couldn't tell from looking at the pictures, whether you had to buy the battery pack and something additional to charge the battery pack.
I have a toaster than I have sitting on top of a XiTone cabinet. I have the G10S on stop of the cabinet, beside the Kemper. I was probably going to put the Shure on the cab, where I keep the G10S or put the Sennheiser on top of the toaster. I just haven't seen many reviews of the newer Sennheiser system and that's a decent chunk of change for me to drop on something I haven't seen much real feedback on.
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I have the Shure and can only say good things about it. Never had any problems with it and use it for years now for rehearsals and gigging. No problems with interference any time. I like to have a body pack and the one from Shure has a good size, fits well at the back pocket of my pants. the receiver has good size as well, fits on a pedalboard (beside the Remote) and the built in tuner works super well for me including muting the signal etc.
Some say that due to the fact that is uses digital transmission it might also fail when too many are using the "air" around it but personally I never had any issues with it. Price tag is not low I'd say though.
Most important: Sound-wise I am super happy with it. Absolutely nothing to complain. My Bass player uses it as well. Same opinion on his side
Thanks for the input. The 2.4 Ghz thing is what has me a little worried. At practice and a lot of places I play the G10S has been fine on 2.4 Ghz. The last two nights I had some issues though -- once in a super-crowded bar and once in a bar in the middle of a small-type downtown area. The first night was so bad I had to switch to a cable, after trying all of the channels. The second night I was able to make it through the night, and I doubt anyone but me even noticed, but I did have a few dropouts.
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Did the same thing, at a gig last night, as the previous night. The issue only occurs when changing performances with the MIDI pedal, but the MIDI pedal is so simple I don't believe it is the culprit. Also, had the performance jump from 3 to 5 multiple times using the buttons on the Kemper. I can't help to think the issues are somehow related.
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This topic shouldn't be marked as solved
You are correct. I modified the title. It seemed to be working for a while, but it still seems to be a problem for me. I do not have the absolute latest release installed. I am one release behind that. I'm also wondering if the performance skipping is somehow related to chorus showing up on performances where I do not have chorus - Chorus effect randomly appearing on performance mode stomp slot
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Had a gig last night. I used the following workaround, when I wanted to use Performance 3 slot 1.
1) Go to the correct performance number of the footswitch.
2) Move up one performance on the front of the Kemper.
3) Move back down to performance 3 slot 1.
I did not notice the chorus effect, but I did notice the issue of moving up or down performances is skipping performances (e.g. sometimes going from 3 to 4 actual jumps from 3 to 5. This is using the buttons on the front of the Kemper.
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My Line 6 G10S has been great, for the most part, but I have noticed some interference in a few places I play. Normally I can change the channel and get around this, but last night I was in a REALLY crowded place, and had to switch to my cable for the first time. I was looking to buy something a little nicer, but didn't want to break the bank doing so. I noticed some newer Sennheiser and Shure units out there, and was wondering what people's experience with the Sennheiser EW-D CI1 and Shure GLXD16 were. Would I be having similar issues with the Shure as I am with the line 6? Is the Sennheiser worth $200 more over the Shure? Does your phone connect directly to the Sennheiser or do you need an active internet connection to make it work? Any thoughts by those who have tried these would be very helpful. Thanks.
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Had practice yesterday with the new MIDI cable. Had the same issue. After switching performances a few times there was chorus on performance 3 slot 1. This time it appeared on the compressor in stomp 2 again instead of the slapback delay in stomp 4. The only difference between when I tested it at my house is that I was going into the PA system, rather than into my powered cab.
Once the problem occurs, if I move to Performance 3 slot 1 on the face of the Kemper with the footswitch and then move performances up and then down, the problem goes away. I really have no idea when this started, since we didn't play or practice for about nine months due to the lockdowns. I'm not sure how many profiler OS updates I did since then.
I have a hard time believing it is coming from the MIDI pedal, because of how simple it is. You cannot change what the buttons do. They are fixed. You cannot reassign anything. There is no way to activate or deactivate stomps using the pedal, and even if it could deactivate the stomps, I do not have chorus in the Performance 3 at all. I also don't understand why the chorus is getting mapped into a stomp that says compressor or delay.
The manual for the pedal is at https://www.tech21nyc.com/t21manuals/MMG1_OM.pdf if you want to see how simple it is.
I have gigs Friday and Saturday, so I can't really mess with the Kemper this week. Maybe I'll try to install the new OS after that since I have a two week break after that. Other than that, I'm about out of ideas. I'm not sure I want to spend $150 on another MIDI Mongoose if this is still going to happen. I'm not sure I want to spend $500 on a Kemper remote, and have to worry about drunks at bars around it.
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Tried a new MIDI cable for about an hour and a half, yesterday, and couldn't reproduce it. The only difference was I was going into my monitor, instead of the PA (it's at the singer's house). I don't think that should make a difference though. Will test it again at our next practice. Hopefully the cable was the issue. Knock on wood.
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The Kemper folks weren't able to reproduce it, but they weren't using a MIDI pedal.
This is what the MIDI commands look like:
1 - Performance 2 Slot 1 - PC: Electric Piano
2 - Go up 5 slots, which puts you at Performance 3 slot 1. This is Generating the PC: Clavinet AND the PC: Music Box commands
3 - Selected Performance 3 slot 1 again - PC: Music Box
4 - Got down 5 slots, which puts you back at Performance 2 Slot 1. This is generating the PC: Vibraphone and PC: Electric Piano 2
5 - Go up 5 slots, which puts you at Performance 3 slot 1. This is Generating the PC: Clavinet AND the PC: Music Box commands
I repeated the process a few times and it seems to be generating consistent commands. Now, I'm going to have to get the MIDI device hooked up to my laptop and the Kemper at the same time and try to reproduce the issue. The last gig I had, I was trying to move the performances up and down with the buttons on the front of the Kemper, in between songs, to try to alleviate the issue. I don't recall it happening, but it was kind of a crazy night, so I may have missed it. Much easier to troubleshoot when not at a gig.
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That is a good question indeed. I assure you all I have been working. I can't keep up with ToneJunkie's pace. I'm not sure if it's because I'm older or my kids are older or just the current state of the industry. Lonestar's original singer left (again) in February so that began about a month of finding a replacement, rehearsing, doing a couple of shows, and then we were off again for two months. My son is graduating high school today (a valedictorian, no thanks to me) so there's just a ton of stuff going on at home.
I have also been on a bit of a tone search as well. I'm always looking for unique amps that I haven't profiled yet and have found a handful and profiled them. It's getting harder to find things that are different enough from what I've already done to make it worth the process of buying/selling and the time and cost that entails. Gear, especially amps, seem to be moving much slower nowadays.
Last year, right as everything was shutting down, I converted my live rig from the toaster with some pedals in the fx loop to a pedalboard setup with the same pedals but with the Stage unit. This was just before the Kemper Drives came out and I just thought that the real overdrive pedals added a "girth" to the sound, not so much a tonal difference from the Kemper Drives. Perhaps it's just a slight volume bump with the real pedals, but I'm not sure. Also, I used a handful of different amp profiles but ended up using the same CAB section for all of them (magic cab) to keep the bottom end from shifting too much from rig to rig. The magic cab has a big bottom so anything not on magic cab seems to lose low end. All this to say that I've been experimenting at home the last few days with some new profiles of my favorite amps and making some merged rigs to try out in the upcoming shows. I won't know if it's a total success until I get hear them in a band mix, but I've actually been really excited about some of these new rigs. In the past I've not been as fond of the merged rigs but I wasn't merging them with a "favorite" cab, just whatever I was profiling with that day. The results then didn't sound different enough and there was something "detached" sounding whereas the studio rigs sounded smooth and "together" (perhaps purely in my head?). But since I was swapping the CAB anyway, I thought I'd try it and I'm currently enjoying the results.
What's the difference? Well, to me, it's a "bigness" to the note. Single notes don't sound as compressed and overall, it just sounds bigger than it's studio counterpart. And I've profiled so many times using the same mics/cabs/etc and some days just sound better than others. Using magic cab preset has just been working for me and has a tonality that I find pleasing. The low end can be a bit much with some profiles, but nothing I can't tweak around.
*Keep in mind, this is all just my journey to create rigs/performances for our live shows coming up. If I'm just recording, for instance, I have no problem using the stock studio profiles. When recording, it's all about finding the tone that fits in the track. For live shows, especially when switching from clean to dirty rigs, everything needs to sit in the same ballpark tonally, and keeping the cab the same definitely helps. And many times in our show, it's just guitar/bass/drums so my guitar needs to fill a bit of space. Other times, there is a piano with a healthy bottom, but I still need to fill that up when he stops. It's just finding the right tool for the job.
I will probably release some new packs in the near future, but really want to do some road testing and I have more work to do on some others. Thanks for your patience!
Congrats on your son. That's definitely something to be proud of. I love your profiles, but your life, your family, and your music are more important than putting out new profile packs. Thanks for everything you do for the Kemper community.
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I was able to create the diagnostic file after the issue occurred. The details are below:
I hooked up the Kemper to the PA system, including hooking up the Tech 21 Midi Mongoose to the MIDI In and a Moog EP-3 Expression Pedal to Switch Pedal 1.
I verified that Performance 3 slot 1 sounded correct.
After playing a few songs, which included all slots of Performance 1 and Performance 2, I switched back to Performance 3, slot 1, the issue occurred at 5:14 pm EDT. There was now a chorus effect on this performance.
I turned off the Compressor on Stomps slot B. The chorus was still there.
I turned off the Delay in Stomps slot D, and the chorus was gone. I turned it back on, and the chorus was back.
At that point, I shut the Kemper down and created the diagnostic file.
When I booted the Kemper back up, the chorus on Performance 3 slot 1 was gone.
I did notice that there were multiple times when I hit the button to go up a performance that it skipped from performance 1 to performance 3. I thought that problem had been fixed in the last official firmware release. I'm wondering if these two problems may be related, since Performance 1 and Performance 2 both have chorus on.
I have a gig this Friday, and will be testing a different MIDI cable at it. The other thing I want to test it, after the problem occurs, moving performances up and down with the keys on the face of the Kemper, rather than the footswitch, to see if that causes the problem to go away.
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Still no luck at reproducing this.
