Ah ok... I didn't know. Thanks !
anyway, the IR's he produced (or collaborated to produce) are very interesting. I purchased and tested on some direct profiles, and unless it's pure confirmation bias, I think I could can feel some elements of his sound. But I'm still not close to his blues tone with the matchless profiles I found...
I don't know when he started using the Kerry Wright cab thats in the IR pack, but it's on his last 2 albums for sure. He uses a Suhr plexi-type amp with mods now.
Me neither, I don'k know exactly starting which album we can hear this particular cab. For sure not in Dog Party where it was a Matchless, I think in The Tore Down House it was already something else... I read somewhere he used on dog party a quite standard strat, but with Fralin pickups, and maybe only a tube screamer. This sounds not so hard to replicate in the kemper, but I don't find it really close to the tone then :(.
It's the first time I go into deep mining about one artist's gear to replicate, and with him, there's SO much to read, he tells everything it's impressive and very instructive!look at this for instance
Guitartone I'm itchy all over watching that video. Ewwwh!
Scott Henderson is a gold mine for tone wisdom. Highly recommend this masterclass:
According to this it was a DC30:
yes, I v read this, thx
He said also the PUs are very important. Fralin Woodstock in dog party, but surh V60 LP after this album, because Fralin ones he doesn't like them for high gain tones...
Now he uses Suhr V60+ (formerly called ML) in his signature guitars. He uses a non hot bridge (same wind as the neck pickup). He'll sometimes use the regular V60LP in the studio.
