I have the same problem, so Ill try the generic gain, guess it part of the generic gain design algorithm?
After reading some other posts, I am guessing the generic gain is tied to the software and the amp gain is just a visual reference. What confuses me is, like on a MeBo model, the generic gain will not move from Zero while the amp gain goes to up to 1.4. And when the amp gain goes from 9.4 to 10 the generic gain stays at 6.4.
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In a Liquid Profile you need to set up Morphing for generic Gain, which you find in the amp menu. Amp Model Gain will follow Generic Gain as both are logically linked.
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Why no morph on the amp's gain? I don't understand.
If I want to go from gain 10 to 0 on a Liquid profile the generic gain does not cover that much real-estate on the LP gain. On one example, I can only go down from 10 to 1.4. Really, the generic gain should not even be an option for liquid profiles. This is weird. Also, what if I want to match morph to specific values of the amp gain? You would have to do trial-and-error on the generic since the values don't match. I am confused.
Does this help?
Reversed... It only works on the generic gain by design according to the fine Kemper folks. Tested it and it works.
That makes no sense. Why would you use the generic gain on Liquid profiles? It takes away the purpose of Liquid.
Match the gain and EQ's to the Kemper ones on the profiling page. It's a very-very-very simple process. The hardest part is the decision on mic placement (as usual). 
Be more lazy Per 
. Sounds like you are getting used to the new monitors pretty quickly. Just the solo at 1:00 needs to be 1.5 - 2.0db lower.
Well Ted Nugent sucks so there's that
All the way to the bank.
Well... Did any of you know the Keeley Compressor can be an OD too?
You have to use the generic gain I made the same mistake.
It's not a mistake. Morph should work on the main gain. It's like they forgot to add the code.
The only way to truly compare the amp is to have it completely isolated so no cab sound can bleed into your ears with the mic'd sound. The low end of the cab compared to the mic'd sound is going to trick you.
+1.
I just tested. It works on the Generic Gain and the EQ's.
I think Ted Nugent only used 120 watts on his Peavey. He used to use the Fender Twins at 85 watts. 200 watts ain't loud enough?
Same problem here! But in my case, I have OS 9 installed on mi Profiler stage and I can't update to Os 10.1.2
I run the update from rig manager then it just fails at round 40% of transfer .
I had this problem before. Keep clicking the update over and over again. You might get to 200% or 300% on the download and it will eventually start. Very aggravating.
It wasn't until I lowered my transfer speed down to 400mbs that I could actually download the file once without a fail.
Also note that Kemper had required the OS 9.0.6 to be installed before upgrading to the new OS 10 but maybe that is no longer an issue with the public release.
Well, I would post a pic of my slime green Jackson with a t-shirt if the forum would let me. 
That one is a hit! Good bass tone too and the title fits.
OK, I hear you...I still think there is a difference....sure you can modify to make it like a Floyd, but most strats are not set up like that. I have a musicman that is flat on the bridge witha Flody and its still way more aggressive than a Strat trem....but not worth a long debate so happy to concede.
In reality, instead of a video, I think this could be the justification to come to your studio/man pad ha! Hope that is going well BTW..
Having a blast over here but I have that damn trigger finger surgery coming up in about 2 weeks. I plan on hanging up the acoustic panels and doing a bit more decorating during my down time. I'll post pics for sure when it's done. You are welcome over anytime! And you don't need to bring guitars or amps.
Long one, well done on these intro synths and the cinematic XP
Thanks Renaud! Just know no synths were used. It was only guitar and kemper effects and a delay plugin. I probably should have truncated the verse and chorus but I wanted to hear how tight I was keeping with bass and drums. I may go back over it and try a solo.
And dive bomb with a 6 point trem... case closed.
