Hi,
are you able to use the usb port in order to connect to your PC and see it like a disk drive?
With other words, does the KPA see your pc like a disk drive thru the usb connection?
Posts by mba
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I think he is kidding or...
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In my opinion Kemper should rather spent their time on debugging the software than work on cosmetics.
You are right they should stop the production.
The black version is already done. -
I wonder how it sounds when he rollback the volume.
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When will it be available in Europe?
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It seems that today these technics are present in university's labs. I wonder if you can ask a patent for these technics or their applications.
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lol - I hadn't actually thought of that because I just assumed I would want to sell the 11R as soon as I got a Kemper.
Sell the eleven and buy a cheap/used sound card with spdif. -
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It looks like I'm in the minority here wanting USB audio.
I'll try to explain why this is an important omission for me. I have an Apogee Duet and a Mackie Onyx 1220i. Neither has SPDIF and both only have stereo outputs. Up to now they have been all I need - the sound quality of the Apogee is fine and most of my devices (keyboards mostly) are connected over USB or Firewire.
To do reamping with the Kemper, I would have to reorganise my mix to send the dry guitar track out of the L output of my interface while routing the rest of the mix in mono to the R output, which means a lot of hassle and recabling every time I want to reamp a guitar track.
With the Eleven Rack it takes just a couple of clicks and no recabling required since the audio goes over USB at whatever frequency you need. I don't really want to have to buy another interface just for this one very simple function, nor do I want to be tied to 44.1KHz if I'm trying to stay digital.
I hope there's a Kemper 'TI' version further down the road with the same kind of functionality as the Virus TI.
Connect the KPA to the "spdif in" of your Eleven Rack then use the USB support of the Eleven to record.
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You can connect your microphone now directly into the KPA so there must be a preamp processing.
If you want to use another mic preamp how do you do?
You use another input? -
The KPA Hardware is not really prepared for USB audio streaming.CK
I understand for the USB but i can't understand the point for audio interface/recording.
What's the problem of using the analog input and the spdif output for recording? (in 44khz actually)
The KPA can't do that? -
My thought is that you can't protect the concept of generic model + waveshaping but you can protect how you extract some parameters from the test tones, what i would call the "characterisation".
That's why CK talked about that everywhere.(make it public is the first step to protect your work)
"make it public is the first step to protect your work"...after the patent was obtained. -
My thought is that you can't protect the concept of generic model + waveshaping but you can protect how you extract some parameters from the test tones, what i would call the "characterisation".
That's why CK talked about that everywhere.(make it public is the first step to protect your work) -
Nice and smart interview.
He talks about tone coming out of a flat wall (or something like that) it make me think to the fact that there is always a compression feeling with my Axe-fx Ultra that is not present into the kemper samples and of course it's great. It sounds "fluid" like the real deal. -
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3_ the results of the test tones will be used to get and fix some intrinsec parameters of the generic amp model, it will be used too to get some IRs in order to make some wave-shaping.
That's the point where the patent could be applied. (my guess)
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What you could have in the next weeks with your Axe -Fx.
1_ it will use the IR capture function to send a bunch of test tones.(of course)
2_ there will be a generic model of amp added into the Axe-fx.(hidden for the user)
3_ the results of the test tones will be used to get and fix some intrinsec parameters of the generic amp model, it will be used too to get some IRs in order to make some wave-shaping.
4_ you will be able to choose for your profile the generic amp model or, if your amp is included into the list of the amps already modelled with the Axe, the model that match your amp. If you want to model a 5150 choose the generic or the 5150. Or you will be able to create an hybrid.
5_ you will be able to use a generic tonestack or ones of the list.At the end you will probably have more controls than with the Kemper (for the moment, we knows that tonestack selection will be added in the futur) but i'm not sure that the Axe-Fx will be more musical.
Personnaly i will give a try to the Kemper...900 euros less than the Axe-Fx and it already makes music.
