Posts by Sollazzon

  • Cable to split a stereo footswitch?

    No no I don t need it longer.. it ok like this: the 2 KPA are one above the other one .


    The problem seems that the Specs reported in that page are not the same as shown the picture


    Tech Specs

    • Connector 1:TRS Male 1/4
    • Connector 2:TRS Female 1/4
    • Length:6"
    • Balanced:No



    edit.. no that s right.. my fault.

    I saw: 1xTRS male 1/4 and 2xTRS female bit it's not like this.


    That is exacly what I need! Thanks sstauffer

  • Recommendation on Profile cabs for recording

    probably the choice is so personal and related to taste that there is not 1 answer.


    I like to use celestion IRs expecially if i want to mix the same amp on 2 different cabs but there are many free profiles with 1960bx or ax (caputerd sometimes with neve or other cool preamp..) check out on rig excange.

  • Cable to split a stereo footswitch?

    Sorry, I would like to split the cable of a Dual Footswitch in order to command simoultaneusly 2 KPA.


    Do You know where I could get a cable with 1 female 6.3 TRS and 2 male 6.3 TRS.

    It s ok even it was 3.5 mini jack .. I could use some adapters.. but it seems nobody produce it.

  • Collegamento in mono

    quoto. Anch io andrei di opzione 2. Anche perché per percepire al meglio lo stereo il suono deve uscire da due sorgenti (casse) distinte e lontane una dall altra e ovviamente diverso se no parliamo di dual-mono non propriamente di stereo


    Detto ciò se tu preferisci avere il segnale stereo sommato che esce dalla stessa cassa fai pure.. non fai mica un torto a nessuno. Se ti piace così perché senti di più gli effetti.. nessun problema. Vai avanti così.

  • What kind of music are you listening to right now?

    That's the Lock Down version.

    before lockdown

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  • No, WE don't need a kemper2

    Quote from Hoki Toki

    And numbers of strings and necks 8o


    Cheers !

    Exactly! Don't try to tell me there's a Fx in Kemper 1, 2, or 3 that let a 6 string sounds like my eds1275.

    it's simply not true mosty because nothing is Huge, Heavy, uncofortable, and Cool at the same time, as a Doble Neck.. no matter How it Sounds in the end:P

  • No, WE don't need a kemper2

    Quote from spikey

    I said the same thing about more guitars.... :P

    :DHA!.. it's not hard to belive!

    I said the same thing when I've bought my first Les Paul Custom Shop...''I'll never need to Buy Another Giutar''..just fooling myself.


    BUT

    with amps it's differnet. I've sold some amps (once profiled them) and I don't miss them at all.

    on the other hand I've bought back a giutar I've sold years ago!

    with guitars it's a different relation, You personally Touch a Neck, roll pots, switch PUs, Hit Strings...and so on.

    the amp.. it's far away. yes It's a big part of Your Sound but it's not so ..In Touch, with You.

  • No, WE don't need a kemper2

    I remember that when the Power version came out those who already had the first version got a 300-350 euro discount. It was not a bad idea.


    Said that, I personally don t need a KPA2 and I m almost sure I will not buy it.

  • Do I needto use a +25db mic-boost/preamp for a SM57 to profile an amp, or just mic straight in to Return?

    Totally agree with Alan,


    also consider that the Profiler automatically adjusts the level when profiling, so to boost the signal before it goes back to the Profile will not give You a Louder output profile.

    Instead it is probable you'll see a message during Profiling Process that sounds like more or less ''Please reduce Your Level 'cause You're F* Clipping''


    see also

    page Levels on manual

    Quote

    Levels

    Set “Return Level” using the corresponding soft knob so that the level of the reference amp roughly equals the level of the internal sound of the PROFILER. You can check level differences by switching back and forth between the current Rig and your reference amp. If the OUTPUT LED turns red when you play your reference amplifier, the level is too hot. You might notice audio clicks when you turn the “Return Level”; this is the analog RETURN input stage switching the level in the analog domain, to ensure the best signal-to-noise ratio. This feature allows you to capture any signal level, from the softest microphone to the hottest studio level output. Don’t worry too much about achieving a perfect volume match; during the profiling process, the “Return Level” will be fine-tuned automatically to match the unity level of the PROFILER.

    Please remember to leave a few decibels of headroom in your microphone preamps and the rest of the signal chain - the test signals can get a bit louder than a regular guitar signal and might cause clipping if you don't. Be sure to watch your level meters while the PROFILING is in progress, just to be sure there are no overloads.

    Press the soft button labeled “Next”.

    this sounds strange:

    Quote from BayouTexan

    I have to raise my gain on my interface to about 80% to get an appropriate recording level.