Posts by cool21

    So do you think I should go with the Neolight NL 12 even though it's only 60W? And as I looked on the back of PowerRack/Powerhead it has only one powered out - what if I want to hook up two NL 12? How do I do that? There is only one combo jack/speakon connector on the back of the NL12. ?(

    @ cool21: There's also a new neo-version of the CLR, which is lighter but more expensive. This version can't be found on the homepage, so I think you have to ask per eMail.

    Hello,


    so I asked by email and the response was as follows:


    "The only model we offer a NEO version of is the Active Wedge. We currently don't offer an Active Cab or either version of the Passive as NEO at the moment. This may change in the future but there are no specific plans at the moment."

    IIRC

    Hello,


    thanks, the CLR seems to "fit the bill" in terms of power and it's slightly lighter than the FR212 and it has pretty wide dispersion angles - but unfortunately still not as ridiculously light as NL12. Also, on the website they offer the 8 Ohm only and safe rating for it is 500W at the most. Chmmm :huh:


    What has also came to my mind would be FRFR coax speaker like for example this one: http://www.bcspeakers.com/products/coaxial/12-0/12cxn76 And then puting it inside something like this: http://www.tt-cabs.com/engl/?C…ure_Series/TTC_112_REX_M5


    I think that the parameters of the speaker are nice, sensitivity is good, weight is 5kg, good dispersion angles.
    And the cab was developed to have very flat response - weighing around 11kg unloaded - that is 16kg in total with the mentioned speaker.


    What do you think about that - would it work good? Or are these semi-homemade solutions doomed to failiure?

    I would prioritise quality of sound output above weight. You're unlikely to realise the full potential of the profiler's remarkable ability to replicate tube amplifier tone with the Neolights. But you're right, there aren't many cabs that can handle the 600 watt output of the Kemper power amplifier, so you'll have to exercise caution no matter what solution you decide to spring for.

    Hello,


    yes, the FR212 seems like a better choice in terms of Kemper full potential and also its 23kg are not that extreme. The trouble is that it only comes at 4 Ohms as I read on the Matrix website. That would leave me last (known to me) option which is DV Mark 4x12 cab. But it is as heavy as FR212 (pretty light for 4x12) and can handle all 600W that powered Kemper can put out. But it is not as I thought would be the best portable and wide sweetspot (not directional) solution. Any alternatives?

    Here is a message I got from them last year :


    "Our NL212 is *not* a full range, flat response 2x12. it is a guitar cab, with an extended frequency response. It has good bass response, light weight, extended treble, it can sound fine with cab sims off. It will also do better than a standard cab with cab sims on.
    If you want a full range, flat repsonse 2x12, we will be releasing our FR212 later this week."

    Hello,


    thanks. I'm aware of the FR212 - but it is considerably heavier than Neolight cabs :S And I need something light so my choice would be the Neolight but I don't want to break them with the powered Kemper.

    Hello,


    since I didn't get answer from Matrix I will try to ask here. Have anyone here tried Matrix NL12 or NL212 with powered Kemper? I know that Kemper's poweramp is too powerfull for NL 12 which is rated at 60W (120W peak) and even NL212 isn't powerfull enough. Hell - nearly all standard brand 4x12 guitar cabs are rated less than 300W at 16 Ohm. And I know that I shouldn't be connecting any speaker that is rated at less power than the amp, but some bass players have done this without any problem, they just were careful about not to put all the power the amp had to the speaker (running the master volume all the way or past the half or something). Has anyone tried powered Kemper with these cabs to some success?


    Thanks

    Agree with the other posters. I've been using this live for a number of weeks now and both my sound engineer and I are happy. It takes a bit of tweaking and you really need to understand how guitar fits into a mix eq-wise. I use IEM's which is probably a little different than using a cab live. In my case, I rolled off some low end and gauged what the engineer compensated for out front. It only took a couple of gigs to get to the point of having pretty much no EQ needed for FOH. My tone is easier to hear in my monitors, competes less with other stuff and is pretty much in the ball park for all gig types (indoor, outdoor, large, small). I also now have a benchmark eq-wise for looking at other profiles so if I want some additional variety or my ears wander, the transition is pretty easy.


    It's the closest thing to an easy button you'll find once you're dialed in.

    Thank you all,


    and Douzable, could you describe the EQ curve you and your soundman are using - of course if it's not a secret ;) And does it differ much from open-air to small club gigs or not that much?



    Thanks

    Quitty, I don't know what he needs or not - all I see is person who is nitpicking a piece of gear, bringing out some mostly illusionary issues which in reality mean nothing when playing live - just because "competition has it" . Buy competing product then if this stuff is so important and be done with it. If I needed to switch between 30 rigs every quarter note perfectly in time and have frequent power failures during every gig (because bass player wears high heels and frequently stomps on the kettle pot cable which I use to power my amp) while playing a perfectly tone matched patch from latest NIckelback album in left channel and early Eric Clapton tone in right channel (that's only patch #1, I won't list any of the remaining 29 for clarity sake) - I'd not buy Kemper or Axe or anything like that.


    Also, I want a bloody red Kemper, competition has it, original POD was red, why Kemper can't make red, kidney shaped profiler. That needs to be addressed immediately or 95% (this is important internet statistics so I underlined it) of customers will buy a POD.


    I use mostly 2 or 3 rigs and one switch, so maybe I don't notice any delay between switching them then :).

    mdeeRocks,


    First: please read this: http://en.wikipedia.org/wiki/Ad_hominem


    Second: What exactly is your idea of discussion forum when you basicly tell people to shut up and get something else? Not much of a discussion. If you don't like to talk about this topic, nobody here is forcing you to participate. If you are the: "do something and stop talking about it for God's sake" type of person then I don't know if discussion forum is a good place for you because - surprise, surprise - people discuss things here and during that time they are not practically solving their problems.


    Third: That you don't see something as a problem or you see it as so minor that it can't bother you does not mean it could not be a more serious problem for the others - as I searched this forum there are quite a few people asking what to do with the preset switching lag. Also I don't see nothing bad on asking for different colours - after all the first version was only silver/white, then there was a dark one and why the hell shouldn't be a visual side of things important for some people? The same for the booting time - I'm glad that you don't mind if there's some improvement in this regard, but I for example would like an improvement. If not for extremely funny circumstances you described as something what happens to me live all the time, then just for the joy of simply not waiting more than is really needed. Its nice that you wouldn't mind to wait for car to be started with starting handle, I on the other hand like to press start button and go immediately off. I like it. What a nerd I am.


    Fourth: Funny, how precisely you gussed what exactly I want to blend in those amp sounds. But now that I think about it, I would rather do something like this amauteur guy (who obviously doesn't know anything about good tone) do (skip to 3:07):


    https://www.youtube.com/watch?v=LPeQLaFAvlE

    I find it hard to understand why you allow yourself to determine what he might or might not need.
    Don't get me wrong - for the most part i agree - but that's us, not him. Don't condescend.
    Oh, and the rig switching latency is much, much longer than pretty much anything else on the market today. It is also very far from non existent.

    Hello,


    yes, exactly. Thank you. As I said it is like with the cars. Some drivers might love manual gearbox, some would prefer automatic. Some say that 0-100km/h acceleration in 10 seconds is plenty quick, some of us would prefer if things were little bit faster - and I don't think you have to be Lewis Hamilton to justify that you ask for a little quicker car. And (sadly) Kemper is pretty much only one model really (well yeah you have rack form factor and both version can be with or without poweramp), so Kemper should (that is my opinion) try to make everyone happy - not just people who think someone else doesn't need this or that. What if Kemper was made according to people whose ideal of guitar tone is: guitar-cable-amp. These people would ask you: "What exactly do you need your compressor/delay/whatever pedal for? It just ruins the tone, man!!"


    If Kemper was made according to these people, it would never have effects built inside. But luckily, Kemper has them, and the tone purists have the choice not to use them, but all others can. The same with bass amp and power. Few years back, 500W bass amp was quite a powerfull beast. Now you can see many amps reaching more than twice as that. And many people seem to be very happy with such amps. And amp producers did not kept saying: "Hey, why would you need such powerfull amp, you better shut up and be glad for your 350 Watts". You can always turn 1000W bass amp down - but you cannot reverse it on the 350W.



    Does anyone here remember dial-in internet connection? It was just a minute, some would say it is just enough to make yourself a coffee etc. Could you use it today? Yes definitely! Would you go back to dial-in connection? I don't think so. The same with booting up old computer vs new one with SSD.



    If you think about it, everything can be taken as it is NOT a problem. String breakage - not a problem. Guitar going out of tune, tube changing, rebiasing, bad cables, moving heavy cabs and equipment - you can say why would you need lighter cab? Our fathers and grandfathers moved those heavy Marshall cabs all their life so I better get used to it too, right?



    To sum up - yes, if power goes down and everything shuts then after that 30 secs is not the end of the world. The audience will understand, the bandmates will understand. Actually you could say that about the quality of the sound of the profiler - I mean who in the audience would really appreciate the sound of the profiler and could really tell if I'm playing cheapo Zoom modeller, Kemper or the real thing - 1-2% of the guys in the crowd? Then why bother?



    Well I would say that Kemper should bother to satisfy its users. It's the feel thing - how satisfied you are and how this feel and satisfation make you relate it to your music. 99% of your normal listeners don't give a damn how did you get the sound and if there were tubes involved in it or not and 90% of them couldn't even tell the difference between Fender and Marshall. So in the end it's you who decide what's good. If the feel of the click on the switch and change of the preset is smooth and satisfy you or you feel something is not right (can be 50ms, can be 10ms, can be 200ms, can be 1sec) - and it doesn't matter to you that your audience won't hear it or wouldn't mind. What makes awesome tone differ from the good tone is actually not that much, it's tiny things, slight details - that add up. Most of the guitars made today are mostly good, but what makes great guitar are little things, little details. You buy expensive perfect guitar and then you find out that the pots are inferior - but who would notice it? So why we replace them with premium ones? I agree that booting time on the Kemper is just a detail, someting like a not that good pot in otherwise nearly perfect guitar and many users of this guitar won't probably notice it. Yes - it is a detail. Exactly.



    The devil is in the details. And so is perfection.



    Maybe I'm nitpicking here. But Kemper developers should be nitpicking as well. Kemper is awesome piece of gear but they should never stop improving it. That means even improving its preset switching lag and its booting time.

    You don't have a member in the band that can talk to the audience for 30 seconds?

    Hello,


    well yes. But this kind of answer can be applied for almost anything right? If necessary I'm sure that my or your frontman can talk to audience and tell the stories for 15 minutes so I can retube my amp or restring my guiar. But I think we are all reasonable here and we all undestand that it should not happen in the first place. So of course, we can somehow manage. And yes, when I'll be playing in some huge act I could afford two more Kempers as a backup and power backup and so on then I wouldn't mind if Kemper boots in 10 minutes. But I can only afford one Kemper and I'm not comfortable with the idea of being the one that the band is waiting for. It is not a huge problem I agree and it certainly is nothing that would make me buy Axe FX instead of Kemper. I just thing this is something that should be improved as the main competitor has it covered and I'm sure there wouldn't be many people missing the longer booting time.

    I have a decimator v1 (bought a v2 once but wasn't better than v1), and find the kemper NG superior.
    The best NG I have found is actually the one of the Zoom MS-100BT: when i mute strings, the sound is stopped immediately, not the case with ISP (unless the threshold is set high, too high).


    Also with the ISP I always must set the thresold depending on the amount of gain of my chain, sometimes even just after turning a pedal on. If set too high ,there is no sound, too low and theres is no noise reduction.
    It will be soon for sale.

    Thanks for the response. Do you (or anybody here) think that it may be improved even more via SW updates or does it have to do something with the internal HW of the Kemper that is as it is and cannot be optimised - say to be on par with said Zoom? Thanks

    Hello,


    I just wanted to ask you if anyone here compared the noise gate of Kemper itself with something very high-end like IPS Decimator. I wonder how these two would compare, especially the later second version of Decimator that was introduced few months back. It would also be great if somebody could post some video/audio on both clean and hi-gain sounds with single-coils comparing these two.


    Thanks

    Hello,


    I just wonder - did any of you tried to record either dry signal from each member of your band or some ambient sound of whole band from the rehearsal/live concert and then tried to tweak the sound of your live presets (in any way Kemper offers) at home/home studio on your DAW using monitors/headphones/your guitar cab and the recording with some degree of success at later live gigs? What exactly did you do?


    I mean of course - the live situations can be very different from each other acoustic-wise etc. but I'm not sure - maybe there are some proven techniques that I can use to tweak the sounds so there is a chance they will sound good in the live mix and don't have to rush things like when I'm on the gig - you know it - there is no time. And as many of you know - the beautiful sounds you create at home with only the guitar being the source of the sound tend NOT to work that well (there may be exceptions) in live band mix. At least to me it almost never happened that I tweaked some sound and then it would work live. And by the way I know I can send this beautiful sound to FOH and it would be sound engineer's job to tweak it so it sounds good outiside. I'm talking rather about the stage mix, so that the sound I put out that my band hears is great and the sound blends in nicely.


    Thank you all for suggestions

    Boot time is only a major issue live and it's only happened once where I had to wait to reboot on stage. The new update has me down to 32 secs to reboot, pretty sure that's quicker than some of my old tube amps.


    Lag is a bit of an issue for me, still working around it but it seems to annoy me at least once a gig. If anyone has workarounds I'm all ears.

    Thanks for the response. Well, my tube amp boots for a minute or so. But what I'm talking about is the power blackout. After that tube amp is usually warm enough to go straight to the action again, whereas Kemper boots for another half a minute. Imagine everyone from the band and audience looking at you for loooong 30 secs or more. This vision really frightens me. The use of UPS could be solution to this. But I really don't like when a product itself is designed so that you have to buy another product to be safe when other competition products can be safe without it. Hope that this issue will be addressed in next updates asap ;)

    Fair enough! :)


    The way you wrote your initial post looked like trolling from a AFX fanboy, it happens sometimes here, it was suspect to me but I was wrong!


    Still, the most important thing for me is the amp sound which is where Kemper shine! Of course there is some places to improve the beast! You're welcome to the board! :D

    Fair enough! :)


    The way you wrote your initial post looked like trolling from a AFX fanboy, it happens sometimes here, it was suspect to me but I was wrong!


    Still, the most important thing for me is the amp sound which is where Kemper shine! Of course there is some places to improve the beast! You're welcome to the board! :D

    Thanks for the response and for the welcome :)


    No, I really love the Kemper concept. But want to be sure that I know every drawback before the purchase and possible solution to them. Thanks

    Hello all,


    I'd like to hear from you all the suggestions of same revolutionary gear that changed your life as much as Kemper. I will start:


    1) stainless steel frets - never thought it would make such difference, but mirror polished ss frets feel much better to bend (at least for me) and my rusty strings didn't seem to carve even the slightest tiny groove in them for 3 years I have but on the nickel frets on my other guitar the grooves are quite noticeable and I play them both roughly the same


    2) evertune bridge - what an awesome piece of gear, changed my life and made it so much easier, I plan to fit it to all my guitars


    Now I'm looking forward to your suggestions :)