They are doing very well rhythmically, but they need to play in tune, I am sure it will come with time.
Posts by mdeeRocks
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I think a backpack would be good idea..
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I have no problem with slow/fast tuner in Kemper, I can use both ways, seems to work fine for attack tuning and release tuing (btw there is no hard and fast rule how to tune, that depends what you play and your play style, the guy on the video is half right at most, lol).
What I'd very much like is instead of that bulb we have now - I'd rather see a detailed display with cents and markers (maybe as an option). -
It would require two profiles to run at once when playing.
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What Caveman said. There is much more to the guitar tone than just loading a profile and the most important ingredient is the player. Two other important pieces are bass player and drummer. Type of pick, pick angle, etc are as important as amp settings.
Every decent producer and most professional guitarists know that (if they don't then a good producer will tell them ;)). In reality they are usually not so protective about sharing their gear settings, because of all the above (in other words they don't give a damn because they know nobody is going to sound exactly like them)
If Michael W or whoever else releases a profile pack I'd like to hear their favourite amp/preamp/cab/mic combinations, not some artist/album signature tone. Just what they think sounds good and what they like to use.
Until then, there was a rig pack released a couple of days ago which sounds as good as any studio profile out there and there are a couple of others available for months from all major and minor
profile sites. -
Tell me about it. I was going in mono for two weeks because I forgot to change my output settings after reamping session. I rarely use any effects so I didn't notice until I've put a bit of reverb on.
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if the axe fx can stack amps then the kemper should too.
If Kemper has red display colour, axe fx should too.
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I would literally punch a kitten in the face just to have the sneap profiles
. Cool thing with the EZmix pack but never been a fan of that. I´d rather have those profiles.No need to punch a kitten. Book some time in the studio and ask the producer to profile an amp of your choice for you.
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I´ll try:
Let´s say he actually will make a pack - what kind of profiles/sounds would you guys expect to be in there?(better?
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A Hendrix profile would be great! -
Very good tips, thanks for that!
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Looks like every major and less major producer have a private spokesperson on this forum. I am just waiting for Ozzy Osbourne or at least very close friend of him to pop in
I also know a couple of people who have Hendrix profiles made by the man himself, but can't share, sorry. -
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Am the I only one who thinks people are reading WAY to much Into this video and what he's saying? I'm gonna chop this up to things that are "never gonna happen"... As I've said before... I'll be happy to eat my words, but I would Bet my last paycheck this is never gonna happen.... He was being polite on camera and put on the spot in a sense... Come on guys.... Seriously....
Seriously why? Do you think a person of his calibre and experience would be so silly to think that releasing a couple of profiles to general public would all of sudden damage his business or something? That is really funny and possibly borderline insulting to Michael W.
If anything is a problem it's most likely time.
I find your attitude on this forum really childish to be honest. -
It was very good workshop overall and I really enjoyed it(bought it too) . A couple of misconceptions about Kemper, but I just blame the technology being very new and radical
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Hi just chiming in,
Purchased a Rack about 2 weeks ago, told a few days later it would be January till I got it, asked about the lunchbox head instead, Told start/mid November! so i was like sure thing. yesterday got an e-mail saying ALL kempers are going to be most likely the latter half of December at-least. what the hells going on!?!
Pointless!!! Feel like cancelling the order, bad start to the kemper life if they cant even make them for their customers paying £1300+ at a decent rate!
Probably some M4x78.345 bolt needed to attach some stuff inside is on backorder and most likely not much can be done about it.
I totally agree with you. CK should raise the price to at least £1800.
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Would I sell in any case? No way.
BTW, Kemper team including CK must be one of the most supportive hardware developers I have ever had to deal with.
Do we really need vitriol thread from tgp transferred here? -
You will be much better off listening to professional producers (which I am not, I just know the basics) sound samples. CreativeLive had a seminar a couple of days ago ( http://www.creativelive.com/co…-rock-guitars-andrew-wade ), which I think is good and covers pretty much everything. I watched only bits and pieces of it when it was live - it was very good.
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Really inspiring interview, thanks for that!
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PS. What is pro grade palm muting (is it better than normal palm muting).. I didn't need to palm mute in my sample at all.
In time and right amount of muting. It's huge part of the tone you (I think) are seeking. Right hand technique is as much or even more important to this tone as the amp is. What pick you use and angle of pick is really important too (try to use thin pick (0.7 - 0.8) and angle it quite a lot, so it just scratches the strings and see what happens) - pick angle affects the tone of thick strings a lot.
From production point of view you can try to bump low mids. If you have a parametric EQ, set it to flat initially, then set it to quite narrow and quite high boost (+5 to +10db) and shift the frequency between 200 to about 1200 while playing a DI track via Kemper (re-amping). You should be able to find a magic spot. Then lower the boost to about +2 (or just use your ears).
Again, I can't emphasize this enough, use less gain. Lasse's profiles are tuned to his guitar and his technique, so you may tweak them a bit to taste.
Hope that helps. -
listen to this in contrast.. from Fluff... how to get something near that tone
https://soundcloud.com/theslow…mper-profiling-amp-duncanSorry for being blunt, but I believe your problem doesn't come from equipment. Start playing like Fluff, with the same dynamics, sense of rhythm, pro grade muting and riffs and you will get the same tone. Double (at least) track these guitars too. Use about half to 2/3 of the gain you have on your recording.
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I just put a sticker on top of input LED and balanced clean vs distortion volume for each of my guitars. Problem solved.
