Or buy two momentary switches to browse up/down. Pretty inexpensive and easy, as long as you organise your rigs properly.
Cheers,
Sam
Or buy two momentary switches to browse up/down. Pretty inexpensive and easy, as long as you organise your rigs properly.
Cheers,
Sam
Generally, it should be set off, yes, but as you've found, some rigs sound better with it on. If you are using the monitor out from the KPA into the Mesa, then you can disable Monitor Cab Sim in the output section (page 3, I think?). This will disengage cabs for all profiles without having to lock anything, and also has the benefit of you being able to run from the main outs to FOH with cabs enabled at the same time
Cheers,
Sam
Thanks!
Cheers,
Sam
He wrote in another thread that he solved it by changing the midi input channel.
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Sam
Really? Hadn't heard that! From what I've read, the EVEs are quite close to the Adams in general tonality, but are supposed to be a bit tighter in the mids, most likely down to the on-board DSP.
They're on sale over here at the moment, SC 305 for the same price as Neumann KH120A. I love the Neumanns, but I'd rather save up for for the 310s or blow the cash on the EVEs, haha! I'm very curious as to the nature of three-ways. Of course, if I had the money to burn, I'd import a set of Barefoot Micromain 27s...
Not cheap...
Cheers,
Sam
Yeah man! Not had chance to check them myself, but they'd be overkill in my room, hehe;-)
Best monitors I ever heard belong to my studio neighbour; a mastering engineer who goes by the name of Holger Lagerfeldt. His room is insanely good (you wouldn't believe the amount of trapping that's built in to the walls - it looks so clean and neat!). Check these babies out : http://www.onlinemastering.dk/studie.html
Cheers,
Sam
Welcome! Interesting site you got there, and a nice idea with the donations.
Cheers,
Sam
Cheers,
Sam
Yeah I wasn't replying to you, Deadlight;-)
i have no experience with the Alphas, but I like the CMS family and the Twins.
Cheers,
Sam
Monitors are only as good as your room. If your room isn't treated, then anything larger than 5 inches is going to give you more problems than benefits. In fact, I'd go so far as to say the Focal CMS 40 would be more appropriate. Sub woofers, by the way, are pure sabotage for your mixes, unless you have extensive bass trapping and the sub is tailored to your other speakers.
Cheers,
Sam
Nice job!
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Sam
Sounds like Logic X Drummer to me. Great mix, though!
Cheers,
Sam
I had to set midi channel to 1 instead of 15 to fix my problem. It's now detected properly and working again.
Glad you got it fixed!
Cheers,
Sam
I'm running Uno4Kemper v.1.1 with 2.7.3 and have no problems whatsoever. Maybe something got screwed up somewhere? A dodgy midi cable perhaps?
Cheers,
Sam
That's how I used mine initially. Works great.
Cheers,
Sam
Interesting article on the subject :
Click
Cheers,
Sam
Nice licks, Markyboy. That tone's definitely achievable with the Kemper. Feels another thing, though. As quite a few folks say around here, it's not easy to adjust to not having a big 4x12 behind you. However, you could always investigate one of the powered KPAs and pair it with a quality guitar cab. Maybe next life, eh?
Cheers,
Sam
Edit : oh, you had the PowerRack! Did you never try it with a regular 4x12?
If you have a powered Kemper, you can use the powered output to drive the guitar cab with Monitor Cabs Off engaged in the output section, then connect your active FRFR speaker to one of the main outs.
Cheers,
Sam
Edit : you have a PowerRack, so it's as easy as I wrote:-)
Interesting amp, pretty eccentric video! Sounds nice, I'll check these profiles when I'm at the studio on the weekend.
Cheers,
Sam
Links are broken, dude.
Cheers,
Sam