You’d have to use some of the other outputs to monitor in stereo. You can have a stereo recording from your reamp using spdif, just send to spdif reamp input and change spdif output to master stereo
Posts by Morph
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Funnily enough, I'm not interested in liquid profiles, in the same way I wasn't interested in Morph and a remote and the Kabinet....so I suspect its something that I will eventually find invaluable - so I totally agree, as I suspect it will even outstrip my expectations
This
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Yes man, squatch on and enjoy the KPA. Welcome
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I don't record dry solos, I know my tones and what they do on a mix, so'its fully effected when hitting the DAW, then post EQ, comp.
Check my last dakota lead fill my goto fxs.
Sure you can't reamp, but that tone is definitely good , I think verb & delay have a massive impact on a lead, maybe more than the amp itself
I'm with Waraba here I just do mono SPDIF with effects although I mainly record on to rough mixes of the entire track so I can reasonably hear the end result. I did a couple of sessions for people using multiple outputs assigned to stack and fx only so you print the dry and fx separately and can mix them as you'd like after the fact, you have to have an interface with a number of inputs to do this but it's really straight forward. I also did some as ramps and completely changed amp sounds in response to feedback
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I like Mogami but I’ve only had this one for a year so couldn’t vouch for its longevity. Interesting post though as I could probably switch to 6m as well.
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Thats 7:45 of an incredible voice ;).
But how in the hell she can sing with 2-3 voices at the same time at 6:15 ?
I know right, I wonder how many times it was rewound from there and did a double check😀
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All wonderful but 6:15 for the fireworks
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Hey man, welcome
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Yes, you’d need to have wah to pitch enabled and attach the mission pedal to the wah and a different footswitch to pitch. When neither wah nor pitch are on it would be a volume. These should help
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and make regular backups to an USB stick it's fast and easy
this too 😎
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You can always start a new performance slot by copying the and pasting the one you like. That way everything is the same and you can just tweak the new on. I always store after every change just to be sure, even minor ones
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If you have a USB hub in the chain, that might be it
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I use two expression pedals. You can put them at different places in the signal path for volume
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I found them interesting to get used to but they have the benefit of being the same each night. Another reason I love the KPA. They sound a bit like standing right next to the speaker, which we never do and can seem strange to start. Also if the seal is not really tight, they can sound not so good
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I just did a wee bit of recording with the USB interface into my mac. Monitoring on the MacBook speakers and the recordings start warbling like there is some jitter. I’m using Logic ProX. The warbling is on the recordings and I’m wondering if there are some clock issues?
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I like two, more body but I think your halfway house is a good idea
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Pants, didn’t read the small print
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I’m in the uk
https://www.amazon.co.uk/UGREE…+to+b+%2Caps%2C152&sr=8-3
If you were stuck, I could get one here and mail it to you.
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I had a hub which was too flaky. I ended up with a C to B cable from Amazon which has not flaked once. I was doing a little recording with the USB drivers this morning and it worked out fine. RM seems to like it as well although I occasionally have to re plug it if the Mac goes to sleep for a while.