Thank you!
Posts by Finally
-
-
-
Sorry for the camera angle. ?
External Content youtu.beContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.Edit: The profile is Michael Britt 57 Deluxe Reverb with the vintage Jensen C??? imprint. The pickup is the neck humbucker (not split) and it's loaded with DR Veritas 9's. It's always had 10's on it, but have these for some Steve Lukather stuff I'm trying to learn.
Recorded with a Galaxy S9 phone and a wad of blue tack - no processing. 10 minutes from deciding to do it to linking the Youtube here.
I should have rolled the tone back a bit more I think.
-
Excellent job! Are you using a bridge humbucker for that?
-
Plus it's really efficient class D, so not much energy wasted as heat.
-
I don't know the exact temperature, but it's not even in the ballpark of what you're dealing with. The amp in the Kemper only needs to do as much as your ears and neighbours can handle.
-
I find one of the most important things to achieving Gilmour solo tones is to have enough volume to get the speakers driving the strings almost to feedback.
-
That looks right to me. ?
-
The headphones won't be getting the Kone imprints I think??
-
Welcome! Having played in a reggae band in the Caribbean in the 80's I approve of your name. ?
-
Taking over the lounge for the weekend, having a blast with the Michael Britt 57 Deluxe Reverb profile and Jensen Vintage C10R imprint. Chewy goodness!
-
Helloooooo! I hope you enjoy yours as much as I do mine. ?
-
Yeah - you need to remove the load box from the equation. Might need to book a couple of hours at a rehearsal space or something where the amp and speakers can work.
-
Wise man!
Also when recording i like to record amp and effects separately. So i set master output to DLY/REV Wet, Monitor Out to Stack and direct to git analog (Di just in case). Let's say you use too much reverb while recording - with one track you can't do anything about it. So better way is to adjust effect while mixing or to record dry (without reverb when it's not big part of that sound).
I'm happy using analog outs more than spdif reallyExcellent point. I record all of my electric guitars dry in mono, then add delay/reverb in the DAW for better control. Also lets me automate them, so I can make the mix more dynamic.
-
Just wondering why you can't just use a normal guitar cable from the Kemper main out to the audio interface. That should stop the interface from thinking it's a mic, no?
-
Hi there! When it comes to recording, composition and arrangement is everything.
When everything has a place in the song and doesn't just run all over other parts then recording and mixing is easy.
If you just start laying down tracks you're more likely to end up with a mess that doesn't really sound clear and distinct no matter how much sculpting you try to do in the DAW.
Listen to how few instruments there are in any one part of a lot of great songs. Less is more when the writing is great.
-
dmatthews - what about lowering the Directivity to get more dispersion and less beam?
-
Yes, but it can't do multiple imprints at once. I have all of my profiles set up with the Kone imprint that I want. ?
-
I found a difference between Kab and FRFR. I was messing with the looper, playing a Deluxe Reverb profile rhythm, then a part with a big Shiva lead sound. The Kabinet has to choose an imprint for both, so as soon as I switched profiles the Deluxe changed to a V30 sounding speaker. Still sounds great of course. ?
Not an issue, but with FR each profile retains its character better in this use case.
-
I am currently using a Yamaha DSR112. Very happy but super bulky, thinking about changing to the Kabinet. Anyone has experience coming from a FRFR to the kabinet?
If you've got a powered Kemper or a good class D amp then I would highly recommend the Kabinet for situations where you want an amp in the room sound, like just jamming or a quiet band practice.
Even when the stages open up and we can gig again I think I'll bring it, for monitoring and a bit more interaction between the speakers and the strings when needed.