I think you'd be surprised at exactly how small Line6's development team is.
No I wouldn't. 250 people (in 2006) is much larger than ~55-60 in the scope of tech development.
CK is King!!!!
- Raoul23
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In response to the OP:
ABSOLUTELY AGREE
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And KPA effects are alright but they are nothing compared to something like a Eventide.
Maybe when compared to the rack stuff, I had a Pitchfactor and the pitch fx on the kemper track MUCH better. Also, the Pitchfactor had a slight delay when changing patches that the kemper doesn't have. I do a cover of Hotel California and have to change key centers for the harmonies often - the Eventide delay made it useless for that song.
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Maybe when compared to the rack stuff, I had a Pitchfactor and the pitch fx on the kemper track MUCH better.
they sound more natural too, Pitchfactor always sounded very digital synth-like IMO....
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they sound more natural too, Pitchfactor always sounded very digital synth-like IMO....
How does the pitch tracking on the Kemper compare tone and tracking-wise to the Digitech pedal?
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I have a pitchfactor right now running through my kemper. I like it better than the new kemper micropitch. I can do 5 cents up and down as well as detune. The new pitchshift on the kemper just isn't hitting that Van Halen sound I like.
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How does the pitch tracking on the Kemper compare tone and tracking-wise to the Digitech pedal?
so far, it's on par, I always liked the Digitech Harmonyman tone better than the Pitchfactor as well.
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Maybe when compared to the rack stuff, I had a Pitchfactor and the pitch fx on the kemper track MUCH better. Also, the Pitchfactor had a slight delay when changing patches that the kemper doesn't have. I do a cover of Hotel California and have to change key centers for the harmonies often - the Eventide delay made it useless for that song.
Yeah maybe so. Haven't tried the pedals. Only have a H8000.
