Tone Junkie TV on YouTube has some great videos for tips and tricks. Click on playlists (or click here :Tone junkie tips and tricks full playlist). Good stuff there.
Posts by mnmountainbiker
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Check your spam folder in your email. Kemper emails get eaten by spam filters a lot.
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I finally used mine with the band last night at practice and it worked really great. It was less sterile sounding to me than my EV, the highs weren't as present, but I was able to EQ or switch profiles to fit my needs when I needed more highs. I was also surprise with the amount of bass I could get out of it (not that I needed it). I had the volume halfway up, and it was plenty loud for practice (monitor output at -13.6, rig volume at 12 o'clock). It was so easy to carry too. FWIW, I play blues/rock rhythm so YMMV. It held it's own with the lead players Marshall 2550 and his 4x10 cab and the drummer (granted, we weren't playing super loud, but loud enough). They were able to hear me no problem (we only PA vocals at practice).
I bought it from Guitar center so I could return it easily if needed, but it looks like I'll be holding on to it now.
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...you would think that with color pix coming back from Pluto, we would be able to transpose a guitar without lag, but,,, not yet,
They may be getting pictures, but there is a tremendous amount of lag for them to get here (42 minutes)! So, the transpose lag really isn't so bad in this context.
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Also turn off any audio processing on your TV (or stereo if going through one), just choose direct or the equivalent. Any of those sound modes just add more latency as they "enhance" the signal.
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Ugh, I hate you guys.
I just picked up a 108 at Guitar center for $199. I played around with it for about an hour this afternoon and it sounded good (by itself), I normally use HS8 monitors at home. I'll see how it sounds in a band setting (practice) next weekend. I've been using a EV ZLX-12p for a couple years, but we had a weak bass player and I liked the added bass with the zlx. We got a better bass player now and while I loved the compression driver of the EV for cleans and surf tones, I could never get it to sit right in the mix for consistently.
If this doesn't work, I'll return it (guitar center has a 45 day return policy) and try the Yamaha DXR10, or a Mbritt cab, or whatever I can get my hands on.
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I can't wait to get one of the many "refurb" units when they are ready!
I'm not scared. -
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Were they zipped? You have to unzip files before you can import them.
You can unzip the files, highlight them and drag them(or copy and paste) into the folder in rig manager where you want them (profiler, or other folder in local library).
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What DAW do you use? I use Reaper and there's a little button on the input track for "input monitoring" that I have to push to hear back through my 2i4.
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why not just get a MeloAudio MIDI commander. Its only $150, smaller than FCB1010, and already built to work with kemper.
Smaller, yes, but that means fewer buttons. Looks like you can only control 2 stomp boxes while in Kemper mode using performances. Might not be a huge deal, but I like to turn stomps off and on instead of switching performances (most of the time). UNO4, single cat5 mod and pedals cut off, works for now until I decide if I really need the Kemper remote.
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Scientists have discovered a shape that blocks all sound–even your co-workers
I'm guessing this would actually be worse since it reflects sound back at the source, but you never know.
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I'm guessing it's because "all rigs" includes rig exchange, which you won't be able to export. Try clicking "local library" and export those.
Wow, over 100,000 rigs in your library.
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It seems like all my existing presets have way too much reverb on them now, and without the front knobs it sucks to adjust on the fly. Just noticed my lock buttons not working either.
Too many issues for me, I played around for a couple hours and it was fun while it lasted, but I'm out. Restoring my back up now.
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..., I remember at the time when they announced the power amp, they said we could add it ourself (in the empty space) or send it back to kemper so they can add it but finally none of that.
In Kempers defense, this was due to regulations. Adding or modifying the original product by adding the amp would change it's UL/CE rating. Doing so would open the company up to liability issues if anything ever happened. Enter a company like Camplifier.
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Sorry, I don't have any experience with those 2 products, hopefully some one else can help.I live in the commercial AV world (casinos, schools, hotels, etc.), that's were I use Dante. I don't have a much experience with live sound, other than the occasional church or small club sound system.
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Here's a guide for setting up within Dante controller.
https://dev.audinate.com/GA/da…roller/userguide/webhelp/
More technical info.
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Welcome, it's a great weekend to sit inside and play with your Kemper. 3 degree F. tonight.
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What do you need to know?
Switches-
While Gigabit switches are recommended, 100Mbps switches may be used in limited scenarios.
- For low channel count (<32) applications, a 100Mbps switch may be used as long as it supports proper QoS, and QoS is active. The use of 100Mbps switches without QoS is not recommended or supported.
- For higher channel counts, Gigabit switches are essential. QoS is recommended for Gigabit switches on networks that share data with services other than Dante.
As far as setting up the devices go, you just need to use "Dante Controller" to set the ip addresses of the devices and assign where you want the traffic go. It uses a grid matix in the software, you just check the channels and where they go to.
example. 8 mic channels to mixer from patch bay, 4 channels from mixer to patch (monitor mix).
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I'm showing my age a bit with this one.
